Werther


Werther is an opera in four acts by Jules Massenet to a French libretto by Édouard Blau, Paul Milliet and Georges Hartmann. It is loosely based on the German epistolary novel The Sorrows of Young Werther by Johann Wolfgang von Goethe, which was based both on fact and on Goethe's own early life. Earlier examples of operas using the story were made by Kreutzer and Pucitta.

Performance history

Massenet started composing Werther in 1885, completing it in 1887. He submitted it to Léon Carvalho, the director of the Paris Opéra-Comique, that year, but Carvalho declined to accept it on the grounds that the scenario was too serious. With the disruption of the fire at the Opéra-Comique and Massenet's work on other operatic projects, it was put to one side, until the Vienna Opera, pleased with the success of Manon, asked the composer for a new work. Werther received its premiere on 16 February 1892 at the Imperial Theatre Hofoper in Vienna.
The French-language premiere followed in Geneva on 27 December 1892. The first performance in France was given by the Opéra-Comique at the Théâtre Lyrique on the Place du Châtelet in Paris on 16 January 1893, with Marie Delna as Charlotte and Guillaume Ibos in the title role, conducted by Jules Danbé, but was not immediately successful.
Werther entered the repertoire at the Opéra-Comique in 1903 in a production supervised by Albert Carré, and over the next half-century the opera was performed over 1,100 times there, Léon Beyle becoming a distinguished interpreter of Werther.
The United States premiere with the Metropolitan Opera took place in Chicago on 29 March 1894 and then in the company's main house in New York City three weeks later. The UK premiere was a one-off performance at Covent Garden, London, on 11 June 1894 with Emma Eames as Charlotte, Sigrid Arnoldson as Sophie, and Jean de Reszke in the title role.
Werther is still regularly performed around the world and has been recorded many times. Although the role of Werther was written for a tenor, Massenet adjusted it for a baritone, when Mattia Battistini sang it in Saint Petersburg in 1902. It is very occasionally performed in this version, in which the changes affect only the vocal line for the title character. There are no other changes to the words, to the lines for other characters, or to the orchestration.

Roles

Instrumentation

2 flutes,
2 oboes,
2 clarinets in B-flat and A,
alto saxophone,
2 bassoons,
4 horns in F,
2 trumpets,
3 trombones,
tuba,
timpani,
percussion ,
harp,
strings.

Synopsis

as Charlotte in 1907

Act 1

In July, the widowed Bailiff, is teaching his six youngest children a Christmas carol. His drinking companions, Johann and Schmidt, arrive as Charlotte, the eldest daughter, dresses for a ball. Since her fiancé Albert is away, she is to be escorted by Werther, whom the Bailiff and his companions find gloomy. Werther arrives, and watches as Charlotte prepares her young siblings' supper, just as her mother had before she died. He greets her and they leave for the ball. Albert returns unexpectedly after a six-month trip. He is unsure of Charlotte's intentions and disappointed not to find her at home, but is reassured and consoled by Charlotte's younger sister Sophie. He leaves after promising to return in the morning. After an orchestral interlude, Werther and Charlotte return very late; he is already enamoured of her. His declaration of love is interrupted by the announcement of Albert's return. Charlotte recalls how she promised her dying mother she would marry Albert. Werther is in despair.

Act 2

It is three months later, and Charlotte and Albert are now married. They walk happily to church to celebrate the minister's 50th wedding anniversary, followed by the disconsolate Werther. First Albert and then Sophie try to cheer him up. When Charlotte exits the church, he speaks to her of their first meeting. Charlotte begs Werther to leave her, though she indicates that she would be willing to receive him again on Christmas Day. Werther contemplates suicide. He encounters Sophie but the tearful girl does not understand his distressing behavior. Albert now realizes that Werther loves Charlotte.

Act 3

Charlotte is at home alone on Christmas Eve. She spends time rereading the letters that she has received from Werther, wondering how the young poet is and how she had the strength to send him away. Sophie comes in and tries to cheer up her older sister, though Charlotte is not to be consoled. Suddenly Werther appears, and while he reads to her some poetry of Ossian, he realizes that she does indeed return his love. They embrace for a moment, but she quickly bids him farewell. He leaves with thoughts of suicide. Albert returns home to find his wife distraught. Werther sends a messenger to Albert, requesting to borrow his pistols, explaining he is going on an extended trip. After the servant has taken them, Charlotte has a terrible premonition and hurries to find Werther. An orchestral intermezzo leads without a break into the final Act.

Act 4

"The death of Werther": At Werther's apartment, Charlotte has arrived too late to stop him from shooting himself; he is dying. She consoles him by declaring her love. He asks for forgiveness. After he dies, Charlotte faints. Outside children are heard singing the Christmas carol.

