Ulf Langheinrich
Ulf Langheinrich is a visual artist and composer.
His work is mainly concerned with non-narrative environments and performances focusing on a specific approach to time, space and body. Since 2016 he is the Artistic Director of the International Festival for computer based art CynetArt in Dresden, Germany.
1980–1991
After studying industrial design he conducted audio-experiments using pipe organs, harmoniums and multiple tape machine environments as well as engaging mainly in drawing. He left East Germany in 1984 for West Germany, where he started to develop the basics of his language in painting, photography and electronic music ...In 1988 he moved to Vienna pursuing his activities in his studio in the WUK which resulted to an exhibition and the publication of a catalogue of his artworks.
1991–2003: Granular-Synthesis
In 1991 in Vienna, he co-founded with Austrian artist Kurt Hentschläger the duo .Their name refers to the technique of "granular synthesis", they apply to both sound and image, creating a new audiovisual language
In more than a decade they created monumental multimedia installations and performances such as AREAL, FELD, MODELL 5 , NOISEGATE or the latest POL. Figurative or abstract, immersive and monumental, sometimes interactive, their works were conceived in a theatrical approach and marked a new step in the aesthetic of perception.
They toured worldwide in the most prestigious spaces and festivals.
Several compilations of GRANULAR-SYNTHESIS works have been released on DVDs and they received the first prize of the International Biennial in Nagoya in 1995 as well as stipendiums in Austria and the USA.
Since 2003: Solo projects
Ulf Langheinrich has been producing a new series of large scale solo projects, among others PERM -an interactive abstract film created for the EVE Interactive Cinema system designed by Pr Jeffrey Shaw, HEMISPHERE, designed for a hemispheric screen or LAND, a stereoscopic installation commissioned by .His works were shown at various festivals and museums in Europe, Asia, North America and Australia.
Featured artist of the Ars Electronica Festival in 2005, he received a stipendium from Siemens for the creation of his installation WAVEFORM B.
The same year, he directed his first full-length film DRIFT in full HD, commissioned by the Australian Centre for the Moving Image
His longstanding interest in combining classical music with electronic music and HD images, led him to compose the score of SINKEN in 1998 -with GRANULAR-SYNTHESIS- for symphonic orchestra and electronic in Dangerous Visions, commissioned and performed by Orchestre National de Lille and New Music French group Art Zoyd. Since this first live experiment, other similar creations followed including MINUS, and later under his own name, SYNTONY for the Festival d'Art Lyrique of Aix-en-Provence, DRIFT LIVE again for Wien Modern and KU for TONLAGEN Festival for contemporary music in Dresden in 2010.
Many of his works were also created in collaboration with various artists, mostly as models, using a part of their body, as American singer/performer Diamanda Galas was for GRANULAR-SYNTHESIS' work POL, performer Michael Ashcroft for the duo's pieces WE WANT GOD NOW, AREAL and FORM.
Japanese dancer Akemi Takeya -her face- was also the model of GRANULAR-SYNTHESIS masterpiece MODELL 5 and short piece SWEETHEARTS. Ulf Langheinrich collaborated again with her later, when she asked him to design the audiovisual environment on her two body performances CE_1 and Weathering in 2005–2006.
Other collaborations include the series of performances and installations MOVEMENT A, MOVEMENT B, MOVEMENT X and MOVEMENT Y with Japanese dancer Toshiko Oiwa and MOVEMENT C and MOVEMENT Z with Chinese dancer Luo Yuebing.
He also worked on the music and sound design of the performance "N" for French choreographer Angelin Preljocaj in 2004 and co-directed the short film SPINTEX with British artist Gina Czarnecki in Ghana in 2008.
In 2015 he created the images and collaborated to the lighting design of the opera SOLARIS by Dai Fujikura and Saburo Teshigawara, after Stanislas Lem's novel, premiered at Théâtre des Champs-Élysées and toured at Lille Opera and Lausanne Opera.
As composer, he released the CD DEGREES OF AMNESIA.
