The Secret of Kells


The Secret of Kells is a 2009 French-Belgian-Irish animated fantasy film animated by Cartoon Saloon that premiered on 8 February 2009 at the 59th Berlin International Film Festival. It went into wide release in Belgium and France on 11 February, and Ireland on 3 March.
It was directed by Tomm Moore and co-directed by Nora Twomey, produced by Paul Young, Didier Brunner and Vivian Van Fleteren, written by Fabrice Ziolkowski, distributed by Gébéka Films, Kinepolis Film Distribution, Buena Vista International, edited by Fabienne Alvarez-Giro and music composed by Bruno Coulais and Kíla. It stars Evan McGuire, Brendan Gleeson, Christen Mooney, Mick Lally , Michael McGrath, Liam Hourican, Paul Tylak and Paul Young. It was nominated for the Academy Award for Best Animated Feature but it lost to Up.

Plot

Set in 9th century Ireland, during the age of Viking expansion, the film's protagonist is Brendan, a curious and brave boy living in the tightly knit Abbey of Kells under the care of his stern uncle, Abbot Cellach, who is obsessed with building a wall around the Abbey to prevent Viking attacks.
Apprenticed in the scriptorium of the monastery, Brendan hears the other monks talk of Brother Aidan, creator of the Book of Iona, and becomes curious about the mysterious illuminator and the book that "turns darkness into light". Aidan arrives in Kells, accompanied by his white cat, Pangur Bán, after his monastery of Iona is destroyed by a raid. After eavesdropping on a discussion between Cellach and Aidan, Brendan wanders into the scriptorium and finds the still-to-be-completed book guarded by Pangur Bán. Aidan arrives, and tells Brendan about the book.
Seeing Brendan as a suitable apprentice, Aidan sends him and Pangur Bán into the woods to obtain gall nuts to make ink. Cornered by a hungry pack of wolves, Brendan is saved by the fairy Aisling, who overcomes her initial suspicion and accepts Brendan after he reveals his intentions of helping to create the book.
After a close encounter with Crom Cruach, a deity of death and destruction of whom Aisling is deeply afraid, Brendan and Aisling return to the outskirts of the forest, and she assures him that he can return any time.
At the monastery, Brendan is reprimanded by Cellach, who forbids him to leave again. Continuing to work with Aidan, Brendan learns that the work is endangered by the loss of the Eye of Colm Cille, a special magnifying lens captured from Crom Cruach. When Brendan tries to visit Crom's cave to obtain another Eye, Cellach confines him to his room.
Freed by Pangur Bán and Aisling, Brendan runs into the heart of the woods, where a shocked Aisling begs him not to confront the dark deity, warning that Crom Cruach will kill him just as it killed her mother and the rest of her people. Declaring that the book will never be completed without the Eye, Brendan persuades Aisling to help him enter Crom's cave, narrowly escaping death in the process. Brendan duels with Crom and seizes the Eye, blinding Crom and causing the deity to consume itself, becoming an ouroboros. Returning to the cave entrance, Brendan finds the forest covered in white flowers.
Brendan returns to the abbey and continues to assist Aidan in secret, watched excitedly by the brothers of the monastery. A messenger from outside warns Cellach that the Vikings are on their way. In a fit of anger and frustration, Cellach locks Brendan and Aidan in the scriptorium, but not before ripping out a page Brendan had created. The Vikings invade Kells and breach the wooden gate, to Cellach’s horror. Cellach is wounded by an arrow, then by a Viking blade, as the Vikings swarm Kells. Still locked in the burning scriptorium, Brendan and Aidan escape using green smoke from the gallberry ink, confusing the raiders. The wooden staircase to the abbey’s central tower becomes overloaded with panicked villagers and collapses, and the village and abbey below are set ablaze.
Unable to help Cellach, Brendan and Aidan flee to the forest with Pangur Bán as the Vikings breach the main church and attack the monks and villagers hiding within. Vikings in the forest find Brendan and Aidan and search them for treasure, scattering the pages of the book, but Aisling's wolves arrive and either scare away or kill the Vikings. As Brendan finds the final page of the book, he comes face to face for a moment with a white wolf, who may be Aisling.
Kells has been sacked and burnt, with few survivors, and Cellach critically injured, but he survives. Brendan and Aidan travel across Ireland and, after many years, complete the book. Aidan, after entrusting the book to Brendan, dies, and the now-adult Brendan returns to Kells with Pangur Bán, guided by Aisling in white wolf form. Brendan reunites with the aged, guilt-ridden Cellach, and shows him the completed Book of Kells. The film closes with an animated rendition of some of the illuminated pages of the book.

Cast

The film is based on the story of the origin of the Book of Kells, an illuminated manuscript Gospel book in Latin, containing the four Gospels of the New Testament located in Dublin, Ireland. It also draws upon Celtic mythology; examples include its inclusion of Crom Cruach, a pre-Christian Irish deity and the reference to the poetic genre of Aislings, in which a poet is confronted by a dream or vision of a seeress, in the naming of the forest sprite encountered by Brendan. Wider mythological similarities have also been commented upon, such as parallels between Brendan's metaphysical battle with Crom Cruach and Beowulf's underwater encounter with Grendel's mother. The Secret of Kells began development in 1999, when Tomm Moore and several of his friends were inspired by Richard Williams's The Thief and the Cobbler, Disney's Mulan, Gustav Klimt's paintings, John Bauer's illustrations and the works of Hayao Miyazaki, which based their visual style on the respective traditional art of the cultures featured in each film. They decided to do something similar to Studio Ghibli's films but with Irish art. Tomm Moore explained that the visual style was inspired by Celtic and medieval art, being 'flat, with false perspective and lots of colour'. Even the clean up was planned to 'obtain the stained glass effect of thicker outer lines'.

Reception

The film was very well received; it holds a 91% overall approval rating on Rotten Tomatoes based on 78 reviews with an average rating of 7.6/10 with the critical consensus that "Beautifully drawn and refreshingly calm, The Secret of Kells hearkens back to animation's golden age with an enchanting tale inspired by Irish mythology." On Metacritic, which assigns a normalized rating out of 100 based on reviews from critics, the film has a score of 81 based on 20 reviews.
Some critics compared the film to Hayao Miyazaki's works such as Princess Mononoke and Spirited Away. Joe Morgenstern of the Wall Street Journal said that "it pays homage to Celtic culture and design, together with techniques and motifs that evoke Matisse, Miyazaki and the minimalist cartoons of UPA".
Gary Thompson of the Philadelphia Daily News said The Secret of Kells "is noteworthy for its unique, ornate design, its moments of silence... and gorgeous music". Leslie Felperin of Variety Magazine praised the film as "Refreshingly different" and "absolutely luscious to behold". Jeremy W. Kaufmann of Ain't It Cool News called its animation "absolutely brilliant", and reviewers at Starlog called it "one of the greatest hand drawn independent animated movies of all time". Writing for the Los Angeles Times, Charles Solomon ranked the film the tenth best anime on his "Top 10". On Oscar weekend it was released at the IFC Center in New York City and was then released in other venues and cities in the United States, where it grossed $667,441.

Accolades

;Wins
;Nominations