Up-Tight


Up Tight is a 1966 album by American singer Stevie Wonder. It was his fifth studio release.

Background

The album was released on May 4, 1966 on Motown Records' Tamla label. The album features the U.S. Top 5 single "Uptight ", which Wonder co-wrote with Sylvia Moy and Henry Cosby. The tracks on Uptight were the beginning of Wonder's development into a mature recording artist, independent of his earlier "Little Stevie Wonder" moniker and his image as a young Ray Charles imitator. Nonetheless, it included two earlier recordings, the 1962 single "Contract on Love" and the unissued 1964 single "Pretty Little Angel".
Also included on the album are "Nothing's Too Good for My Baby", another Wonder co-write, and a cover of folk star Bob Dylan's "Blowin' in the Wind", which made Wonder popular with crossover audiences, and a cover of the standard, Teach Me Tonight, featuring vocals by The Four Tops.
The album reached No.33 on the Billboard Pop Album charts and No.2 on the R&B Albums charts. On the album, Stevie was backed by the Funk Brothers, the legendary, but uncredited, early period Motown Records studio musicians, creators of the famous, recognisable '60s Motown sound. Motown's in-house female backing group, The Andantes, also accompany Wonder on the album. Backing vocalist Pat Lewis stepped in and recorded with the group.

Track listing

Side One
  1. "Love a Go Go" - 2:46
  2. "Hold Me" - 2:36
  3. "Blowin' in the Wind" - 3:46
  4. "Nothing's Too Good for My Baby" - 2:39
  5. "Teach Me Tonight" - 2:39
  6. "Uptight " - 2:54
Side Two
  1. "Ain't That Asking for Trouble" - 2:49
  2. "I Want My Baby Back" - 2:49
  3. "Pretty Little Angel1" - 2:12
  4. "Music Talk" - 2:52
  5. "Contract on Love" - 2:06
  6. "With a Child's Heart" - 3:08
1This track has always created some confusion among Motown collectors as it was listed as a single release in 1964. The track was mastered for single release in the fall of 1964 but not issued at that time. However, some copies were pressed two years later when the track was reconsidered for single release. These copies, of which there are very few, were pressed with the later style Tamla label that was introduced in the US during the second half of 1966. The recording was again withdrawn when "A Place In The Sun" was considered superior.

Personnel