His time in Greece was shared between Thessaloniki and the island of Paros. There were many trips of discovery throughout Greece and the Balkan Peninsula, as well as Turkey, North Africa, and the Mediterranean world. The encounters with Archaic Greek sculpture and Minoan Painting left deep impressions, above all for their provocative simplicity and essence of line. The potential for the figurative within the context of the dominant minimalist visual culture of contemporary art may well have germinated from the initial visual shocks of this imagery. Here was an art that embodied both graphic dynamism and the impulse to vital forms and themes. His six years in Greece provided a relatively isolated cocoon for research and experimental trial-and-error ; moving steadily closer to a way to flesh out his first personal, near-archaic, works. It was soon after his arrival in Paris that he made the group of paintings that constituted his first gallery exhibition, in 1984. In the aftermath there appeared articles on these works in art magazines such as ‘Eighty’, Opus International, Flash Art, and Art in America. He was invited to participate in the international survey of contemporary art ‘Anniottanta’ at the Museum of Modern art of Bologna in 1985. That same year, he received the Prix de Peinture at the Salon International d’Art Contemporain in Montrouge, and his work was acquired by the Musée Nationale d’Art Moderne et Contemporaine, the Centre Pompidou, in Paris. Exhibitions in Vienna, Innsbruck, and Rome were held in 1986, and he also began a long-running collaboration with Michael Woolworth publications, creating numerous prints and artist’s books in the intervening years. Other collaborations and commissions have subsequently become an integral facet of his visual production. Mural projects were realized for the Reims Urban Transport headquarters, for the City of Paris, La Grande Arche de la Défense, as well as for private companies in France. The Centre Regional d’Art Contemporain of Toulouse presented the first large institutional survey of his work in 1990. Since then there have followed regular intervals of exhibitions in galleries throughout Europe.
Exhibitions
Solo Exhibitions 2012
Galerie Vidal-Saint Phalle, Paris
Galerie Storrer, Zurich
Galerie La Navire, Brest 2011
Galerie Placido, Paris 2009
Galerie La Navire, Brest 2007
Galerie Erich Storrer, Zurich 2005
Galerie La Navire, Brest
Le Quartz, Brest 2004
Galerie Vidal-St.Phalle, Paris
Galerie La Navire, Brest 2002
Art Koln, Galerie Vidal-St. Phalle, Paris 2001
Galerie Vidal-St. Phalle, Paris 2000
Galerie Nanky De Vreeze, Amsterdam
F.I.A.C., Michael Woolworth Publications
Group Exhibitions
2012
'Ressources Humaines', Les Abattoirs, Musée d'Art Contemporain, Toulouse
