Vlada Divljan


Vladimir "Vlada" Divljan, was a Serbian singer and songwriter. He was known as the frontman for the Serbian and Yugoslav rock band Idoli, one of the bands which initiated the Yugoslav new wave on the music and cultural scene of Yugoslavia in the 1980s, as well as for his solo works.

Early career

Early activity

Divljan got interested in music in 1968, after a Drago Diklić concert in Tučepi, a seaside resort where he went on a holiday with his family. After coming back to Belgrade he asked Zdenko Kolar and Boža Jovanović, two of his friends and neighbors, to form a band. The first instrument Divljan played was a small mandolin because he was a fan of Dubrovački trubaduri. Later he got a guitar, Kolar bought a bass and Boža Jovanović used a tin barrel as a drum with metal sticks made by Kolar's father. The band was called Faraoni since Divljan had a necklace from Egypt, given by his grandmother, with a Tutankhamun medallion. Since there was a popular band from Koper named Faraoni, the band was renamed to Holipe. Both Divljan and Kolar attended guitar course at the RU "Braća Stamenković" held by professor Branko Perišić who later appeared in the "Sve laži sveta" video.
To have rehearsals the three would skip school. The rehearsals were held at the boiler-room in their building. The three had rehearsals there for about ten years. They held a free gig at the Dadov's upper floor.

Zvuk ulice

The first serious band Divljan formed after graduation, in 1976 called Merlin soon renamed to Zvuk Ulice. The band featured Divljan, Zdenko Kolar, Dragan Mitrić, Kokan Popović and Bora Atić The band was a combination of melodic rock, hard rock and jazz rock. The band performed cover versions of The Beatles, Rolling Stones, Jimi Hendrix songs and their own songs. The band performed at Zaječar Guitar festival and Novi Sad BOOM festival. They also had some sessions at Radio Belgrade but due to Kokan Popović's departure to serve the army, the band ceased to exist.

Dečaci and Idoli

In late 1979, Divljan, a college student, met his close high school friend Srđan Šaper at a party. Šaper, a student at University of Belgrade's Faculty of Medicine and his friend Nebojša Krstić decided to form a band and Divljan jokingly offered to be the band's drummer. He took Šaper and Nebojša Krstić to his building's basement where he had rehearsals and where Kolar's and his equipment was placed. Having realized that the two could not play bass and guitar as they planned, Divljan invited his old friends Kolar on bass and Jovanović on drums, so the band had musician and non-musician factions. The band was called Dečaci. At the same time Dečaci met Dragan Papić, photographer and journalist, who became the band's creative mentor, who published Dečaci photos in a well known youth magazine Vidici. The photos had subtitles featuring gay-hinting comments. It was a conceptual band without recordings.
While the public got interested in the band through photos and graffiti which could be seen on Belgrade's walls, the band had to show some proof of existence. Dečaci were renamed to Idoli on 1 March 1980 at the first rehearsal on which Divljan wrote the first song "Retko te viđam sa devojkama", one of the first gay-hinting songs ever written in Yugoslavia. In a month's period "Retko te viđam sa devojkama" and "Pomoć, pomoć" were recorded and released as a present with the April release of "Vidici" magazine. The positive critics opened many doors to Idoli including an opportunity to sign a contract with Jugoton a major Yugoslav record label.
By the time Maljčiki single came out Idoli were already working on the Paket aranžman, a various artists compilation which proved to be one of the most influential Yugoslav rock releases. The next release was the VIS Idoli EP featuring six new songs. Divljan appeared as writer and lead vocalist for most of the tracks. The EP was sold in about 200.000 copies.
For the recording of the first album Kokan Popović, Zvuk Ulice drummer, became the new Idoli drummer. Odbrana i poslednji dani was released in early 1982. The album represents a conceptual effort dealing with an anthropological approach towards orthodoxy. Divljan beside guitar played piano and provided lead vocals for most of the tracks. Odbrana tour proved to be a success unlike the album which was sold in 50.000 copies which. The record company considered a failure even though it was pronounced the best album and best album design of 1982. Foreign magazines also released positive critics and in 1985 "Džuboks" pronounced Odbrana i poslednji dani the best Yugoslav rock record of the 20th century.
The next release was recorded in London with producer Bob Painter. Zdenko Kolar went to the army and was replaced by Branko Isaković. The sound was strictly commercial and proved to be the band's greatest success. For Čokolada Divljan did not put a lot of effort as he was preparing a university degree at the time. He wrote Radostan dan", "Vetar i zastave" and "Ja sam tu".
After the Ljubljana show, on Čokolada tour, the band members had a quarrel which resulted in the breakup of Idoli. The last Idoli release was a soundtrack album for Šest dana juna movie for which Jugoton insisted to be released as an Idoli album. The entire soundtrack was written by Divljan, while the rest of the band plus some guests recorded their parts.

