Wakashū is a historical Japanese term indicating an adolescent boy.
Appearance and ceremonies
Wakashu properly referred to a boy between the ages at which his head was partially shaven , at which point a boy exited early childhood and could begin formal education, apprenticeship, or employment outside the home, and the genpukucoming of age ceremony, which marked the transition to adulthood. During this period, the wakashū wore a distinctive hairstyle, with a small shaved portion at the crown of the head and long forelocks at front and sides, and typically wore kimono with open sleeves ; boys from wealthier families could wear furisode. After the coming of age ceremony, the forelocks were shaved off, giving the adult male hairstyle, and the boy assumed the adult male style of kimono with rounded sleeves. Although any person would be clearly classified as a child, wakashū or adult, the timing of both boundaries of the wakashū period were relatively flexible, giving families and patrons the ability to accommodate the development and circumstances of the individual boy.
Sexuality
In Edo-period Japan, adolescent boys were considered as suitable objects of erotic desire for young women, older women, and older men. In the erotic context, wakashu was a gender role rather than a fixed biological category, and it is sometimes called "the third gender". Age was an important, but not crucial aspect of wakashu. Thus, older men could sometimes adopt the appearance and manners of wakashu. This was the case particularly for male prostitutes, who would not be considered as a suitable object of homoerotic desire for older men after reaching adulthood. In 1685 the shogunate reportedly cracked down on the so-called o-wakashu who delayed their coming-of-age ceremony until their middle 20s. One of the stories in The Great Mirror of Male Love by Ihara Saikaku features a samurai wakashu in his 60s. , polychrome woodblock print, c. 1770
Shudo was associated both with erotic discernment and with artistic refinement. In his book The Aesthetics of Boy LoveTaruho Inagaki writes than only "members of a privileged class can understand the delights of boy love". The characteristic beauty of wakashu, which lasted only a short time, was compared to cherry blossoms. The cult of youthful male beauty in Japanese literature may be traced as far back as the 11th-century classic The Tale of Genji, whose protagonist is described as "such an attractive figure that the other men felt a desire to see him as a woman". Wakashu were prominently featured in Edo-period woodcuts, where they are often distinguishable from the female beauties in the same pictures only by a sword or the shaved spot on the crown of their head. In erotic prints they are often depicted as more feminine than their female partners. In some wakashu woodcuts, it is unclear whether the characters shown are adolescent boys or female prostitutes posing as wakashu to excite their clients. Prostitution and acting were closely linked in early Kabuki theater. Female actors were banned from Kabuki in 1629 in an effort to crack down on prostitution, and the roles of women and young boys began to be performed by wakashu. However, since the sexual favors of wakashu were no less in demand, they were also banned from the stage in 1652, and these roles were taken over by adult onnagata actors or wakashū-gata actors specializing in adolescent male roles.
Obsolescence
In the Meiji era, the term became obsolete; the first meanings were replaced by the new term shōnen, and the last by the related construction bishōnen.
