Winster Guisers


The Winster Guisers are a group who perform a traditional mummers play in and around the village of Winster, Derbyshire, UK, during the Christmas season. Their performance is based on a photograph taken c. 1870 outside Winster Hall showing an unidentified set of performers about whom little is known for certain. The Winster Guisers' play is not local to the area, but is a revival of a Cheshire play, chosen because it features a hobby horse similar to the one in the centre of the old photograph. A "guiser" is someone in disguise, though in the Winster area the term was widely used for the teams of Christmas mummers.

Historical context

In the mid 19th century, guisers were evidently common in Derbyshire in the week between Christmas and New Year, as can be seen [|from the notes below], which record around a dozen visits to Winster Hall in the four days 26–30 December 1867.
The village of Winster also has a long-established morris dance tradition. Although the first documentary evidence of morris dancing in Winster dates only from 1863, it seems to have been well established by then. The famous pioneering folklorist Cecil Sharp visited the village in 1908 and noted five dances, including The Processional and The Gallop. All the dancers are men or boys, dressed in white; a full team numbers 16. There are four other characters, also men: the King and Queen, who preside over the dancing, and the Jester and the Witch, who entertain the crowd, as Cecil Sharp described: "The dancers danced in procession … through the streets of Winster, stopping at certain places to perform one or two of their stationary dances. The King headed the procession, marching in step with the music … the Queen and the musician walked by the side of the dancers; the Fool and the Witch ran about clearing the way."

The Winster Hall photograph

The photograph taken at Winster Hall, Derbyshire, in about 1870 shows a possibly unique midwinter custom involving three hobby horses. Eight or nine performers are involved; all have facial disguise. It has been claimed to be the oldest known photograph of a group of mummers or guisers.
Two men wearing military-looking jackets, buttoned to the neck, and white trousers stand astride small hobby horses of an apparently unique design: a cylindrical body, "about three inches diameter and two feet long", held between the rider's legs, with a flat, curved wooden neck and a small, stylised head with snapping jaws. The horsemen are faceless: their heads are wrapped in light-coloured cloth.
The performers are grouped around a "mast horse" with a shiny black head made from a skull set on a short pole. It is operated by a person who crouches under a blanket, attached to the back of the skull, that hides most of the pole. Behind this horse are two men who seem to be threatening it, one with a long stick like the handle of a brush or rake, the other with a besom broom. The one with the stick wears white trousers, a dark jacket and a top hat; his face is disguised, perhaps by a mask or possibly wrapped in cloth. The other has a dark jacket and a flat-topped, ornate hat that looks like a smoking cap; he may be wearing a mask or perhaps a painted-on beard; his legs cannot be seen.
Next to them stands a rather matronly woman in a long apron; she has no facial disguise and is possibly a member of the household staff rather than a performer; another smartly dressed person, also possibly a servant is looking out of the house through a window in the door.
Another character wears a rather voluminous, tattered, long, dark dress with pale sleeves and a top hat. Busily brushing the ground with a besom broom, "she" is reminiscent of the character Besom Bet who appears in some mummers plays or the Winster morris Witch.
The last two characters, on the outer edges of the group, are playing rough music on bladder fiddles. One has his face disguised with a simple mask and wears a peaked cap. He wears white trousers, and possibly a dark, sleeveless jerkin over a paler, long-sleeved garment. The other "musician" is more smartly dressed, in top hat, a long riding jacket, breeches, tight, knee-length socks or gaiters and polished shoes. He has what appears to be a false beard and bushy eyebrows.

Mummers or morris dancers?

The performance may have been arranged by Llewellynn Jewitt, who lived at the hall between 1868 and 1880. In 1931, Stanley Evans suggested the performers may have been performing a mumming play. Cawte dismissed this suggestion: "if so it is a most unusual one, there is no sign of the combatants, the pair of horses is of an unusual design, and the mast horse seems to be the centre of attention." But, despite the absence of weapons, it is not difficult to envisage the two military-looking characters on hobby-horses as possible combatants, or even the two characters behind who are waving a pole and a broomstick. Moreover, the "Wild Horse" is a central character in the Soul-caking plays of nearby Cheshire.
In his field notes, made in 1908, folklorist Cecil Sharp referred to a hobby horse "without a curtain" being connected with the morris dance at Winster; he also mentions a "Snap Dragon" made from "a real horse's head" dug up for the purpose, but does not say whether it was associated with the morris. It seems he did not see them himself, and his account published in 1924, long after his visit to Winster, is confusing. In 1966, Winster morris dancers stated that there had never been a hobby horse associated with their morris, but that there had been a separate horse ceremony involving a skull that was reburied each year. It seems possible that Sharp's "Snap Dragon" and the horse ceremony recalled by the morris men are the same custom that is shown in the Winster Hall photograph.

Llewellynn Jewitt's own notes (1867)https://archive.org/stream/lifeanddeathlle00gossgoog/lifeanddeathlle00gossgoog_djvu.txt Hall, [Samuel Carter, ''The Life and Death of Llewellynn Jewitt: With Fragmentary Memoirs of Some of his Famous Literary and Artistic Friends'' (1889)] Online text, p.226

In 1867 Jewitt recorded several visits to Winster Hall by groups of traditional performers : 'guisers', 'mummers', the 'hobby horse' and 'Snap Dragon'. Jewitt differentiates between 'Snap Dragon' and 'Hobby Horse' but does not describe how they were made, or how they differed, but implies that they did not always go out together. If Sharp is correct and Snap Dragon was made from a horse's skull, the photograph may show one such "conjoined" team of guisers. Jewitt also seems to have seen several different hobby horses and two different Snap Dragons during these four days, as it is unlikely he would have paid the same team twice in two days.