Tsuchida Bakusen was the pseudonym of a Japanese painter in the Nihonga style, active during the Taishō and early Shōwa eras. His birth name was Tsuchida Kinji.
Biography
He was born on Sado island in Niigata Prefecture into a wealthy and influential family. His younger brother was the noted philosopher Tsuchida Kyōson. As an adolescent, Bakusen's father put him on the career path of a Buddhist priest, but he fled the temple where he was apprenticed in order to study art instead. He was accepted as a student by painter Takeuchi Seihō, and later studied at the Kyoto Kaiga Senmon Gakko from which he graduated in 1911. In 1918, Bakusen established a painting collective together with Murakami Kagaku, Ono Chikkyō, Sakakibara Shihō, and Nonagase Banka called the Kokuga Society, which was used as a vehicle to disseminate the group's eclectic style combining western yōga and Japanese painting techniques and styles. His favorite subjects were women, especially portraits of maiko, but he also painted flowers and still life themes. The Kokuga Society established its own annual exhibition, the Kokuten in competition with the increasingly restrictive Bunten Exhibitions in 1918. Seven Kokuten exhibitions were held between 1918 and 1928. In 1921, the Kokuga Society went on hiatus when Bakusen traveled to Europe with Ono Chikkyō to tour Western art museums. They returned after a little more than a year, and resumed the Kokuga Society in 1923. Bakusen was particularly fond of French Impressionism and post-impressionism, especially the works of Paul Gauguin, Vincent van Gogh and Paul Cézanne, and collected several of their works while in Europe. The Kokuga Society broke up in 1928, due to financial difficulties and internal disagreements. In 1934, Bakusen was appointed to the Teikoku Bijutsuin. He died in June 1936 of pancreatic cancer. His grave is at the temple of Chishaku-in in Kyoto. One of his works from 1918, Bathhouse Maiden, now at the Tokyo National Museum of Modern Art is registered as an Important Cultural Property by the Agency for Cultural Affairs. However, his painting Maiko in Garden from 1923, owned by the same museum, is considered his masterpiece.