Noted arias

Act 1
Act 2
Act 3

Recordings

A well-regarded recording of the complete opera was made in January 1931 by French Columbia with a French cast and the orchestra and chorus of the Opéra-Comique under the direction of Élie Cohen. Henry Fogel of Fanfare magazine, writing in 1992, counted 14 complete recordings and considered it the finest of the lot. His colleague, James Camner, reviewing the Opera d'Oro reissue in 2003, called it "one of the treasures of recorded opera.... Unfortunately, the transfer is over filtered. The high frequencies are lost, giving the performance an unwarranted flatness. Happily, Naxos offers the same recording expertly transferred by Ward Marston, and acquiring it is a must." Alan Blyth, while giving a very positive review of the reissue of the recording with Albert Lance as Werther and Rita Gorr as Charlotte in 2004, nevertheless pointed out that "neither quite has the ideal subtlety of the best Massenet singers, such as Vallin and Thill on the classic, pre-war set, now on Naxos".
In addition, many of the greatest French and Italian singers of the past century or more have recorded individual arias from Massenet's masterwork.
YearCast
Conductor,
opera house and orchestra
LabelNotes
1931Ninon Vallin,
Germaine Féraldy,
Georges Thill,
Marcel Roque
Élie Cohen
Orchestra and Chorus of the
Originally French Columbia
CD: Naxos 8.110061-62,
Opera d'Oro OPD 1366
-
1952Oralia Domínguez,
Eugenia Rocabruna,
Giuseppe Di Stefano,
Piero Campolonghi
Guido Picco
Orchestra e Coro del Palacio de las Bellas Artes
CD: Gala
Cat: B0040V420O
In Italian
1953Pia Tassinari,
Vittoria Neviani,
Ferruccio Tagliavini,
Marcello Cortis
Francesco Molinari-Pradelli
Coro di Voci Bianchi, Orchestra Sinfonica di Torino
CD: Warner-Fonit
Cat: 8573 87494-2
-
1953Suzanne Juyol,
Agnes Léger,
Charles Richard,
Roger Bourdin
Georges Sébastian
Orchestra and Chorus of the
Originally Nixa/Urania
CD: Andromeda
Cat: ANDRCD 5073
-
1954Maria Maksakova,
Maria Zvezdina,
Ivan Kozlovsky,
Vladimir Sakharov
Onissim Bron
Moscow Radio Orchestra
CD: Myto
Cat: B000027HNO
In Russian
1959Leyla Gencer,
Giuliana Tavolaccini,
Ferruccio Tagliavini,
Mario Borriello
Carlo Felice Cillario
Coro di Teatro Verdi di Trieste Orchestra e Coro
CD: Opera d'Oro
Cat: 1234
In Italian
1964Rita Gorr,
Mady Mesplé,
Albert Lance,
Gabriel Bacquier
Jésus Etcheverry
Orchestra and Chorus of the Radiodiffusion-Télévision Française
CD: Accord
Cat: 472 917-2
-
1968-69Victoria de los Ángeles,
Mady Mesplé,
Nicolai Gedda,
Roger Soyer
Georges Prêtre
Orchestre de Paris
CD: EMI
Cat: 562 6272
-
1971Virginia Zeani,
Valeria Mariconda,
Alfredo Kraus,
Domenico Trimarchi
Antonino Votto
Orchestra e Coro del Teatro Massimo di Palermo
CD: G.O.P.
Cat: 749-CD2
In Italian
1977Brigitte Fassbaender,
Marianne Seibel,
Plácido Domingo,
Hans Günther Nöcker
Jesús López Cobos
Bayerisches Staatsorchester
CD: Orfeo
Cat: B00000AFDE
-
1979Tatiana Troyanos,
Christine Barbaux,
Alfredo Kraus,
Matteo Manuguerra
Michel Plasson
London Philharmonic Orchestra
CD: EMI
Cat: 7 49610-2
-
1979Elena Obraztsova,
Arleen Auger,
Plácido Domingo,
Franz Grundheber
Riccardo Chailly
Cologne Radio Symphony Orchestra
CD: Deutsche Grammophon
Cat: 477 5652-1
-
1980Frederica von Stade,
Isobel Buchanan,
José Carreras,
Thomas Allen
Sir Colin Davis
Orchestra of the Royal Opera House, Covent Garden
CD: Philips
Cat: 416 654-2
-
1985Brigitte Fassbaender,
Magdaléna Hajossyová,
Peter Dvorský,
Hans Helm
Libor Pešek
Prague Radio Symphony Orchestra,
Chorus of the Bambini di Praga
CD : Supraphon
Cat: 11 1547-2 632
LD: Amadeo PHLK 7503
-
1998Vesselina Kasarova,
Dawn Kotoski,
Ramón Vargas,
Christopher Schaldenbrand
Vladimir Jurowski
Deutsches Symphonie-Orchester Berlin
CD: RCA Victor
Cat: 74321 58224-2
-
1998Angela Gheorghiu,
Patricia Petibon,
Roberto Alagna,
Thomas Hampson
Antonio Pappano
London Symphony Orchestra
CD: EMI
Cat: EMI 81849
-
1999Béatrice Uria-Monzon,
Jaël Azzaretti,
Marcus Haddock,
René Massis
Jean-Claude Casadesus
Orchestre National de Lille
CD: Naxos
Cat: 8.660072-73
-
2005Elīna Garanča,
:de:Ileana Tonca|Ileana Tonca,
Marcelo Álvarez,
Adrian Eröd
Philippe Jordan
Vienna State Opera
DVD: TDK
Cat: DVWW-OPWER
-
2004Susan Graham,
Sandrine Piau,
Thomas Hampson,
Stéphane Degout
Michel Plasson
Orchestre National du Capitole de Toulouse
DVD: Virgin Classics
Cat: 359257-9
-
2010Sophie Koch,
Anne-Catherine Gillet,
Jonas Kaufmann,
Ludovic Tézier
Michel Plasson
Opéra National de Paris
DVD: Decca
Cat: B0014794-09
-
2012Sophie Koch,
Eri Nakamura,
Rolando Villazón,
Audun Iversen
Antonio Pappano
Orchestra of the Royal Opera House
CD: Deutsche Grammophon
Cat: 0289 477 9340 3
-
2018Anna Stéphany,
Mélissa Petit,
Juan Diego Flórez,
Audun Iversen
Cornelius Meister
Orchestra of the Zürich Opera House
DVD / Blu-Ray: Accentus
Cat: ACC10427, ACC20427
-