Wendy Lewis


Wendy Lewis is an Australian writer working in Sydney who has written a number of non-fiction books about Australian people, history and events. She has also written plays under the pen-name of Julia Lewis.

Non-fiction

In 2010, Lewis was commissioned by the National Australia Day Council to write Australians of the Year, the official 50-year history of the Australian of the Year Award.
See Australia and Die describes incidents resulting in harm to people travelling in Australia, including from crocodile attacks, the sting of Irukandji jellyfish, and death by hypothermia.
Events That Shaped Australia recounts details, personages, the images and after-effects of important events in Australia's history.
Caught Out! Scandals, Lies, Cover-ups is a selection of Australian scandals including David Hicks, Muhamed Haneef, Children Overboard, Cheryl Kernot's big secret, The Mufti and the Uncovered Meat.
Gone describes 25 kidnapping cases in various countries.
Lewis' book Celebrating 150 years of Rookwood Catholic Cemetery was commissioned by the Catholic church. The book launch was celebrated with a mass at St Mary's Cathedral, followed by a cocktail party at the Hyde Park Barracks, Sydney.

Theatre

Lewis has written plays entitled Statues of David, The Baggage Handler and Life Drawing.
Lewis' musical What's My Color?, co-written with Berlin-based composer Yuval Halpern, premiered in the US in October 2016.
In 2018, Lewis adapted The Devil's Caress by June Wright to stage. The production presented June Wright's classic murder mystery interwoven with her life and times in post-war Melbourne. It was produced by Factory Space Theatre Company. The script was published by The Australian Script Centre.
In 2020, Lewis wrote the text and composed the music of a musical comedy called Defeating Roger Federer. It was performed at the New Theatre.

Other works

Lewis won a poetry competition in connection with Refresh Drummoyne, an urban art installation for the City of Canada Bay in Sydney in 2010. Her winning entry was typographed as a mural by a graphic designer in a manner that "refers to and resembles billboards, poster walls, newspaper headlines and antique film rolls."