Juan Bautista Vicini Canepa, was born on February 25, 1847 in Zoagli, a coastal village near Genoa to Angelo Vicini and Anna Canepa. Vicini left Italy and went to the Dominican Republic in 1860 at the age of 21 . He was invited to travel to the Dominican Republic as an apprentice to join his countryman Nicole Genevaro who was an exporter of coffee and sugar. After a few years, he purchased the operations belonging to Mr. Genevaro. Juan Bautista, better known as "Baciccia", was very successful in business. Thanks in part to his hard work and his savings, he managed to acquire land for the cultivation of sugar cane. His family residence is located on the Avenida Isabela la Católica No. 158, in the city of Santo Domingo, marked with a placard reading J.B. Vicini. This designation is still preserved on the facades of headquarters of companies belonging to the family. This residence was his place of work. Locals gave it the name Casa Vicini. Eleven children were born of his marriage to Mercedes Laura Perdomo Santamaría. Seven of them went to live with her to Genoa, Italy. While being married, he had an affair with María Burgos Brito and begat 3 children, among them, President Juan Bautista Vicini Burgos. Vicini Canepa, patriarch of the Vicini family, returned only once to Italy and died in 1900 at the age of 53.
The third generation of the Vicinis was constituted by José María, Juan Bautista, Felipe and Laura Vicini Cabral, under the leadership of Gianni; this generation participated actively in the process of overthrowing the dictatorship, the country's economic consolidation and democratic process of the nation. The beginning of democracy with the death of Dominican dictator Trujillo in 1961, he found a country where almost all economic areas had been dominated by the dictator and his closest relatives and collaborators. The active participation as well as the capital of the Vicini family was instrumental in creating private banks, universities, associations, businesses and nonprofit foundations, all promoters of the country's development and new business that channeled the nation towards development. The family Vicini Cabral participated in those efforts, both as advocates, with financial resources and with the participation and personal presence. Laura and Felipe Vicini Cabral died childless.
Fourth generation
The 4th generation of the Vicini entrepreneurial dynasty is comprised by the siblings Amelia Stella, Felipe, and Juan Bautista Vicini Lluberes and their first cousin José Leopoldo Vicini Pérez.
The Vicini Family was depicted in The Price of Sugar, a 2007 documentary by Bill Haney about exploitation of Haitian immigrants in the Dominican Republic involved with production of sugar. The documentary shows the poor working conditions in the sugar cane plantations, and describes the actions taken by the Vicini family to stifle efforts to change the situation. Subjects of the film, Felipe and Juan Bautista Vicini Lluberes, filed a defamation suit on August 31, 2007 against Uncommon Productions and producer Bill Haney, alleging 53 factual inaccuracies. According to Read McCaffrey, a partner in the law firmPatton Boggs representing the Vicinis, 'The misrepresentation are very egregious and as deceptive as I have seen in a very long time.'" However, according to the First Circuit Court of Appeals, the Vicini family "later winnowed the number of allegedly defamatory statements down to seven". The Appeals Court upheld a judgment from a lower court that the Vicini brothers were "public figures under the circumstances". The brothers thus must prove that the filmmakers made false depictions and knew about it. If they had been private figures, as the plaintiffs had unsuccessfully tried to prove, the filmmakers could have been liable for publishing information without verifying its truth. The appeals court sent the case back to the lower court to decide if the filmmakers have to hand over a report that they prepared to obtain insurance coverage for the film. After that, the lower court can determine whether information shown in the film was false and, if it was the case, if the filmmakers knew about it.
