Travis Banton was an American costume designer. He is perhaps best known for his long collaboration with actress Marlene Dietrich and director Josef von Sternberg. He is generally considered one of the most important Hollywoodcostume designers of the golden age. He was born in Waco, Texas. Travis moved to New York City as a child. Banton was educated at Columbia University and at the Art Students League where he studied art and fashion design. An early apprenticeship with a high-society costume dressmaker earned him fame. When Mary Pickford selected one of his dresses for her wedding to Douglas Fairbanks, his reputation was established. He opened his own dressmaking salon in New York City, and soon was asked to create costumes for the Ziegfeld Follies. In 1924, Travis Banton moved to Hollywood when Paramount contracted with him to create costumes for his first film, The Dressmaker from Paris. Beginning with Norma Talmadge in Poppy, Banton designed clothing for Pola Negri and Clara Bow in the 1920s. In the 1930s and 1940s Banton designed for such stars as Kay Francis, Lilyan Tashman, Sylvia Sidney, Gail Patrick, Helen Vinson, and Claudette Colbert. Ultimately, Travis Banton may be best remembered for forging the style of such Hollywood icons as Carole Lombard, Marlene Dietrich, and Mae West. Dietrich and Banton had an especially close and successful collaboration. His work for Dietrich is still frequently referenced by designers. Glamour, subtle elegance, and exquisite fabrics endeared Travis Banton to the most celebrated of Hollywood's beauties and made him one of the most sought-after costume designers of his era. As viewings of such films as The Gilded Lily and Desire reveal, his costume designs were marked by form-flattering cuts, rich fabrics, and extravagant textures. He collaborated closely with directors and actresses in order to fulfil their vision. When designer Howard Greer left Paramount, Banton was promoted to Head Designer and was responsible for dressing the studio's most illustrious stars. Because of his worsening alcoholism, and according to some commentators also at the instigation of his assistant Edith Head, Banton was forced to leave Paramount. He returned to designing privately for loyal stars and also occasionally designed for Twentieth Century-Fox from 1939-1941 and Universal from 1945–1948.
