Violeta Vidaurre
Violeta Rosa Ester Vidaurre Heiremans, better known as Violeta Vidaurre, is a Chilean actress with a long television and theater career, with more than 120 characters played since her debut.
For three decades, Vidaurre established herself as one of the most important theater actresses in the cast of the Catholic University's, collaborating with Eugenio Dittborn, Eugenio Guzmán, Hugo Miller, Víctor Jara, and the American Frank McMullan. In 1963, she was summoned to play Laura Larraín in ' by Isidora Aguirre, replacing, which quickly became a pop culture sensation. She achieved success in television with the comedy ' in 1965, in the family comedy ', and in the first television adaptation of ' in 1970. After the dictatorship she began to work in various university productions and independent companies. Suddenly, she made her way back onto television as a supporting actress in hit telenovelas such as the comedies ' and La Colorina by, and in ' by María Elena Gertner.
She has also performed in emblematic telenovelas such as ', ', ', ', ', ', ', ', ', Romané, Pampa Ilusión, and '.
In 2015, she was the only woman to be a candidate for the National Prize for Performing and Audiovisual Arts, whose winner was actor Héctor Noguera. In the same year, she received several tributes and recognitions for her vast career in the performing arts.
Her latest performances include appearances in various television series and some valued performances in independent theater companies, allowing herself to be honored in each presentation. Currently, she is the actress with the most career plays, as well as one of the last survivors of the series Juani en Sociedad and the cast of the Experimental Theater.
Biography
Early years and childhood
Born of the marriage formed by Víctor Vidaurre Coo and Rosa Violeta Heiremans Brockman, of Belgian and German origin, Violeta Vidaurre is the eldest of three siblings and a cousin of the doctor, actor, storyteller, novelist and playwright and the businessman. On her childhood the actress said: "I was always very pampered by my parents, but the one with whom I had more complicity and affinity was my dad. Sometimes I think I was in love with him."Coming from an aristocratic or upper-class family from Santiago's, her basic education took place at the Colegio Sagrado Corazón, Villa María Academy, and Sacred Heart of Argentine nuns. "In school plays they never gave me the role to represent the Virgin, because I had bad behavior. I suffered a lot because of that, but in the end I was reassured because the house had a good time when we made the sets with costumes and wigs." Since she was a child, she showed her acting skills with her cousin Luis Alberto, who wrote and performed plays that were staged at her grandfather's house, as in the case of Atahuicha, la reina de la selva, which Luis Alberto wrote and directed.
Vidaurre entered into her first marriage at age 19 with Ramón Salgado Suárez, a marine guard of the school ship Lautaro, which caught fire before his eyes off Callao in 1945. "In those years I valued my marriage and I did not go to study theater although I liked it. Only at the age of 28 Luis Alberto convinced me to enter to study theater, and then I started replacing actresses until this became a real passion."
Artistic career
Vidaurre entered to study acting at the of the Pontifical Catholic University, graduating with maximum distinction. In this process, she was a colleague of Paz Yrarrázabal – later school director, – 2009 National Art Prize winner, and Héctor Noguera – 2015 Performing Arts Prize winner, among others. She took to the massive stages replacing some actresses, and was cast in a role by the American director Frank McMullan, who had been invited to direct the play Look Homeward, Angel by Thomas Wolfe in 1959.After completing her academic training and role in Look Homeward, Angel, she was able to quickly join the cast of actors of the Experimental Theater with Ana González,,,, Nelly Meruane, Justo Ugarte, Maruja Cifuentes, and others. Since then, she has performed in plays such as Much Ado About Nothing, Versos de ciego, ', Le Bourgeois gentilhomme, and Casimiro Vico Primer Actor.
She participated in the premiere of ' by Isidora Aguirre in 1961, playing the role of Mrs. Laura Larraín. In an interview, the actress declared: "Eugenio Guzmán, the director of the play, first placed me in the choir and then chose me as a replacement for Silvia Piñeiro and there I stayed for several seasons." In a short time the play became a massive popular culture phenomenon. It occupied all the spaces that the media offered at that time, transforming image and sound into a true cultural phenomenon, making an international tour through Argentina, Mexico, and Europe.
She joined the artistic team of Los cuatro, a theater company based on the creative abilities of each one of the artists that made up a cast, formed by Orietta Escámez, Humberto and Duvauchelle, with the participation of Víctor Jara,, Mireya Véliz, Isabel Allende, Raúl Ruiz, Hugo Miller, René Combeau, and. At the same time, she belonged to the Theater Research Workshop, from 1968 to 1971, under the direction of and Enrique Noisvander. Highlights of this period include plays such as Peligro a 50 metros, Nos tomamos la Universidad, and Antigone, the latter led by Víctor Jara. In 1972 she was invited to the Teatro Opera's Bim bam bum magazine, where she made several artistic presentations.
Along with this intimate love of theatrical art, Vidaurre has participated in countless national and international tours of countries such as Argentina, Mexico, France, and Spain. Among the plays that have been part of these itineraries are Tartuffe, Las chiquillas van a la pelea, Monólogos de Dario Fo, Las señoras de los jueves, and the comedy El rapto del galán de la teleserie.
His television debut was in Canal 13 televised plays, giving her greater exposure. At the end of the 1960s, she joined the stable cast of television network actors, debuting in the daily series ' and ', with great success. She also played Doña Bernarda Cordero in ', and continued to play roles in soap operas. Years later she moved to Televisión Nacional de Chile at the suggestion of her friend, where she performed in ', ', ', ', ', and ', among others.
