"Venus in Furs" was one of three songs to be re-recorded, in May 1966 at T.T.G. Studios in Hollywood, before appearing on the final mix of The Velvet Underground & Nico. The arrangement features John Cale's cacophonous electric viola as well as Lou Reed's ostrich guitar, which is a guitar with all of its strings tuned to the same note. The more prominent guitar work is Reed's guitar at standard tuning, albeit a semitone down. Guitarist Sterling Morrison played bass on the song, but according to Cale, who was the band's usual bassist, Morrison never cared for the instrument. The backbeat consists of two bass drum beats and one tambourine shake, played at a slow pace by Maureen Tucker. In his essay "Venus in Furs by the Velvet Underground", Erich Kuersten writes:
"There is no intro or buildup to the song; the track starts as if you opened a door to a decadent Marrakesh S&M/opium den, a blast of air-conditioned Middle Eastern menace with a plodding beat that’s the missing link between "Bolero" and Led Zeppelin’s version of "When the Levee Breaks".
The song was one of several early songs to be recorded by Lou Reed, John Cale and Sterling Morrison in their Ludlow Street loft during July 1965. This version of the song features a drastically different arrangement than would appear on The Velvet Underground & Nico, and ends with what David Fricke calls a "stark, Olde English-style folk lament" in the liner notes for Peel Slowly and See. John Cale provides lead vocals for this demo recording of the song.
An alternate take of the song was first recorded at Scepter Studios, New York City before being re-recorded in Hollywood. This take of the song is performed at a quicker pace and the lyrics vary slightly from the T.T.G. recording.
Live recordings
Live recordings of "Venus in Furs" appear on and on Live MCMXCIII.
The 2012 deluxe six-CD boxed set, celebrating the album's 45th anniversary features, as Disc 4, the original version of the album, cut to acetate on April 26, 1966, known as the "Norman Dolph acetate". This features a version with more of Cale's viola in the arrangement. Additionally, on the same disc, there is a "fun version" recorded on January 3, 1966, during rehearsals at Warhol's Factory.
In film and TV
A version of the song was specially recorded by Julian Casablancas for the HBOtelevision seriesVinyl. It appeared on the soundtrack of the second episode during a flashback to Andy Warhol's Factory, alongside "Run Run Run". The song is featured in Rob Zombie's 2012 film The Lords of Salem. The song is used in the 2015 film A Perfect Day. The song appears as part of the soundtrack for Gus Van Sant's 2005 film Last Days. RZA used samples of the song, for his song called "Fatal" played in the final credits of , also appears in its. In the British TV seriesBeing Human, the song is used prominently in season 2, episode 5. A version of the song is performed by the fictional band Nürnberg 47, played by the real Swedish band Reeperbahn, in the 1983 filmG In 1965, the Velvet Underground appeared in Piero Heliczer's underground film, Venus in Furs, which was named for the song. Heliczer, the Velvets, and the other performers were featured in a CBS News segment titled "The Making of an Underground Film" which aired in December of that year. This brief appearance turned out to be the only network television exposure for either Heliczer or the band.
In advertising
In 1993, the song was used as the soundtrack for a British advertisement for Dunlop Tyres, by the advertising agencyAbbott Mead Vickers BBDO and directed by British director Tony Kaye. The advertisement was notable for featuring both fetish and surrealist imagery.
Cover versions
recorded several solo versions of the song. John Cale also performs it with his band, and with Siouxsie Sioux during the encores of a collaborative tour they did in the US from June to August 1998. In addition, the following artists have recorded it: Additionally, the early David Bowie composition "Toy Soldier," recorded with his band The Riot Squad in 1967, lifts its chorus almost verbatim from "Venus in Furs." Bowie had received a test pressing of The Velvet Underground and Nico from his manager before the album was officially released.
