Valentin de Bournonville was the son of Jean de Bournonville, and trained by his father in the mastery of the Amiens Cathedral. He was a priest. In 1634 he took over the position of master of the children of the cathedral, succeeding Artus Aux-Cousteaux, who himself had succeeded Jean de Bournonville. In 1643, an act of 23 Julyshows him depositing his almuce on the desk of the chapter as a sign of obedience, like the other vicars and chaplains of the cathedral. In 1646, when he had two masses published by Robert III Ballard, he is said to be a canon of the church of St. Firmin d'Amiens and master of the children of the cathedral church of that city. He was also endowed with the Vicariate Chapel of Saint-Quentin. Valentin de Bournonville then moved to Paris, being appointed on 27 August 1646 as the music master of the Cathédrale Notre-Dame de Paris, until 20 March 1653, succeeding here François Cosset. On 14 April 1651, the chapter reminded him that during the days of great feast, only a psalm and the magnificat were to be sung in music, and the rest by plain chant only. On 21 September 1651 he had been invited by Pierre Robert, then music master of the Chartres Cathedral, to sing there. On 15 April 1652, he was reprimanded at the time of the Chapter session for not showing enough severity towards the children of the choir and obtaining only insufficient progress. In 1653, the chapter granted him a profit of the. He succeeded Pierre Robert as music master at the cathedral of Chartres until 1662. He was sometimes called upon in the same way as Pierre Robert to attest to the good quality of the plainchant works by Guillaume-Gabriel Nivers, this double approval being given on 14 December 1657. He also signed the approval of the Directorium chori by Martin Sonnet in 1656. He reappeared at Notre-Dame de Paris from October 1663 to the following 1 December, when he was replaced, perhaps because of his death. He was also quoted by Annibal Gantez, in 1643: comme un Bournonville qui est mort maistre de la Saincte Chapelle, et qui a laissé son fils aussi vertueux que luy maistre de l'Église d’Amiens. He died in Paris in 1663.
Works
Missa quatuor vocum ad imitationem moduli Salve regina. - Paris : Robert III Ballard, 1646. 2°, 14 f. Manque au RISM, Guillo 2003 n° 1646-B.
Missa quatuor vocum ad imitationem Videant amici. - Paris, Robert III Ballard, . 2°, 14 f. Manque au RISM, Guillo 2003 n°1646-C.
