Thomas Joshua Cooper


Thomas Joshua Cooper is an American photographer of Jewish and Cherokee descent. He is considered among the premier contemporary landscape photographers.

Early life and education

Cooper studied art, philosophy and literature and received his bachelor’s degree from Humboldt State University in Arcata, California in 1969. In 1972, he received his master’s of art in photography with honors from the University of New Mexico.

Inspiration

Cooper was inspired by the works of the photographers of the f/64 group of the 1930s and 1940s, such as Ansel Adams. Cooper stated, "I'll live and die by the late works of Edward Weston, Alfred Stieglitz and Paul Strand, and I think Robert Frank is the most extraordinary living photographic picture-maker."

Career

Cooper's first solo show took place in 1971. He has had more than 95 solo exhibitions since then. After teaching art and photography in a number of schools in California, Cooper moved to England.
In 1982 he launched the Fine Art Photography program at the Glasgow School of Art.
Cooper loves being a photographer, but is frustrated by some of the vocabulary that is used in the field. He indicates, "I hate the words "snap", "shoot" and "take" when it comes to making photographs. Everything I do is very seriously built up. They are 'made' pictures."
Not only a photographer, Cooper is a poet and has written haiku books. Most of them are inspired by nature and reflect his photography.
He is now a senior researcher in the faculty of Fine Art, holding a Professorial role. He is married to Catherine Alice Mooney.
In 2009 Cooper achieved a Guggenheim Fellowship in Photography.
Cooper has lived in Scotland since the 1980s and he is represented by Ingleby Gallery, Edinburgh, Scotland.
At the end of September, 2019, on the 500th anniversary of the beginning of Magellan's circumnavigation of the world, Cooper opened for the first time “The Atlas of Emptiness and Extremity,” at the Los Angeles County Museum of Art: In an exhibition called 'The World's Edge' comprising 65 large-scale and 75 8 x 10 black-and-white photographs, showcases Cooper’s The Atlas of Emptiness and Extremity, The World’s Edge, and The Atlantic Basin Project, which he first embarked upon in 1987, to chart the Atlantic Basin from the extreme points of each north, south, east, and west coordinates. Open from 21 September until 2 February 2020 in the Resnick Pavilion.

Awards and honours

Cooper’s works are held by over fifty museums and public collections, among them: