By 1941 it had become apparent that the combination of a severe lack of timber suitable for furniture making and the increased demand for new furniture due to the losses of housing caused by bombing and to the continuing establishment of new households after marriage, had created a severe furniture shortage.
The Utility Furniture Advisory Committee was set up in 1942, drawing on considerable expertise, principally Gordon Russell and Edwin Clinch, also Herman Lebus and John Gloag, in order to assure that the scarce available resources were used in a sensible way. Among the committee's other members was Charles Jenkinson, a Leeds vicar and social reformer. New furniture was rationed and was restricted to newly-weds and people who had been bombed out, under the "Domestic Furniture Order 1942" operative from 1 November 1942. The same logo was used for Utility Furniture as had been developed for the Utility clothing scheme: two capital letters C's and the figure 41, for "Controlled Commodity 1941".
''Utility Furniture Catalogue''
The Committee produced a number of approved designs, published in the Utility Furniture Catalogue of 1943. The aim was to ensure the production of strong well-designed furniture making the most efficient use of the scarce timber. The designs were largely in the tradition of the Arts and Crafts movement, and were severe in their simplicity and lack of ornamentation, entirely contrary to popular taste of the immediate pre-war period. Furniture based on these designs was constructed by about 700 firms around the country. Given the huge number of individual manufacturers involved, it is perhaps not surprising that quality varied enormously. The Committee were reconstituted as the Utility Design Panel in 1943 with Gordon Russell as Chairman; and in 1946, in conjunction with the important exhibition of post-war design, "Britain Can Make It", unveiled three new furniture ranges intended to carry forward the best of their design ethos into the postwar period.
Demise
The Committee were genuine believers in the aesthetic qualities of their designs. However, popular hankering for ornament manifested itself almost immediately, and instances were apparently reported of black market utility furniture with added carvings and decoration. Design rules were relaxed in 1948 and the "Diversified" range was announced, drawing on contemporary Scandinavian designs, but the tide of public taste was against it and the Panel was wound down. The scheme was officially closed in 1952, the same year that furniture rationing ceased.