Solo career

Yugoslav years (1985–1991)

When Idoli disbanded, Divljan had an idea of forming a band Hondini Sinovi featuring Branko Isaković on bass, Ivan Stančić Piko on drums and Dragomir Mihajlović "Gagi" on guitar, but decided to pursue a solo career.
The album Tajni život A. P. Šandorova was recorded with Aleksandar Šandorov who used to work only on classical music. Keyboard player Đorđe Petrović also appeared on the album. The album brought a variety of musical styles, instrumentals "1986" and "1987", minimalistic swing "Neću ništa da znam", ballad "Više nisam tu" and sampled hit "Patuljci". For the first time Divljan used sampled music, including sound recordings of Zastava 750 engine, glass breaking, cricket and anvil percussion sounds. The tour for Tajni život A. P. Šandorova featured Zdenko Kolar on bass, Aleksandar Šandorov on keyboards and Marko Milivojević on drums. He also appeared live with the Film faction Le Cinema and the song "Maršal" appeared on Le Cinema's live album Rocking at the Party Live! released by Suzy Records in 1989.
For the soundtrack of "Čovek u beloj jakni" TV series, Divljan recorded cover version of The Beatles songs mainly from their self titled record also known as the White Album. He recorded songs for the TV show "Podijum", for the "Kako je propao rokenrol" omnibus movie, Divljan recorded soundtrack for the "Do izvora dva putića" section directed by Zoran Pez. With Srđan Gojković Gile of Električni Orgazam he participated the theater piece "Rokenrol za decu" and the music from the piece was released on a record and featured cover versions of popular children songs. Rokenrol bukvar was another children's music project this time a soundtrack of the famous Ljubivoje Ršumović children TV show "Fazoni i fore".
During 1990 Divljan, Piko Stančić, Gile and Zoran Radomirović Švaba released the album Lutka koja kaže ne featuring lyrics by Divljan and Gile and a cover version of Đorđe Marjanović's song "Lutka koja kaže ne". The track "Vi ž'tem mon amur", dedicated to Serge Gainsbourg and his hit "Je t'aime... moi non-plus", featured samples of the recordings by Black Sabbath, Time, intro by Žika Jelić, YU grupa bassist, for "Kosovski božuri" recorded live at BOOM pop festival and the voice of Milena Dravić taken from her aerobics tape. A cover version of the song "Srećan ti rođendan", which Divljan wrote for Slađana Milošević, also appeared on the album. In the Summer of 1991 Divljan helped Srđan Gojković Gile on his second solo project which is actually the "Crni bombarder" soundtrack album.

Australian years (1991–1998)

On August 1991 Divljan moved to Australia following his girlfriend Ruth, whom he would marry in 1991; they divorced in 1997. He started playing rock standards with local bands, collaborated with singer Max Sharam and worked in a local Serbian radio station. Having started working on TV and movie soundtracks he was included into the Movie Composer's Society and in 1996 started studying at the University of Sydney, section Sound studies of the Movie Academy. He got the "Audio Excellence" award by Ampex Corporation for the short movie "Flying Over Mother" for which he did sound design and music. He was also awarded by the CBS for the short soundless movie "Drip".
During a short visit to Yugoslavia in late 1995 / early 1996, he formed the Old Stars Band consisting of Aleksandar Šandorov, Zdenko Kolar, Srđan Gojković Gile, Marko Milivojević and Boris Bunjac. The band held two concerts at Novi Sad Studio "M", one unplugged and one regular, on 18 and 23 January 1996. The material recorded from the shows was released on a live album entitled Odbrana i zaštita released through B92 Records.
In January 1997 back in Australia Divljan worked on a project with Leb i Sol keyboardist Kiril Džajkovski titled "Apartchiks". The first CD titled Dekada, released by Avant Garde Records, featured four tracks with sampled speeches by Slobodan Milošević. The next release, Recorded Supplement, featured nine tracks dealing with Divljan's and Džajkovski's exploration of the modern music.

