Uwe Nettelbeck grew up in a middle class family at Lake Constance in south-west Germany. He attended lectures in German literature at the University of Göttingen but did not sit for a degree. At the age of 20, Nettelbeck began submitting reviews to Filmkritik, a monthly film magazine, and their quality led to him becoming chief film critic for Die Zeit. In 1962 he met author, film producer and actress, Petra Krause at the Oberhausen film festival; they later married and moved to Lüneburg Heath near Hamburg. Controversy, however, soon began to dog Nettelbeck's career. In 1968, while on the Oberhausen festival jury, he praised a film his wife had produced, Of Particular Merit which starred a talking penis. The film was subsequently banned. Nettelbeck's left-wing inclination emerged a year later when he published an article in Die Zeit about the trial of Red Army Faction leader Andreas Baader, which earned him a stern warning from the magazine's editor. Nettelbeck left Die Zeit and became a left-wing journalist with connections to several left-wing factions in Germany. He became editor of the underground magazine, konkret, which became the "revolutionary mouthpiece for the likes of Ulrike Meinhof".
Faust
In 1969 Nettelbeck was approached by a Polydor GermanyA&R man with a request to put together an underground band that would tap into the then burgeoning "German rock" scene. Nettelbeck found two small rock groups, Nukleus and Campylognatus Citelli which he merged into one, and with funding from Polydor, converted an old school-house near the village of Wümme, between Hamburg and Bremen into a studio. Nettelbeck then started experimenting with the band to try to find "something new". In the end Nettelbeck produced two Faust albums for Polydor, Faust and Faust So Far, and while they did not sell very well, both were applauded by music critics. During the same period Nettelbeck also produced two albums for Anthony Moore on Polydor, which led to the formation, with Peter Blegvad and Dagmar Krause, of Slapp Happy. Faust played on Slapp Happy's first two albums, Sort Of and Casablanca Moon, which Nettelbeck also produced for Polydor. Polydor rejected this version of Casablanca Moon, leading to its re-recording; it was not until 1980 that Recommended Records released the original version as Acnalbasac Noom. Polydor was also not happy with Faust So Far and demanded more commercial music from the band. Unwilling to compromise, Nettelbeck signed Faust with a fledgling record company in London, Virgin Records. Part of the deal between Nettelbeck and Virgin was that he would give Virgin his tapes of the music Faust had been working on since So Far "for nothing" and that Virgin would release a record priced as low as possible. The result was The Faust Tapes which cost 49 pence, and sold 100,000 copies in a few weeks, putting the unknown band into the Britishalbum charts. The "success" of this album gave Nettelbeck access to Virgin's Manor Studio where Faust recorded Faust IV, which sold moderately well, although not as well as Tapes. But back in Germany, their next effort, Faust 5 was abandoned and the band dispersed across Europe. Nettelbeck was the inspiration and creative force behind Faust in their early years. He designed their striking album covers, and convinced Polydor to release the group's first two albums on its distinguished classical label, Deutsche Grammophon. Describing Faust's success, Nettelbeck said in 1973: "The idea was not to copy anything going on in the Anglo-Saxon rock scene – and it worked..."
Later years
Between 1976 and 2006, Nettelbeck and his wife wrote and edited 124 editions of the review magazine, Die Republik. In 1992, "dismayed by the triumphalism and racism of post-unification Germany", they relocated to France and moved into an isolated farmhouse in the Gironde. Uwe Nettelbeck died of cancer in Bordeaux on 17 January 2007.
