Understudy


In theater, an understudy, referred to in opera as cover or covering, is a performer who learns the lines and blocking or choreography of a regular actor or actress in a play. Should the regular actor or actress be unable to appear on stage because of illness, injury, emergencies or death, the understudy takes over the part. Usually when the understudy takes over, the theater manager announces the cast change prior to the start of the performance. Coined in 1874, the term understudy has more recently generally been applied only to performers who can back up a role, but still regularly perform in another role.

Similar tasks

Performers who are only committed to covering a part and do not regularly appear in the show are often referred to as standbys and alternates. Standbys are normally required to sign in and remain at the theater the same as other cast members, although sometimes they may call in, until they are released by the production stage manager. If there is no doubt about the health of the actor being covered, or there are no hazardous stunts to perform, a standby may be released at the first intermission, if not before. At times, standbys are required to stay within a certain area around the theater. Today, the standbys must also have a cell phone so that at any time they can be called to the theater.
Alternates, like standbys, do not have a regular character in the production, but they are scheduled to go on for a physically and vocally challenging role for a certain number of performances a week. Examples of this are the title role in Evita, Christine in The Phantom of the Opera, and Peter Parker/Spider-Man in '.
In musical theater, the term swing is often used for a member of the company who understudies several chorus and/or dancing roles. If an understudy fills in for a lead role, a swing acts the parts normally performed by the understudy. A super swing or universal swing''' is a swing who commutes around the country as needed to act in various productions of a widespread show.
In contrast, a prompt cues an actor while not personally being on the stage or in the spotlight.

Multiple understudies

In some instances, a lead role is covered by multiple understudies. The second understudy only perform if both the principal actor and the first understudy can't perform.

Notable examples

Several actors made their name in show business by being the understudy of a leading actor and taking the role over for several performances, including: Anthony Hopkins for Laurence Olivier, when Olivier became ill with cancer during the run of the National Theater's The Dance of Death, 1967; Ted Neeley for Jeff Fenholt during the 1971 Broadway run of Jesus Christ Superstar when Neeley was asked to star in the 1973 film version and subsequent tours; and Edward Bennett for David Tennant as Hamlet in the RSC's 2008 production. Kerry Ellis was called to perform as Eliza Doolittle in My Fair Lady when Martine McCutcheon took ill. In the audience that day was Brian May, who was then writing his musical We Will Rock You, and he was so impressed with Ellis's performance he immediately wanted to cast her as Meat, a lead in the show.
In 1974, baritone Thomas Allen fell ill during a performance at The Proms of Carl Orff's Carmina Burana. His understudy was unable to take overhe was a medical doctor, and was attending to Allen. Patrick McCarthy, then an unknown, stepped out of the audience, went backstage, and offered his services as a professional singer who knew the part. He received a standing ovation.
In 2002, Sam Moran had filled in for Greg Page in the ever popular children's entertainment singing group The Wiggles more than 150 times before stepping up as part of the official lineup from November 2006-January 2012. The original yellow wiggle was suffering from a chronic illness called orthostatic intolerance during this particular time.
When Carol Haney broke her ankle while playing the role of Gladys in The Pajama Game, Shirley MacLaine assumed the role.
Arthur Jefferson aka Stan Laurel was an understudy of Charlie Chaplin working for Fred Karno, a music hall impresario, before they entered American film.