Wizzard


Wizzard were an English glam rock band formed by Roy Wood, former member of the Move and co-founder of the Electric Light Orchestra. The Guinness Book of 500 Number One Hits states, "Wizzard was Roy Wood just as much as Wings was Paul McCartney." They are most famous for their 1973 Christmas song "I Wish It Could Be Christmas Everyday", which has been played during every Christmas season in the UK since its release.

Biography

Beginnings

Not long after the release of Electric Light Orchestra's first album, Wood found himself in political disagreements with the band's manager Don Arden, so Wood left ELO, taking band members Bill Hunt and Hugh McDowell with him to form Wizzard, as well as ELO's sound engineer, Trevor Smith. Despite press reporting a fallout between Wood and co-founder/leader Jeff Lynne, Wood denies that he and Lynne ever had a real row, blaming it on press fabrication, and insists that, "We never had a real row and we're still mates now." Instead, Wood blamed Arden for his management style and failure to resolve the problems.
Also in the line-up were former Move bassist Rick Price, drummers Charlie Grima and Keith Smart, and saxophone players Mike Burney and Nick Pentelow. Prior to the recording of the band's second album, Introducing Eddy and the Falcons, McDowell left and was not replaced, and during the recording of the album Bill Hunt also departed and was replaced by Bob Brady. Prior to the 1975 recording of the band's final album, Main Street, drummer Keith Smart departed the band and was not replaced.

Live debut, chart success and tours

The band made their live debut at The London Rock and Roll Show at Wembley Stadium on 5 August 1972. Wizzard's second appearance was at the Reading Festival later that month. With Wood's distinctive warpaint make-up and colourful costume,
not to mention regular appearances on BBC Television's Top of the Pops in which members and friends, including Wood's girl friend, singer Ayshea Brough, variously appeared in pantomime horses, gorilla costumes or as roller-skating angels, often wielding custard pies for good measure, they were one of the most picturesque groups in the British glam rock era. In January 1973 they scored their first Top 10 hit with "Ball Park Incident". Their biggest hit was with their second single. "See My Baby Jive", Wood's faithful and affectionate tribute to the Phil Spector generated 'Wall of Sound', made No. 1 in the UK Singles Chart for four weeks. It sold over one million copies globally, and was awarded gold disc status. The follow-up, "Angel Fingers", also topped the charts for one week. Wizzard's songs often included lengthy instrumental improvisations.
The band's 1973 Christmas single "I Wish It Could Be Christmas Everyday" has become something of an annual fixture on British radio and television. It was reissued in 1981, and a 12" re-recording appeared in 1984.
During 1973 Wood was simultaneously exploring a solo career with his album Boulders, which produced a Top 20 hit in "Dear Elaine". The subsequent heavy working schedule and strain led to health problems, and several cancelled or postponed live dates on a spring 1974 tour of the UK. One highlight of 1974 was a return to the Top 10 with "Rock 'n' Roll Winter ". Release was delayed for several weeks until the end of March, so the words 'Sorry, the word 'Spring' wouldn't fit. R.W.' were added on the label after the title. Unusually for the time, this and the B-side, "Dream of Unwin", were both recorded and released in mono. The song was dedicated to Wood's girlfriend of the time Lynsey de Paul, who repaid the honour by recording a Wizzard flavoured song "Ooh I Do" a few months later.
A tour of the US later that year failed to bring them any commercial success there, but after meeting Brian Wilson some members guested on a Beach Boys session, which resulted in the eventual release of the latter group's single "It's OK" in 1976.

Financial difficulties

Wizzard was an expensive band to maintain, both because of the large line-up, in terms of recording costs, and Bill Hunt's propensity to smash the pianos of the venues they were playing at. According to Price in a radio interview, "...even when we've had permission to do so. At one gig they said, 'Oh, go on, smash it up; it's only worth a fiver.' So Bill smashed it up, and we got a bill for a hundred and ten quid!" Studio time was an even greater drain on the band's finances. Price again: "When we finished recording 'Angel Fingers' it was rumoured that we had spent more time in the studio than Paul McCartney had with the whole of the Band on the Run album." Whether it was true or not, this meant that most of the record company's money was spent in studio time and that the members of the band had to rely on live touring work for their income. A couple of tours in the UK and one tour of the US were not enough to ensure regular wages for the band. One by one the band members found other, more lucrative, things to occupy their time.

Disbanding

By autumn 1975 they had split, leaving a farewell single, "Rattlesnake Roll", which failed to chart, and a third album, Main Street, which their record label did not release as they deemed it insufficiently commercial. Wizzard had initially intended their second album to be a double, with one disc a set of rock and roll pastiches and the other disc jazz-rock. The label heard the rock and roll set and decided to release that as a single album, which appeared in 1974 as Introducing Eddy & The Falcons. Main Street, the jazz-rock set, languished in the vaults and was for some time presumed lost, but was finally released in 2000.

Post-Wizzard

Following the band's split in 1975, Wood and Price formed the short-lived Wizzo Band, after which Wood reverted to a solo career in addition to producing records for other acts, notably a 1979 Top 10 cover version of "Duke of Earl" for British doo-wop revivalists Darts.
On 13 November 2014, saxophonist Mike Burney died, aged 76, after a long battle with cancer.
Hugh McDowell died on 6 November 2018 following a long illness, at the age of 65.

Personnel


ImageSize = width:600 height:350
PlotArea = left:115 bottom:110 top:10 right:20
Alignbars = justify
DateFormat = dd/mm/yyyy
Period = from:01/07/1972 till:01/07/1975
TimeAxis = orientation:horizontal format:yyyy
Legend = orientation:vertical position:bottom columns:3
ScaleMajor = increment:5 start:1974
ScaleMinor = increment:1 start:1973
Colors =
id:voc value:red legend:Vocals
id:backing value:pink legend:Backing_vocals
id:sax value:yellow legend:Saxophone
id:g value:green legend:Guitars
id:b value:blue legend:Bass
id:key value:purple legend:Keyboards
id:fl value:gray legend:Flute,_clarinet
id:horn value:skyblue legend:French_horn
id:dr value:orange legend:Drums
id:cello value:darkblue legend:Cello
id:alb value:black legend:Studio_releases
LineData =
at:01/03/1973 color:black layer:back
at:01/07/1974
PlotData =
width:11 textcolor:black align:left anchor:from shift:
bar:Roy Wood from:start till:end color:g
bar:Roy Wood from:start till:end color:sax width:7
bar:Roy Wood from:start till:end color:voc width:3
bar:Mike Burney from:start till:end color:sax
bar:Mike Burney from:start till:end color:fl width:3
bar:Nick Pentelow from:start till:end color:sax
bar:Nick Pentelow from:start till:end color:fl width:3
bar:Rick Price from:start till:end color:b
bar:Bill Hunt from:start till:01/07/1974 color:key
bar:Bill Hunt from:start till:01/07/1974 color:horn width:3
bar:Bob Brady from:01/07/1974 till:end color:key
bar:Bob Brady from:01/07/1974 till:end color:backing width:3
bar:Hugh McDowell from:start till:01/07/1973 color:cello
bar:Hugh McDowell from:start till:01/07/1973 color:key width:3
bar:Charlie Grima from:start till:end color:dr
bar:Charlie Grima from:start till:end color:backing width:3
bar:Keith Smart from:start till:end color:dr

Discography

Albums

Singles