During the 2000 season, she joined the stable cast of director, appearing in successful telenovelas such as Romané, Pampa Ilusión, ', and '. She was also a member of the cast of 's youth miniseries, directed by Álex Hernández, such as ', ', ', and '.
In this period, she had notable friendships with the theater and television producer Sonia Fuchs, the actress and National Art Prize winner and the actress and writer María Elena Gertner.
During 2012 she participated in Javiera Contador and 's comedy program , with a parody of the program Mamá a los 15 named Mamá a los 80.
Later years
Over the years, her output diminished but she still continued making special appearances in TV series such as ' and Lo que callamos las mujeres, on youth telenovelas like Gordis, ', and her last appearance on television as a guest actress on 2014's Chipe libre, along with Jaime Vadell and Gloria Münchmeyer. In theater she acted in Las chiquillas van a la pelea and Esperanzo la carroza, playing Mamá Cora in the latter.In 2015, she was the only woman to be a candidate for the National Prize for Performing and Audiovisual Arts, whose winner was actor Héctor Noguera. In the same year, she received several tributes and recognitions for her vast career in the performing arts.
During 2015 she received several tributes and recognitions for her vast career in the performing arts.
In 2017, she was taken to a nursing home due to Alzheimer's disease, amid allegations that she had been forcibly hospitalized.
José Ramón Salgado Vidaurre, son of the actress Violeta Vidaurre, defended having interned her mother in a nursing home because she suffers from Alzheimer's.
Fuente: soychile.cl - https://translate.googleusercontent.com/translate_c?depth=1&hl=en&prev=search&rurl=translate.google.co.uk&sl=es&sp=nmt4&u=https://www.soychile.cl/Santiago/Espectaculos/2017/05/03/461508/Hijo-de-Violeta-Vidaurre-defendio-el-haberla-internado-en-hogar-de-ancianos.aspx&xid=25657,15700022,15700186,15700191,15700256,15700259,15700262,15700265&usg=ALkJrhifSQWmWZbCu09pVtFcL61H7zfCDw
Theater
- 1958 – Atahuicha, la reina de la selva, directed by
- 1959 – El ángel que nos mira, directed by Frank McMullan
- 1959 – El diálogo de las carmelitas, directed by Eugenio Dittborn
- 1960 – , directed by Eugenio Guzmán
- 1961 – Versos de ciego
- 1961 – La ronda de la buena nueva
- 1963 – Much Ado About Nothing
- 1964 – El tony chico, directed by Luis Alberto Heiremans
- 1965 – Casimiro Vico Primer Actor
- 1966 – Tiempo para convivir, directed by Hugo Miller
- El diálogo de las carmelitas
- Monólogos de Dario Fo
- 1967 – Un negro en el cielo
- 1969 – Nos tomamos la universidad, directed by Gustavo Meza
- 1969 – Antigone, directed by Víctor Jara
- 1970 – Todas las colorinas tienen pecas, directed by Eugenio Dittborn
- 1971 – Paraíso para uno, directed by Eugenio Dittborn
- 1972 – El pastor lobo
- 1975 – Le Bourgeois gentilhomme, directed by Eugenio Dittborn
- 1977 – Las señoras de los jueves, directed by Christian Villarreal
- 1978 – Equus
- 1981 – Los 7 pecados capitales
- 1981 – Mary Stuart, directed by Raúl Osorio
- 1982 – Mama Rosa
- 1983 – Como en la Gran Ciudad
- 1984 – Testimonio de un sueño
- 1985 – Tartuffe
- 1987 – El almacén de la vieja Justa
- 1991 – La última noche que pasé contigo, directed by Roberto Nicolini
- 1997 – Entre gallos y medianoche
- 1998 – El caballero de la muerte
- 1999 – Ni tonta ni perezosa, directed by Silva Gutiérrez
- 2001 – Sol tardío, directed by Horacio Valdeavellano
- 2002 – Déjame que te cuente que las abuelas sí son para el verano, directed by Roberto Nicolini
- 2003 – Las chiquillas van a la pelea, directed by Katty Kowaleczko
- 2003 – Más zarzuela, directed by Eduardo Soto
- 2005 – De mi boca a tu boca, directed by Christian Villarreal
- 2007 – El rapto del galán de la teleserie, directed by Christian Villarreal
- 2008 – Sindicato de variedades
- 2008 – Cena para dos
- 2009 – Steel Magnolias
- 2009 – Ellas quieren... él no puede
- 2010 – Ella 80, yo 50
- 2010 – La pérgola de las flores, directed by Silvia Santelices
- 2010 – Los que van quedando en el camino, directed by Guillermo Calderón
- 2011 – ¿Quién se queda con mamá?, directed by Christian Villarreal
- 2012 – Casa de ejercicios espirituales, directed by Cristóbal García
- 2013 – Vivan nuestros poetas, directed by José Peña
- 2015 – Las chiquillas van a la pelea
- 2016 – Amor a los 80
- 2016 – La noche de san Juan
- 2016 – Mamá Cora
Telenovelas
TV series and specials
Film
Other appearances
- Viva el teatro - Various characters
- ' - Guest
- ' - Guest
Awards and recognitions
APES Award
Enrique Silva Cimma Award
Other recognitions
- Career recognition from the Municipality of Villarrica, 2007
- Career award at the 16th Chillán International Film Festival, 2011
- Career recognition and tribute at the Theater Actors' Syndicate, 2015
- Career award from the Rancagua Corporation of Culture and Illustrious Arts, 2015
- Career recognition from the Municipality of El Bosque, 2017