Winyah Park


Winyah Park was the 300-acre country estate of Colonel Richard Lathers, located in the village of New Rochelle, Westchester County, New York, upon which a number of 19th-century Gothic villas and cottages designed by Alexander Jackson Davis were built. It was in 1848, after a brief but successful business career in New York, that, attracted by the accessibility and the natural environment of New Rochelle, Colonel Richard Lathers purchased a large country estate and farm along the New Rochelle and Pelham border. Three years later, in 1851, Lathers employed his personal friend and renowned architect Alexander Jackson Davis to design him a more seemly and dignified residence than the old farmhouse which existed. Revolutionizing the traditional single-house form that dominated colonial and early 19th-century domestic architecture, Davis was creating many of the country's finest villas and cottages in an entirely new, purely American style. The residence designed for Lathers was the landmark brick and marble Italian villa "Winyah", named for Lathers former estate in Winyah Parish, South Carolina.

Winyah

"Winyah" was one of approximately eighteen or more Italianate houses designed by Davis in the 1850s. It was for this particular design that Davis received top honors at the World's Fair held in New York. Davis used Winyah’s most striking feature, two adjacent but contrasting towers, in a much larger house named "Grace Hill", built in Brooklyn between 1854 and 1857. In both Winyah and Grace Hill, broad octagonal towers function as visual anchors for the taller square towers that incorporate entrance porches at ground level and look-outs on the fourth story. Winyah had, in addition, a raised platform with urns at two of its corners and a truncated column at a third.

Lost to Fire

Winyah was one of the best known landmarks of the vicinity of New Rochelle up until May 5, 1897, when the residence burned to the ground along with its many valuable contents. The mansion was purchased from Col. Richard Lathers by Col. C. H. Green, President of Columbia Construction and Navigation Company. He occupied it with his wife and four-year-old nephew, and three servants including a 'waitress', 'laundress' and cook. In the early morning hours the waitress awoke to the smell of smoke alerting the other occupants to flee the house. The cook ran into New Rochelle village to secure assistance. The Fire Department, with two engines, a horse cart, and a truck, responded, though the mansion was about one and a half miles from the center of town. When they arrived, however, their attempt to get water from a hydrant was unavailable due to pebbles stuck within it. Nearly 100 men came with fire apparatus, but without water they could do nothing to stop the flames. Green offered a reward if anyone could save two pictures from the gallery within the home however nothing could be saved and within two hours the entire structure was in ruins. The sixty-nine-foot tower in the front of the home collapsed into the center of the burning building and only two brick chimneys were left standing in the end.
Colonel Green estimated his loss at $100,000. The home and the furniture were insured for approximately $35,000. Mrs. Green lost her diamonds and jewellery valued at $10,000. Colonel Green had a large and valuable library as well as several paintings by Corot, Schreyer, and Sontag. One painting which was taken from his mother's home while it was burning, was particularly prized by Col. Green who valued it at $5,000. The mansion which contained thirty-five rooms, originally cost $63,000 and Col. Green had improved it considerably since he became its owner.
The theory behind its destruction was that the fire was caused by the spontaneous combustion of some rags soaked with a floor-cleaning compound containing turpentine and oil, which had been left in the lamp room.

Lathers Woods

In the late 1850s, Lathers decided to build a number of "investment" houses on a portion of his property which was later named "Lathers Woods". Once again he retained his friend Davis the architect for this project which included a total of four homes, three of them designed in 1858, and one the following year in 1859. The homes were well planned for spaciousness and dignity of interior effect considering their not extravagant dimensions. In 1890, the artist Frederick Remington purchased one of these cottages from which he created his estate and studio where he lived most of his artistic career. The Remington’s' substantial gothic revival house located at 301 Webster Avenue, featured a sweeping lawn which sloped south toward Long Island Sound, providing views on three sides of the countryside. Remington called it "Endion", an Algonquin word meaning "the place where I live". Remington and his wife, Eva, moved to New Rochelle in 1890, three years after he had begun his professional career as an illustrator and painter. The community was close to New York City affording easy access to the publishing houses and galleries necessary for the artist, and also rural enough to provide him with the space he needed for horseback riding, and other physical activities that relieved the long hours of concentration required by his work. Moreover, an artists' colony had grown up in the town, so that the Remington’s counted among their neighbor’s writers, actors, and artists such as Augustus Thomas, also from Lathers Hill, and Francis Wilson, Julian Hawthorne, Edward Kemble.
The success of both Winyah and Lathers' Woods generated further important commissions for Davis in New Rochelle including the Davenport family's cottage-villas Wildcliff and Sans Souci, and Col. Delancey Kane's Davenport Neck estate "The Paddocks".

Later development

A dairy farm, operated by Walsh Brothers Dairy, rented some 120 acres for $35 a month. At first, Lathers paid taxes only to Pelham however when New Rochelle became a city in 1900, Lathers was pressed to pay taxes there. He later sold the property to Winyah Park Realty, and it was sold once more, to Clifford B. Harmon who began the rapid development of the area. An undated item in the New York Times, published between 1906 and 1909, reads: