Suzanne Stone has always been obsessed with being on television, aspiring to become a world-famous broadcast journalist. She marries Larry Maretto, using his family restaurant business to keep herself financially stable, and takes a job as a part-time secretary at a local cable station, WWEN, in the hopes of climbing the network ladder. Through relentless persistence, she's eventually promoted to doing the station's evening weather report. When Larry starts asking her to give up her career to start a family and help out at the restaurant, Suzanne immediately begins plotting to get rid of him. To this end, she uses the high school subjects of the TV documentary she's been making, Teens Speak Out; she seduces one of them, Jimmy Emmett, and manipulates him and his friends, delinquent Russell Hines and shy Lydia Mertz, into killing Larry. With the help of Russell and Lydia, Jimmy ultimately commits the murder. Though Larry's death is ruled as the result of a botched burglary, the police stumble across a Teens Speak Out clip of Suzanne at the teens' school, hinting at a relationship between her and Jimmy. The teens are arrested and connected to the crime scene. Lydia makes a deal with the police to converse with Suzanne while wearing a wire, and Suzanne unwittingly reveals her hand in the murder. However, despite this damning evidence, Suzanne argues that the police had resorted to entrapment and is released on bail. Basking in the media spotlight, Suzanne fabricates a story about Larry being a drug addict who was murdered by Jimmy and Russell, his purported dealers. Jimmy and Russell are sentenced to life in prison. Russell gets his sentence reduced while Lydia is released on probation. Meanwhile, Larry's father, Joe, realizes Suzanne was behind his son's death and uses his Mafia connections to have her murdered. The hitman lures Suzanne away from her home, kills her, and then places her beneath a frozen lake. Lydia gains national attention by telling her side of the story in a televised interview, becoming a celebrity. Larry's sister, Janice, practices her figure skating on the frozen lake where Suzanne's corpse is hidden.
Cast
Production
To Die For is a mixture of styles, combining a traditional drama with darkly comic direct-to-camera monologues by Kidman's character, and mockumentary interviews, some tragic, with certain of the other characters in the film. The film and the novel it is based on were both inspired by the facts that emerged during the trial of Pamela Smart, a school media services coordinator who was imprisoned for seducing a 16-year-old student and convincing him to kill her husband. The role of Suzanne Stone was originally offered to Meg Ryan, who turned down the part and the $5 million salary offered. Kidman, who was later cast in the role, was paid $2 million.
Critical reception
The film was screened out of competition at the 1995 Cannes Film Festival. To Die For currently holds an 88% "certified fresh" rating on Rotten Tomatoes based on 57 reviews, where the consensus reads "Smart, funny, and thoroughly well-cast, To Die For takes a sharp - and sadly prescient - stab at dissecting America's obsession with celebrity." Another aggregator Metacritic, has assigned a weighted average of 86 out of 100 based on 23 critics, indicating "universal acclaim". Katherine Ramsland of Crime Library describes the film as an example of a work displaying women with antisocial personalities; Ramsland describes Suzanne as a "manipulator extraordinaire" who harms people through third parties. In her review in The New York Times, Janet Maslin called the film "an irresistible black comedy and a wicked delight" and added, " takes aim at tabloid ethics and hits a solid bull's-eye, with Ms. Kidman's teasingly beautiful Suzanne as the most alluring of media-mad monsters. The target is broad, but Gus Van Sant's film is too expertly sharp and funny for that to matter; instead, it shows off this director's slyness better than any of his work since Drugstore Cowboy... Both Mr. Van Sant and Ms. Kidman have reinvented themselves miraculously for this occasion, which brings out the best in all concerned." Mick LaSalle of the San Francisco Chronicle said of Kidman, " brings to the role layers of meaning, intention and impulse. Telling her story in close-up – as she does throughout the film – Kidman lets you see the calculation, the wheels turning, the transparent efforts to charm that succeed in charming all the same... her beauty and magnetism are electric. Undeniably she belongs on camera, which means it's equally undeniable that Suzanne belongs on camera. That in itself is an irony, a commentary or both." Emanuel Levy wrote, "mean-spirited satire, told in mock-tabloid style, this film features the best performance of Nicole Kidman to date, as an amoral small-town girl obsessed with becoming a TV star." American Film Institute recognition:
