The painting is unusual in both its composition and its setting. The subject matter, perhaps intentionally conveying Walker's ties with Holland, is reminiscent of seventeenth-century Dutch artworks, particularly those of Hendrick Avercamp. The Reverend skates in the efficient but difficult "travelling position", with both arms folded across his chest and his stern black outfit contrasts with the wild backdrop of Duddingston Loch. According to Andrew Graham-Dixon, "The pinkish grey crags and sky have been painted with great freedom, whereas the figure of Reverend Robert Walker himself is so tightly drawn and painted that he appears almost as a black silhouette against an icy, vaporous wilderness. Perhaps this was the artist's way of suggesting that, for all his apparent probity and self-restraint, the minister was at heart something of a romantic – a man, at any rate, with a penchant for communing with nature." Art historian Duncan Thomson notes that, "The filigree within the buckle on the strap at the skater's right knee and the taut complexities of the arrangement of the pink ribbons that binds the skates to his shoes are a reminder of the manipulative skills that Raeburn must have developed during his apprenticeship ... perhaps the tour de force of observation and the finding of equivalent forms are the marks that the skater has made on the ice: the curving grooves incised with some appropriate tool in a liquid, greyish white which has been spread over a darker grey that has been allowed to dry and the edges of these tiny furrows, more pronounced towards the bottom of the picture, tipped in with a purer white to simulate the froth of ice thrown aside by the cutting blade."
Attribution controversy
In March 2005, a curator from the Scottish National Portrait Gallery suggested that the painting was by French artist Henri-Pierre Danloux rather than by Henry Raeburn. Once this information had been brought to the attention of the Gallery, the label on the painting was altered to read “Recent research has suggested that the picture was actually painted by Henri-Pierre Danloux.” Since this time, many people have debated this idea. It has been argued that Danloux was in Edinburgh during the 1790s, which happens to be the time period when The Skating Minister was created. Supposedly the canvas and scale of the painting appears to be that of a French painter, although Raeburn critics argue otherwise. Despite continuing controversy about its attribution, The Skating Minister was sent to New York City in 2005 to be exhibited in Christie's for Tartan Day, an important Scottish celebration. James Holloway, director of the Scottish National Portrait Gallery, told The Scotsman newspaper that his "gut reaction" was that it is by Raeburn. The newspaper reported that "it is understood that Sir Timothy Clifford, director-general of the National Galleries of Scotland, now accepts the painting is a Raeburn."
Cambridge UK based musical groupClean Bandit based a character in their music video for their song "Dust Clears" on The Skating Minister painting. The video has been posted by the band on YouTube. The skating minister is portrayed by skater Nick Martin and the skating scenes were filmed on Lake Vattern in Sweden. A copy of The Skating Minister can be seen displayed in the apartment of con-man Neal Caffrey in the USA television series White Collar. In Alexander McCall Smith's novel The Sunday Philosophy Club, a character sends a card bearing Raeburn's picture to the protagonist, Isabel Dalhousie.
