Theatrical superstitions
Theatrical superstitions are superstitions particular to actors or the theatre.
Macbeth
's play Macbeth is said to be cursed, so actors avoid saying its name when in the theatre. Actors also avoid even quoting the lines from Macbeth before performances, particularly the Witches' incantations. Outside a theatre and after a performance, the play can be spoken of openly. Saying the names of the characters, including Macbeth, seems to be fine. If an actor speaks the word "Macbeth" in a theatre prior to one of the performances, they are required to perform a ritual to remove the curse. The ritual may vary according to local custom: one is to leave the theatre building, or at least the room occupied when the name was mentioned, spin around three times, spit, curse, and then knock to be allowed back in. This particular iteration of the ritual is documented in the play The Dresser and its film adaptations. Another example is in the song 'Take a Break' from the hit broadway musical Hamilton. Alexander refers to 'the Scottish tragedy' in a letter to Angelica Schuyler, comparing himself and his enemies to the characters in the Shakesperian tragedy.One version of this legend claims that it was the actor who played Lady Macbeth who died during the play's first production run and that Shakespeare himself had to assume the role. There is no evidence that this legend is factual.
"Break a leg" vs. "Good luck"
Generally, it is considered bad luck to wish someone "good luck" in a theatre. Prior to performances, it is traditional for the cast to gather together to avert the bad luck by wishing each other bad luck or cursing – in English-speaking countries, the expression "break a leg" replaces the phrase "good luck". The exact origin of this expression is unknown, but some of the most popular theories are the Leg Line Theory, the Shakespearean Theory, and the Bowing Theory.In Australian theatrical circles saying "good luck" is also avoided, but the replacement is often "chookas!" This may be due to the belief among some dancers that saying "break a leg" may actually result in broken bones. According to one oral tradition, one of the company would check audience numbers. If there were not many in the seats, the performers would have bread to eat following the performance. If the theatre was full they could then have "chook" —Australian slang for chicken— for dinner. Therefore, if it was a full house, the performer would call out "Chook it is!", which became abbreviated to "Chookas!" It is now used by performers prior to a show regardless of the number of patrons; and may be a wish for a successful turnout.
Professional dancers do not wish each other good luck by saying "break a leg"; instead they say "Merde!", the French word for "shit". In turn, theater people have picked up this usage and may wish each other "merde", alone or in combination with "break a leg". In Spanish, the phrase is "mucha mierda", or "lots of shit". This term refers to the times when carriages would take the audience to the theatre. A quick look to the street in front of the venue would tell if the play was successful: a lot of horse dung would mean many carriages had stopped to leave spectators.
Opera singers use "Toi toi toi", an idiom used to ward off a spell or hex, often accompanied by knocking on wood. One explanation sees "toi toi toi" as the onomatopoeic rendition of spitting three times. Saliva traditionally was supposed to have demon-banishing powers and, in various cultural traditions, spitting three times over someone's head or shoulder is a gesture to ward off evil spirits. A similar-sounding expression for verbal spitting occurs in modern Hebrew as "Tfu, tfu", which some say that Hebrew-speakers borrowed from Russian.
An alternate operatic good luck charm, originating from Italy, is the phrase "in bocca al lupo!" with the response "Crepi il lupo!" .
Ghost light
One should always leave a light burning in an empty theatre.Though it is a superstition, it does have practical value as well: the backstage area of a theatre tends to be cluttered with props and other objects, so someone who enters a completely darkened space is liable to be injured while hunting for a light switch.
Ghosts in Broadway Theatres
In 2005, Playbill ran an article about Broadway theatres that were believed to be haunted. The following is a list of hauntings from that article:- Radio City Music Hall: The Hall's builder, Samuel Roxy Rothafel, is said to appear on opening nights accompanied by a glamorous woman spirit.
- New Amsterdam Theatre: Silent film star and former Ziegfeld Follies girl Olive Thomas is said to have appeared several times since her death in 1920. Thomas may be the most sighted ghost on Broadway, although to date she has only appeared to men. Disney, which restored the theatre in the 1990s, actively promotes the idea that Thomas haunts the theatre and makes accommodations for her presence. A large photograph of her hangs in the lobby of the New Amsterdam next to equally large photos of more famous Follies stars.
- Belasco Theatre: The top floor of the theatre is said to be haunted by its namesake David Belasco, who lived in an apartment located there.
- Palace Theatre: The former premiere vaudeville theatre is said to be haunted by more than 100 ghosts. According to the article, actress Andrea McArdle saw the ghost of a pit cellist during her 1999–2000 run as Belle in Beauty and the Beast.
- Lyric Theatre: On December 21, 1909, the ghost of playwright Clyde Fitch allegedly appeared onstage during the final curtain call on opening night for his last play, The City. He strode to center stage, took a bow, then vanished before the eyes of the startled cast and audience. The Lyric was one of two theatres demolished in 1996 to make way for what is now called the Foxwoods Theatre.
- Al Hirschfeld Theatre: Formerly the Martin Beck Theatre, it is believed that Beck's ghost is annoyed with the 2003 name change. During that year's revival of Wonderful Town, there were several reports of props and other items that were mysteriously moved or went missing.
Whistling
Shoes on a table
It is considered bad luck to place one's shoes on a table.Miscellaneous
- Bringing a pet on a theatrical or film set is considered to bring Bad Luck to any production. “A Pet on set is bad luck”.
- Some words and phrases are used during pre-stage warm-up sessions by actors. One of these is the Western Shoshone term "poo-wa-bah". This term is used notably by director Francis Ford Coppola and his daughter Sofia Coppola. It is thought that he began this pre-show ritual at his undergraduate alma mater Hofstra University where the tradition continues in Hofstra Drama Department productions.
- Specific theatres
- * Some Broadway producers have also complained about the Foxwoods Theatre. Completed in 1998, the main complaint is that the 1829 seat theatre's cavernous auditorium has poor sight lines and acoustics, making it difficult for audience members in distant seats to see or hear the actors. Mel Brooks made a different complaint about the theatre's acoustics, stating that its size also makes it difficult for performers to hear the laughter of the audience. The theatre opened with the two-year, 834 performance run of the original production of the musical Ragtime. This was followed in 2001 by the four-year, 1524 performance run of the revival of the musical 42nd Street. Normally, this would have given the theatre a good reputation, but its poor reputation grew exponentially in 2010–11 with the seemingly endless production problems of ', which had already set the record for most preview performances five months before it officially opened on 14 June 2011. See also the Lyric Theatre under "Ghosts of Broadway Theatres" above.
- * Before My Fair Lady began its six-year, 2017 performance run at the Mark Hellinger Theatre in 1956, that theatre was thought to be cursed. It had been switched back and forth several times between being a motion picture theatre and a live stage theatre. From its opening in 1930 until the opening of My Fair Lady, the 1949 musical ''Texas, Li'l Darlin had the longest run at the Hellinger—nine months and 293 performances.