In 2013 was published the DVD Visionaries 21: The Aesthetic Of Sensory, featuring his solo works from 2002–2010.
Over the last years, besides his artistic activities, Ulf Langheinrich has been appointed to teach in the most prestigious high schools in Europe, as well as in Australia and China.
In 2016 he was appointed Artistic Director of the festival CynetArt, based in Dresden.
Works
Installations and videos
- B
- PERM
- SOIL
- WAVEFORM B
- LIGHT
- WAVEFORM A
- DRIFT"
- OSC
- WOMAN WALKING
- RED
- SPINTEX with Gina Czarnecki
- LAND
- ALLUVIUM, for the AVIE by Jeffrey Shaw
- MOVEMENT X
- MOVEMENT Y
- IMZK
- MUSIC I
- NO LAND II
- NO LAND III
- NO LAND I
- NO LAND IV
- MUSIC III LAG
- MUSIC II, for the AVIE by Jeffrey Shaw
- MOVEMENT Z, for the AVIE by Jeffrey Shaw, with Luo Yuebing
- HEMISPHERE
- I MISS YOU
- SWEET HEART
- NOISEGATE
- FORM
- FELD
- RESET
- LUX''
Dance performances & cinematic live shows
- WEATHERING with Akemi Takeya
- "N" with the Ballet Preljocaj and Kurt Hentschläger
- CE_I with Akemi Takeya
- SYNTONY
- MOVEMENT A with Toshiko Oiwa
- KU
- MOVEMENT B
- DRIFT_LINE_BLUE
- MOVEMENT C with Luo Yuebing
- FULL ZERO with Luo Yuebing
- MODELL5
- AREAL
- POL
- SINKEN
- FORMEN
- <360>
- MINUS
Awards
- Austrian Furtherance Prize for new media art
- GRAND PRIX Open Competition ARTEC
- Austrian Federal State Grant for Fine Art
- PS1 Residency New York City
Books
- Enfoldment and Infinity: An Islamic Genealogy of New Media Art, Laura U. Marks. The MIT Press.,
- Art contemporain nouveaux médias, Dominique Moulon. Nouvelles Éditions Scala, coll. "sentiers d'art".,
- Multimedia Performance, Rosemary Klich and Edward Scheer. Palgrave Macmillan,
- The Diana "Lichtwerk", Georg Schöllhammer, Redesign Diana, Vienna
- Interview with Hentschläger/Langheinrich, Ursula Hentschläger. Medien. Kunst. Passagen, Vienna
- Motion Control - Ein elektronischer Bildersturm?, Birgit Richard. Norbert Bolz, Riskante Bilder, Munich
- GRANULAR SYNTHESIS, Mike Stubbs. Gerfried Stocker und Christine Schöpf, INFOWAR, Vienna
- Cinematic Folds: the furling and unfurling of images, Firoza Elavia, Toronto. Pleasure Dome,
- Art and Electronic Media, Edward A. Shanken, London. Phaidon,
- See this sound: Versprechungen von Bild und Ton = Promises in sound and vision, Rainer Cosima, Stella Rollig, Dieter Daniels, Manuela Ammer. Lentos Kunstmuseum, Linz. Cologne. König,
- We Are the Real Time Experiment: 20 Years of FACT, Mike Stubbs, Karen Newman, Lewis Biggs. FACT, Foundation for Art and Creative Technology,
- Hybridkultur, Yvonne Spielmann. Berlin: Suhrkamp,
- Entangled: Technology and the transformation of performance, Chris Salter. Cambridge, Mass. MIT Press,
- Form +code in design, art, and architecture, Casey Reas. New York. Princeton Architectural Press,
Catalogues of exhibitions
- Cinemas of the Future. Curator Richard Castelli. Lille2004 European Capital of Culture, Lille.
