After recording psychedelic album Blue Sunshine for the one-off project the Glove during summer 1983, Robert Smith finished off the year composing and working on two other studio albums at the same time: The Top for the Cure and Hyæna for Siouxsie and the Banshees. Smith was still the official guitarist of the Banshees while he wrote The Top. For The Top, Smith teamed up with another Cure founding member, Lol Tolhurst, who had given up drums for keyboards, and new drummer Andy Anderson, who had previously performed on the UKtop 10 single "The Lovecats". Porl Thompson was credited for playing saxophone on "Give Me It". All the songs are credited to Smith bar three tracks co-written with Tolhurst: "The Caterpillar", "Bird Mad Girl" and "Piggy in the Mirror".
Music
The album's style is eclectic, with Smith using various instruments including violin and flute. "Bird Mad Girl" is in a Spanish style, while "The Wailing Wall" contains Middle Eastern undertones. Sounds critic Jack Barron described the opening track "Shake Dog Shake" as "urbane metal".
Promotion, release and reception
Prior to its release, the Cure had been promoting the forthcoming album, performing live twice on UK television. In late February, they had played two songs on BBC Two's Oxford Road Show, "Shake Dog Shake" and "Give Me It" and in early April, they had appeared on Channel Four's The Tube to perform three other tracks, "Bananafishbones","Piggy in the Mirror" and the title track of the record. The Top album was released on 30 April 1984 by record labelFiction. It was a commercial success in the UK, peaking at No. 10 on the UK Albums Chart. "The Caterpillar" was the sole single released from the album. Upon its release, the reaction in the British press was mostly positive. Steve Sutherland of Melody Maker praised the album for its "psychedelia that can't be dated", while Andy Strike of Record Mirror called it "a record of wicked originality and wit". In contrast, Barron at Sounds noted that The Top is "too often not the true bottom line in reflected experience to be indisposable", but nevertheless prophesied, "In 20 years time, when the next generation blush with excitement about the word psychedelic, it'll be regarded as a classic". On a more skeptical note, NME reviewer Danny Kelly considered it self-indulgent, qualifying it as "a ambitious difficult record". In a retrospective review, Q writer Tom Doyle dismissed The Top as a "transitional record of forgettable songs". Thomas Inkeep of Stylus Magazine wrote that The Top "may well be the nadir of their catalog", concluding he would "call it a transitional album and leave it at that, for what came subsequently was an honest-to-goodness marvel". Chris True of AllMusic noted that while it is "an album obviously recorded under stress, drink, and drugs", Smith's ability "to fuse the paranoia and neuroses of former work with his newfound use of pop melody and outside influences" makes the record "a necessary step in the evolution of the band".
Reissue
The album was re-released August 8, 2006 in the U.S. and August 14 in the UK. The second disc included four previously unreleased tracks, three live performances, and studio outtakes/demos of nine of the 10 songs on the original album.
Track listing
All songs written by Robert Smith, except where noted. Side A
"Shake Dog Shake" – 4:55
"Bird Mad Girl" – 4:05
"Wailing Wall" – 5:17
"Give Me It" – 3:42
"Dressing Up" – 2:51
Side B
"The Caterpillar" – 3:40
"Piggy in the Mirror" – 3:40
"The Empty World" – 2:36
"Bananafishbones" – 3:12
"The Top" – 6:50
Personnel
The Cure
Robert Smith – vocals, guitar, bass guitar, keyboards, organ, recorder, violin, harmonica, production
