Verlan


Verlan is a type of argot in the French language, featuring inversion of syllables in a word, and is common in slang and youth language. It rests on a long French tradition of transposing syllables of individual words to create slang words. The word verlan itself is an example of verlan. It is derived from inverting the sounds of the syllables in l'envers.

Word formation

Words in verlan are formed by switching the order in which syllables from the original word are pronounced. For example, français becomes céfran.
Verlan generally retains the pronunciation of the original syllables. However, French words that end in a ⟨e⟩ muet and words that end in a pronounced consonant gain the sound once reversed. In addition, verlan often drops the final vowel sound after the word is inverted, so femme and flic become meuf and keuf, respectively.
The study of written verlan is difficult as it is primarily passed down orally, without standardized spelling. While some still argue that the letters should be held over from the original word, in the case of verlan, most experts agree that words should be spelled as to best approximate pronunciation. For example, verlan is preferred to versl'en.
The French author Auguste Le Breton uses numerous examples of verlan, for instance in Du rififi chez les hommes.
Different rules apply for one-syllable words, and words with multiple syllables may be verlanised in more than one way. For example, cigarette may yield garetsi or retsiga.

Vocabulary

Some verlan words, such as meuf, have become so commonplace that they have been included in the Petit Larousse. The purpose of verlan is to create a somewhat secret language that only its speakers can understand. Words becoming mainstream is counterproductive. As a result, such newly common words are re-verlanised: reversed a second time.
Some verlan words, which are now well incorporated in common French language, have taken on their own significance, or at least certain connotations that have changed their meaning. For example, the word meuf, which can still be used to refer to any woman, also refers to the speaker's girlfriend, when used in the possessive form ; while the original word femme would refer to the speaker's wife when used in the same way. Such words retain a cultural significance from the time at which they appeared in common language. Widely spread in the second half of the 20th century, beur generally refers to first-generation immigrants from northern Africa in France. The re-verlanised word rebeu is much more recent, and is used to refer rather to second-generation Arab immigrants in France, and their social attitude.
In theory, any word can be translated into verlan, but only a few expressions are used in everyday speech. Verbs translated into verlan cannot be conjugated easily. There is no such thing as a verlan grammar, so generally verbs are used in the infinitive, past participle or progressive form. For example:
Verlanising words often bring up words that are verlan of a verlan. This is sometimes called double verlan or veul. One can find the order of the consonants of the original word, but the vowels have been modified.
For example, meuf, verlan of femme, becomes feumeu. The verlan word beur, derived from arabe, has become accepted into popular culture such that it has been re-verlanised to yield rebeu.

Cultural significance

Verlan is less a language than a way to set apart certain words. Many verlan words refer either to sex or drugs, related to the original purpose of keeping communication secret from institutions of social control. Verlan is generally limited to one or two key words per sentence. Verlan words and expressions are mixed within a more general argotique language.
Verlan is used by people to mark their membership in, or exclusion from, a particular group ; it is a tool for marking and delineating group identity. Speakers rarely create a verlan word on the fly; rather, their ability to use and understand words from an accepted set of known verlan terms allows them to be identified as part of a verlan-speaking group. Lefkowitz claims that the best speakers of the language are often the worst students, those most needing to hide from authority.
Some verlan words have gained mainstream currency. Examples of verlan in cultural mainstream include the 1984 comedy Les Ripoux ; and the 1977 hit "Laisse béton" by singer Renaud.
Verlan is popular as a form of expression in French hip-hop. Artists claim that it fits well with the musical medium because "form ranks way over substance".
The stage name of Belgian pop artist and songwriter Stromae is verlan for.
Voltaire, the nom-de-plume of François-Marie Arouet, is possibly a verlan word for Airvault.