- Hybrid Living in Paradox. Ars Electronica, Linz
- From Flash to Pixel, Zendai MoMA, Shanghai. Curator Richard Castelli
- Vom Funken zum Pixel, Berliner Festspiele - Martin-Gropius-Bau Berlin. Curator Richard Castelli. Nicolai Verlag
- Sculpture Art Space. Curator Richard Castelli & Gong Yan. Body Media-International Interactive Art Exhibition, Shanghai
- Space inventions, Der künstliche Raum. Curator Gottfried Hattinger. Peter Bogner, Künstlerhaus, Vienna / SCHLEBRÜGGE.EDITOR
- Madde-Işık, Istanbul. Curator Richard Castelli
- Matière-Lumère, Béthune Curator Richard Castelli
- Zeitschnitte 92: Aktuelle Kunst aus Österreich Differenzen, Affinitäten und Brüche, Museumsquartier, Vienna
- The 4th International Biennale in Nagoya - ARTEC '95, Nagoya
- Frankensteintechnodrug. Andreas Spiegl. Gerbel, Karl und Weibel, Peter, Mythos Information. Welcome To The Wired World, catalogue Ars Electronica, Vienna-New York
- DEAF '95, Rotterdam
- Elektra 96. Elektra manual. Montreal
- Granular-Synthesis, mädchen.apparate.kunst. medien, apparate, kunst Projektionsräume. Beispiele apparativer Kunst in Österreich, MAK, Vienna
- Sweet Heart. Media Art Biennale WRO97, Wroclaw
- Granular-Synthesis: NOISEGATE M6, Peter Noever, Vienna. /
- Face to face to cyberspace. Curator Markus Brüderlin. Fondation Beyeler, Basel. Beyeler, Ernst. Hatje Cantz.
- Musiques en Scène, l'exposition, Musée d'art contemporain de Lyon
- ... der körpererfüllte Raum fort und fort. Curator Elisabeth Schweeger. OK Centrum für Gegenwartskunst, Linz.
- GRANULAR-SYNTHESIS - Austrian Pavilion. Venice Biennial, Curator Elisabeth Schweeger, Vienna.
- FELD, Granular-Synthesis. Curator Lawrence Rinder and Jungoo Bahk. 2002 Media Art: Special Effects. Lee Joongki, Park ILHo, Daejeon
- Cinemas of the Future. Curator Richard Castelli. Lille2004 European Capital of Culture, Lille.
- SWEET HEART, Granular-Synthesis. Text by Rudolf Frieling. 40yearsvideoart.de - Part 1, Digital Heritage: Video Art in Germany from 1963 until the Present. /
- Sculpture Art Space. Curator Richard Castelli & Gong Yan. Body Media-International Interactive Art Exhibition, Shanghai
- eARTS / eLANDSCAPES, Shanghai. Curator Richard Castelli
- Sounds & visions : Artists' films and videos from Europe: the last decade. Curator Gioè, Angelo and Maria Rosa Sossai. Cinisello Balsamo, Milano: Silvana Editoriale
- Madde-Işık, Istanbul. Curator Richard Castelli
Art Press
- Ulf Langheinrich, The Useless And Fascinated Look, Alessio Galbiati. Digimag n°34. Digicult – Digital Art, Design & Culture
- Ulf Langheinrich - Temporalités multiples. Dominique Moulon. MCD #59, Paris
- Welcome to MediaMOO**** Type. Birgit Flos. DU, Zürich
- Festival Manca. Denis Fortier. Le Monde, Paris
- Granular Synthesis, Paolo Cecchetto. Juliet Art Magazine, #76, Trieste
- Global Ear. Erik Davis. Wire, San Francisco
- Binäre Tänze, Arnd Wesemann. Ballett international. tanz aktuell, Seelze
- Ganzkörpermassage, Thomas Wolkinger. Die Presse, Vienna
- Pixel gegen Bio-Einheiten, Christian Schachinger. Der Standard, Vienna
- Körper-Experimente im psychotischen Triebwerk: Granular=Synthesis im Steirischen Herbst. Salzburger Nachrichten
