Victor Moscoso is a Spanish artist best known for producing psychedelic rock posters, advertisements, and underground comix in San Francisco during the 1960s and 1970s. He was the first of the rock poster artists of the 1960s era with formal academic training and experience. He was the first of the rock poster artists to use photographic collage in many of his posters.
Biography
After studying art at Cooper Union in New York City and at Yale University, Moscoso moved to San Francisco in 1959. There, he attended the San Francisco Art Institute, where he eventually became an instructor. Moscoso's use of vibrating colors was influenced by painter Josef Albers, one of his teachers at Yale. Professional success came in the form of the psychedelic rock and roll poster art created for San Francisco's dance halls and clubs. Moscoso's posters for the Family Dog dance-concerts at the Avalon Ballroom and his Neon Rose posters for the Matrix resulted in international attention during the 1967 Summer of Love. Moscoso's poster work includes album covers for musicians such as Jerry Garcia, Bob Weir, Herbie Hancock, Jed Davis, and David Grisman. By 1968, Moscoso was doing work for underground comix, for such titles as Yellow Dog, Jiz Comics, Snatch Comics, El Perfecto Comics, and Zap Comix. As one of the Zap artists, his psychedelic work once again received international attention. His comics appeared in every issue of Zap from 1968 until the title's final issue in 2014; he also illustrated the covers for Zap #s 4, 10, and 13. Moscoso's comix work is notable for its repetitive framing and reliance on an eight-panel grid. The subjects of his comics in Zap are often classic characters like Mickey Mouse, Donald Duck, Krazy Kat, Mr. Peanut, Bugs Bunny and Winsor McCay's Little Nemo. In 1977, Moscoso designed radio station KMEL's mascot: a camel wearing headphones. Moscoso has also created art for use on T-shirts, billboards and animated commercials for radio stations, for which he received two Clio awards. In addition, he was given an Inkpot Award in 1979. Moscoso was a 2018 AIGA Medalist. In 1979, the French publisher Futuropolis published Moscoso Comix #1, a 52-page collection. Sex, Rock 'N' Roll, & Optical Illusions, a comprehensive collection of Moscoso's poster and comics work, was published by Fantagraphics in 2006, featuring introductions by Steve Heller and Milton Glaser. Moscoso still lives in the San Francisco Bay Area.
Exhibitions
1987 : "Zap Comix #12," Psychedelic Solution Gallery — along with the Zap Comix collective
2011 "Zap: Masters of Psychedelic Art, 1965-74," Andrew Edlin Gallery — along with the Zap collective
2016 : "The ZAP Show: A Cultural Revolution,"Society of Illustrators — along with the Zap collective; curated by Monte Beauchamp
Moscoso Comix #1 — 52 pages, including "KSAN Comics," a 9-page story from 1971 that was originally displayed inside San Francisco MUNI buses in a partnership with KSAN. "KSAN Comics" was designed as a loop that can be read at any point in the story. The twenty-three panels are all numbered on the lower left side. Moscoso Comix was later republished by Electric City Comix in 1989.
Contributor
Yellow Dog #2 — 2 stories for 2 total pages
Zap Comix #2 — 6 stories for 8 total pages
Yellow Dog #7 — 1-page story
Jiz Comics — 1-page story
Radical America Komiks vol. 3, #1 — 2 stories for 2 total pages
Snatch Comics #2 — 1-page story
Zap Comix #3 — 2 stories for 8 total pages
Snatch Comics #3 — 1 2-page story
Zap Comix #4 — 2 stories
Zap Comix #5 — 1 6-page story
West Magazine — 1-page story ; also published as a postcard
The Rip Off Review of Western Culture #1
West Magazine — 1-page collaboration with Robt. Williams
El Perfecto Comics — 2 stories for a total of 4 pages
Zap Comix #6 — 1 6-page story
Tales from the Berkeley-Con vol. 2, #2 — 1-page story
Zam-Zap Jam — 2 jams with Robert Crumb for a total of 9 pages