Vincent O'Sullivan (New Zealand writer)
Vincent Gerard O’Sullivan is one of New Zealand's best-known writers. He is a poet, short story writer, novelist, playwright, critic, editor, biographer, and librettist.
Early life and family
Born in Auckland, O'Sullivan is the youngest of five children born to Timothy O'Sullivan and Myra O'Sullivan. He was educated at St Joseph's Primary, Grey Lynn, and Sacred Heart College, Auckland, a Catholic school in Glendowie. He graduated from the University of Auckland and the University of Oxford.O'Sullivan's first marriage was to Tui Rererangi Walsh, with whom he had two children.
He now lives in Port Chalmers, Dunedin, with his wife Helen.
Career
O'Sullivan lectured at Victoria University of Wellington. He served as literary editor of the NZ Listener from 1979 to 1980, and then between 1981 and 1987 won a series of writer’s residencies and research fellowships in universities in Australia and New Zealand: VUW, University of Tasmania, Deakin University, Flinders University in Adelaide, University of Western Australia, and University of Queensland. These were interrupted in 1983 by a year as resident playwright at Downstage Theatre, Wellington. In 1988 he returned to VUW, where he was professor of English literature until his retirement in 2004.Honours and awards
In 1966, O'Sullivan won the NZSA Jessie Mackay Award for Best First Book of Poetry, and in 1994 he received the Katherine Mansfield Memorial Fellowship. He won the Montana New Zealand Book Award for Poetry in 1999.In the 2000 Queen's Birthday Honours, O’Sullivan was appointed a Distinguished Companion of the New Zealand Order of Merit, for services to literature. In 2009, following the restoration of titular honours by the New Zealand government, he declined redesignation as a Knight Companion of the New Zealand Order of Merit.
O'Sullivan was awarded the Creative New Zealand Michael King Writer’s Fellowship in 2004, the 2005 Montana New Zealand Book Award for Poetry, and the Prime Minister’s Award for Literary Achievement in 2006. He was the New Zealand Poet Laureate for the term 2013 to 2015, and in 2016 he was the Honoured New Zealand Writer at the Auckland Writers Festival.
Works
Poetry
- 1965 Our Burning Time
- 1969 Revenants
- 1973 Bearings
- 1976 From the Indian Funeral
- 1977 Butcher & Co.
- 1980 Brother Jonathan, Brother Kafka
- 1982 The Rose Ballroom and Other Poems
- 1982 The Butcher Papers
- 1986 The Pilate Tapes
- 1992 Selected Poems
- 1988 Seeing You Asked
- 2001 Lucky Table
- 2004Nice Morning for It, Adam
- 2004 Homecoming - Te Hokinga Mai
- 2007 Blame Vermeer
- 2009 Further Convictions Pending: Poems 1998–2008
- 2011 The Movie May Be Slightly Different
- 2013 Us, Then
- 2015 Being Here: Selected Poems
- 2016 And So It Is: New Poems''
Short stories
- 1978 The Boy, The Bridge, The River
- 1981 Dandy Edison for Lunch and Other Stories
- 1985 Survivals
- 1990 The Snow in Spain: Short Stories
- 1992 Palms and Minarets: Selected Stories
- 2014 The Families: Stories
Novels
- 1976 Miracle: A Romance
- 1993 Let the River Stand
- 2018 All This By Chance
Plays
- 1983 Shuriken
- 1983 Lysistrata
- 1984 Ordinary Nights in Ward 10
- 1988 Jones and Jones
- 1989 Billy
- 1994 The Lives and Loves of Harry and George
- 1996 Take the Moon, Mr Casement
- 2003 Yellow Brides
Nonfiction
- 1974 Katherine Mansfield's New Zealand
- 1976 James K. Baxter
- 2002 On Longing
- 2003 Long Journey to the Border: A Life of John Mulgan
Edited works
- 1970 An Anthology of Twentieth-Century New Zealand Poetry
- 1975 New Zealand Short Stories: Third Series
- 1983 The Oxford Anthology of New Zealand Writing Since 1945, co-editor with MacDonald P. Jackson
- 1982 The Aloe, with Prelude
- 1985 Collected Poems: Ursula Bethell
- 1988 Poems of Katherine Mansfield
- 1989 The Selected Letters of Katherine Mansfield
- 1992 The Oxford Book of New Zealand Short Stories
- 1993 Intersecting Lines: The Memoirs of Ian Milner
- 1997 New Zealand Stories: Katherine Mansfield
- 1984, 1987, 1993, 1996, 2003 The Collected Letters of Katherine Mansfield, co-editor with Margaret Scott
- 2006, 2012 The Collected Fiction of Katherine Mansfield, 1916–1922, co-editor with Gerri Kimber
Librettos
- 2002 Black Ice
- 2004 Lines from the Beach House
- 2008 The Floating Bride, the Crimson Village
- 2010 The Abiding Tides
- 2012 Songs for Beatrice: Making Light of Time
- 2014 Notes from the Front: Songs on Alexander Aitken
- 2014 Requiem for the Fallen
- 2014 If Blood Be the Price
- 2016 Brass Poppies
- 2018 Face
Festschrift
- 2007 Still Shines When You Think of It, edited by Bill Manhire and Peter Whiteford
Quotes
On writing
- 'Frankly, I do think I’ve got a considerable gift for buggering around. And I don’t think that hurts, for a writer. I haven’t got the temperament to just be at the workface, the coalface, every day.'
- 'To me, writing is a solitary vice, really. You lock yourself in a room and don’t like anyone finding you doing it.'
- 'I'm always very impressed by writers who have a very strict regimen that they keep to. I admire it, but I certainly don't envy it.'
- 'If I may rattle the banner for a moment, poetry is hospitable to pretty much anything, other than the cosy and complacent.'
- 'I don't think many prescriptions for poetry stand up apart from one – if it isn't individual, if it's not "the cry of its occasion", then why aren't we doing something else?'
On age
- 'I just think that if you lose your capacity for being moved or angered by things that may have provoked you 20 years ago, if you've levelled off to that extent, I think the board's been playing just a bit too thin. I wouldn't care for that. I'd hate to think my last years were spent benignly on my veranda in a rocking chair, saying, "G'day" to everyone who goes past.'
On war
- 'I wouldn't say Ross and I were obsessed with the war. It just strikes us, as I expect it does a lot of New Zealanders, as one of the major events in our history. So obviously how it affected young men at that time, and civilians and women and families, is of great interest to us because we are New Zealanders.'
On Katherine Mansfield
- 'It has always struck me as a curious thing, how readers at times so hanker to own an author, beyond carrying her books in a shoulder bag, or reading her in a library. That urge to get closer, to know what life was like when she wasn’t writing, to pick up scraps she didn’t know she had let drop.'
On Ralph Hotere
- 'The marae, the church, the school, the people. The four shaping presences for the young Hotere. Then that dark fifth, the War.'
- 'There’s a very interesting paradox at the heart of Hotere’s best work; he is the most important political painter we have and yet at the same time he is so attentive to aesthetic values.'