Vocal music is a type of singing performed by one or more singers, either with instrumentalaccompaniment, or without instrumental accompaniment, in which singing provides the main focus of the piece. Music which employs singing but does not feature it prominently is generally considered to be instrumental music as is music without singing. Music without any non-vocal instrumental accompaniment is referred to as a cappella. Vocal music typically features sung words called lyrics, although there are notable examples of vocal music that are performed using non-linguistic syllables, sounds, or noises, sometimes as musical onomatopoeia, such as jazz scat singing. A short piece of vocal music with lyrics is broadly termed a song, although in different styles of music, it may be called an aria or hymn. Vocal music often has a sequence of sustained pitches that rise and fall, creating a melody, but some vocal styles use less distinct pitches, such as chants or a rhythmic speech-like delivery, such as rapping. As well, there are extended vocal techniques that may be used, such as screaming, growling, throat singing, or yodelling. Vocal music is probably the oldest form of music, since it does not require any instrument besides the human voice. All musical cultures have some form or type of vocal music.
Vocal music without lyrics
World traditions
Indian classical music is based on a rich vocal tradition, wherein even instruments are evaluated on their ability to follow the human voice, imitate it, or recreate the same expressions.
Hasidic Jews use a form of voice improvisation called nigunim. This consists of wordless tunes vocalized with sounds such as "Bim-bim-bam" or "Ai-yai-yai!" often accompanied by rhythmic clapping and drumming on the table.
, a vocalized musical scale, assigns various syllables such as ‘‘Do-Re-Mi‘‘ to each note. A variety of similar tools are found in traditional Indian music, and scat singing of jazz.
Jazz and popular music
has a very distinct form of vocal percussion known as beatboxing. It involves creating beats, rhythms, and scratching. The singer of the Icelandic group Sigur Rós, Jón Þór Birgisson, often uses vocals without words, as does Icelandic singer/songwriter, Björk. Her album Medúlla is composed entirely of processed and acoustic vocal music, including beatboxing, choral arrangements, and throat singing. Singer Bobby McFerrin has recorded a number of albums using only his voice and body, sometimes consisting of a texted melody supported by untexted vocalizations.
Daniel Gildenlöw: A1 – A5. Top range may be heard on songs such as "Dea Pecuniae", "A Trace of Blood" or "This Heart of Mine"; for low range, "Imago", "Of Dust" and "Beyond the Pale" are good examples.
Dimash Kudaibergen: A1 - D8.
Elizabeth Billington: A3 – A6.
Elvis Presley: B1 – A5. Elvis' B1 may be heard on the song "Such a Night", and on "Mystery Train" an A5 is reached towards the end. Towards his later career, he developed a rich baritone voice which still mastered the higher register with immense power, such as on "American Trilogy", "Unchained Melody" or the joking "Little Darlin'".
Ewa Podleś: A2 – E6.
Farinelli: C3 – C6.
Freddie Mercury: F2 – F6.
Georgia Brown – G2 to G10
Isabella Colbran: F#3 – E6.
Lucrezia Aguiari: C4 – C7.
Mado Robin: E4 – D7.
Manuel García: G or A2 – D5.
Maria Callas: F3 – F6. In his review of Callas's June 11, 1951 concert in Florence, music critic Rock Ferris of Musical Courier said, "Her high E's and F's are taken full voice." In a 1969 French television interview with Pierre Desgraupes on the program L'invité du dimanche, La Scala's maestroFrancesco Siciliani speaks of Callas's voice going to high F.
Maria Malibran: G3 – E6.
Mariah Carey: A2 – A7. Carey has hit an A2 while talking on an interview and an A7 in a live performance of her song "Emotions" in 1991 at the MTV Music Awards, making hers a vocal range of exactly five octaves.
Michael Jackson: F2 – E6
Prince: E2 – C7
Tim Buckley - F♯2 to A5
Yma Sumac: her range was said to be "well over four octaves" and was sometimes claimed to span even five octaves at her peak. From B2 to C7