Back in Yugoslavia (1998–1999)

On his second return to Yugoslavia Divljan recorded the soundtrack album for the movie Tri palme za dve bitange i ribicu. With new techno oriented themes, the obscure Idoli track "Pomoć, pomoć" appeared in a new version recorded by Divljan and Ghuru Ghagi from the band URGH!. Ghagi with Šaban Bajramović also appeared on the cover version of "Tri palme na otoku sreće" sung by Divljan and Bilja Krstić. The soundtrack also featured "Dekada" by Apartchiks, "Mačo" by Pressing and "Duboko disanje" by URGH!. Beside the Old Stars Band, the recording sessions featured guitarist Dušan Bezuha Duda.
In July 1998 the Old Stars Band had a successful tour of Slovenia and Divljan appeared as guest on Buldožer concerts. During the same year Divljan with his companions entered the studio in Novi Sad to record his comeback album Sve laži sveta, the album was released in 2000. The album featured slower songs, a cover version of Buldožer's hit "Novo vreme". The closing track "Rodina" was sung in Russian and used in an Australian documentary about a Russian astronaut. Guest appearances featured Kiril Džajkovski, Mladen Đorđević, Laslo Dieneš and Andrej Maglovski. The CD also included a multimedia biographies of musicians, recordings of live performances and sections from the documentaries for which Divljan wrote the soundtrack.

Vienna years (1999–2015)

In the meantime Divljan met Dina, who would later become his wife. In January 1999 they had a son, Stevan. He was only two months old when the NATO bombing campaign in Yugoslavia started. Since they did not want to bring up a child in war conditions, they decided to move to Vienna. The original idea was to stay for a short period of time, but eventually it turned out to be their permanent residence. In September 2002, Dina and Vlada had a second son, Pavle.
Shortly after moving to Vienna, Divljan started working on different sound design projects. He worked between 2001 and 2003 for a radio programme for people from the former Yugoslavia that was part of a project by ORF. In this period he started also a cooperation with SEEMO. Divljan was very active in Vienna supporting different human rights projects.
He also released an instrumental album Vlada Divljan presents Die Tonzentrale released in 2003 by B92 Records Records. The style of the album was a combination of jazz, blues, pop, rock and electronic music. He also participated on the Milan Mladenović tribute album Kao da je bilo nekad with the cover of "Radostan dan". He composed music for the theater piece Paviljoni by Zijah Sokolović. He appeared as guest on Kiril Džajkovski's soundtrack for Balcancan on the track "Baba zumbula" which became a hit in the Republic of Macedonia. Divljan and Bunjac recorded a soundtrack for Sedam i po directed by Miroslav Momčilović.
In 2006 Divljan formed a new backing band called Nevladina Organizacija and did several live shows. He also started working on his new album with the work title Esperanto, featuring songs in Serbian, German and Esperanto. In a short interview he also stated that there are plans of making a web site about the album featuring the album itself, out-takes, instrumental tracks etc. However, the album has never seen the light of day.
In 2008 he recorded the soundtrack for the films Na lepom plavom Dunavu, Kosovski dnevnik by Željko Mirković and worked on the Miroslav Momčilović's movie Čekaj me, ja sigurno neću doći.
In 2012, Divljan was diagnosed with an appendix cancer, which was operated the following year. In January 2015, he got hospitalized for an inflammation of the peritoneum, but he stated that everything is alright and that he felt "very well"; he even used the opportunity to announce a new single "Neposlušna građanka" and a new live album.
However, Divljan died in Vienna on 4 March 2015. His remains were cremated on the New Cemetery in Belgrade on 10 March.

Discography

With Idoli

Solo works

;Studio albums
;Live albums
;Studio albums
;EPs
;Studio albums
;Live albums
;Various artists compilations