The Secret Life ofSalvador Dalí is an autobiography by the internationally renowned artist Salvador Dalí published in 1942 by Dial Press. The book was written in French and translated into English by Haakon Chevalier. It covers his family history, his early life, and his early work up through the 1930s, concluding just after Dalí's return to Catholicism and just before the global outbreak of the Second World War. The book is over 400 pages long and contains numerous detailed illustrations. It has attracted both editorial praise as well as criticism, notably from George Orwell.
Contents
Dalí opens the book with the statement: "At the age of six I wanted to be a cook. At seven I wanted to be Napoleon. And my ambition has been growing steadily since." According to Time, Dalí wrote with a highly detailed, methodical style that layered words the same way as paint. For example, he states in an early section about his childhood home: Dalí states in the book:
At the age of five years, he encountered an almost dead batcovered with ants and then put it in his mouth, bit it, and then tore the bat almost in half.
He stood out dramatically from the poor children in his school by carrying a flexible bamboocane adorned with a silver dog's head figure and a sailor suit with gold insignia.
Due to a "refined Jesuitical spirit", he remained a virgin until age 25. As an adolescent, he resisted the sexual advances by his girlfriend for five years until he left her, doing so mostly out of his enjoyment of being in control.
He became interested in necrophilia, but was then later cured of it.
While walking down the Boulevard Edgar-Quinet in Paris in 1934, he became so disgusted at the sight of a blinddouble-amputee that he kicked him.
Reception
Time stated that Dalí's autobiography was "one of the most irresistible books of the year." The magazine called it "a wild jungle of fantasy, posturing, belly laughs, narcissist and sadist confessions", while also commenting that "he question has always been: Is Dalí crazy? The book indicates that Dalí is as crazy as a fox." Essayist, journalist, and author George Orwell wrote a notable criticism of the book titled Benefit of Clergy: Some Notes on Salvador Dalí in 1944. Orwell categorized Dalí's book among other recent autobiographies that he considered "flagrantly dishonest", and he stated that "his autobiography is simply a strip-tease act conducted in pink limelight". He denounced Dalí's accounts of physical abuse against various women in Dalí's early life. He wrote "t is not given to any one person to have all the vices, and Dalí also boasts that he is not homosexual, but otherwise he seems to have as good an outfit of perversions as anyone could wish for" and "f it were possible for a book to give a physical stink off its pages, this one would". He also commented that "ne ought to be able to hold in one's head simultaneously the two facts that Dalí is a good draughtsman and a disgusting human being", defending aspects of Dalí's surrealist style. In July 1999, an article by Charles Stuckey in Art in America stated that Dalí's book "arguably revolutionized a literary genre". He argued that Dalí's book had been intended as slapstick humor and has been generally misinterpreted by critics. He also wrote:
Influences
American writer and humorist James Thurber wrote a semi-autobiographic article for The New Yorker called The Secret Life of James Thurber on February 27, 1943. In the article, Thurber referred to Dalí's title and parts of his style in comparison to his own life. In particular, Thurber noted with dismay that his own autobiographical book, My Life and Hard Times, sold for only $1.75 a copy in 1933 while Dalí's book sold for a full $6.00 in 1942.