- Robin Rimbaud crosses the NoiseGate with Granular Synthesis, Robin Rimbaud. The Wire #174, London
- POL, fascisme musical ou génie précurseur ?, Annick Rivoire. Libération, Paris
- GRANULAR SYNTHESIS, Interview with Kurt Hentschläger, Claudia Hart. ARTBYTE Vol. 1, no. 5
- Maximales Lärmen, Johanna Hofleitner. Die Presse, Vienna
- Maschinenmenschen im dunklen, Raum, Brigitte. Borchhardt-Birbaumer. Wiener Zeitung, Vienne
- Höllentore und Ausbruch statt Input, Sabine Buchwald. Süddeutsche Zeitung, Munich
- Between Spell and Irritation: NOISEGATE, GRANULAR SYNTHESIS, Bernard Lamarche. Le Devoir, Montreal
- Machine Dreams, Christopher Phillips. Art in America
- Attachez vos tuques !!!, François Toussignant. Le Devoir, Montreal
- Sensory assault on audience in Bradford, Michael Bracewell. The Independent, London
- FIELD OF BEAMS: GRANULAR SYNTHESIS explores the landscape of digital culture, Graham Shearing. Pittsburgh Tribune-Review
- Flash-Portions, Birgit Richard. Kunstforum Vol. 151
- Ihr macht sehr elitäre Kunst, Dieter Buchhart. Documentation of the Venice Biennial, Kunstforum Vol. 156
- Grandeur de l'art qui s'accomplit, François Toussignant. Le Devoir
- GRANULAR SYNTHESIS. Art World China
- Kill Bill Vol.3, Arnd Wesemann. ballettanz, Berlin: Friedrich Berlin Verlag
- GRANULAR SYNTHESIS. Art World China
Essays
- Hybrid Living in Paradox - Emptiness, Hissing and Control On Ulf Langheinrich's Oeuvre, Marc Ries, Ars Electronica catalogue
- Modell 3.1: A multi-media live environment by Kurt Hentschläger and Ulf Langheinrich, Thomas Feuerstein. Text of the catalogue TRANSIT 92
- Pyramedia / Granular-Synthesis Modell 3.02, Thomas Feuerstein. Grundmann, Heidi, Transit #1, Innsbruck
- Eikon # 10–11, Nina Edge
- Motion Control - Shared Pain: Man and Machine. Birgit Flos. MOTION CONTROL. MODELL 5 by GRANULAR SYNTHESIS at the Kunstverein, Hanover
- Granular-Synthesis. Tom Sherman
- Hearing the Noise: Revolution. Leoudak, Zoe. International Symposium on Electronic Art. Sculpture Magazine, Vol.18 No. 4, Liverpool
- GRANULAR SYNTHESIS - NOISEGATE, Rob Dyer. National Museum of Photography, Film & Television, Bradford. http://www.dso.co.uk/gig39.htm
- Noisegate, Robert Clark. National Museum of Photography, Film & Television, Bradford
- Long Hard Looks / Het verlangen van het luisteren, Over de esthetiek van verstoring in de installatiekunst van Granular Synthesis. Pieter Verstraete. NY,
Discography
- DEGREES OF AMNESIA
- Vol1
Videography
- Is This Art? - Volume 3: Digital Dreams and Old World Photography. DVD featuring an interview Ulf Langheinrich. Artfilms Ltd. Australia
- Visionaries 21: The aesthetic of sensory overload, The work of Ulf Langheinrich - Vol. 3. Contemporary Art Media, Artfilms Ltd., Australia.
- GRANULAR-SYNTHESIS - IMMERSIVE WORKS
- INDEX 003 / GRANULAR SYNTHESIS - REMIXES FOR SINGLE SCREEN
- 40yearsvideoart.de - Part 1
- VIDEORAMA : ARTCLIPS FROM AUSTRIA
Links
- http://ulflangheinrich.com/
- http://www.granularsynthesis.info/ns/index.php
- http://www.epidemic.net/fr/art/langheinrich/index.html