The Tree of Wooden Clogs


The Tree of Wooden Clogs is a 1978 Italian film written and directed by Ermanno Olmi. The film concerns Lombard peasant life in a cascina of the late 19th century. It has some similarities with the earlier Italian neorealist movement, in that it focuses on the lives of the poor, and the parts were played by real farmers and locals, rather than professional actors.
It won fourteen awards including the Palme d'or at Cannes and the César Award for Best Foreign Film. The original version of the movie is spoken in Lombard.

Plot

Four peasant families working farms for the same landlord scrape out a meagre existence in 1898 in the countryside around Bergamo. Over the course of a year, children are born, crops are planted, animals are slaughtered, couples are married, stories and prayers are exchanged in the families's shared farmhouse. Undercurrents of revolution are seen by the peasants but largely ignored, as a communist rabble-rouser gives a speech at a local fair and when a newlywed couple visit the big city of Milan and witness the arrest of political prisoners. When spring comes, the father from one of the four families cuts down a tree to make wooden clogs so that his son can walk to school, but the landowner discovers this, and the family is forced off their land by the incensed landlord. The remaining families watch them go, praying for them and recognising their own fragile existence.

Cast

The movie includes real footage of a goose and pig being killed.

Critical acclaim

British film-maker Mike Leigh praised the film in The Daily Telegraph's 'Film makers on film' interview series, on 19 October 2002. Leigh pays tribute to the film’s humanity, realism, and vast scale. He called the film “extraordinary on a number of levels”, before concluding “this guy is a genius, and that's all there is to it”. Leigh has described Olmi's epic of peasant life in Lombardy as the ultimate location film: " Directly, objectively, yet compassionately, it puts on the screen the great, hard, real adventure of living and surviving from day to day, and from year to year, the experience of ordinary people everywhere...the camera is always in exactly the right place...but the big question, arising out of these truthful and utterly convincing performances achieved by non-actors, always remains: how does he really do it?" When Al Pacino was asked by the AFI what his favourite movie was, he admitted that he "always liked The Tree Of Wooden Clogs."