The Lord of the Rings is composed of six "books", aside from an introduction, a prologue and six appendices. The novel was originally published as three separate volumes due to post-World War II paper shortages and size and price considerations. The Two Towers covers Books III and IV. Tolkien wrote, "The Two Towers gets as near as possible to finding a title to cover the widely divergent Books 3 and 4; and can be left ambiguous." At this stage he planned to title the individual books. The proposed title for Book III was The Treason of Isengard. Book IV was titled The Journey of the Ringbearers or The Ring Goes East. The titles The Treason of Isengard and The Ring Goes East were used in the Millennium edition. In letters to Rayner Unwin Tolkien considered naming the two as Orthanc and Barad-dûr, Minas Tirith and Barad-dûr, or Orthanc and the Tower of Cirith Ungol. However, a month later he wrote a note published at the end of The Fellowship of the Ring and later drew a cover illustration, both of which identified the pair as Minas Morgul and Orthanc. In the illustration, Orthanc is shown as a black tower, three-horned, with the sign of the White Hand beside it; Minas Morgul is a white tower, with a thin waning moon above it, in reference to its original name, Minas Ithil, the Tower of the Rising Moon. Between the two towers a Nazgûl flies.
Contents
The volume contains a Synopsis for readers who have not read the earlier volumes. The body of the volume consists of Book III: The Treason of Isengard, and Book IV: The Ring Goes East.
Critical reception
Donald Barr in The New York Times gave a positive review, calling it "an extraordinary work – pure excitement, unencumbered narrative, moral warmth, barefaced rejoicing in beauty, but excitement most of all." Anthony Boucher, reviewing the volume in The Magazine of Fantasy & Science Fiction, wrote that The Two Towers "makes inordinate demands upon the patience of its readers" with passages which "could be lopped away without affecting form or content". Nevertheless, he lavished praise on the volume, saying "no writer save E. R. Eddison has ever so satisfactorily and compellingly created his own mythology and made it come vividly alive... described in some of the most sheerly beautiful prose that this harsh decade has seen in print."
