Your Own Thing is a rock-styled musical comedy loosely based on Twelfth Night by William Shakespeare. It premiered off-Broadway in early 1968. The music and lyrics are by Hal Hester and Danny Apolinar with the book adaptation by Donald Driver, who also directed the original production. Dorothy Love was the show's producer. The show was a success, running for 937 performances Off-Broadway and then touring and playing in London and Australia.
Synopsis
The show is set in the present in the land of Illyria, which looks very much like New York City. It is a tale of separated twins, mistaken identities, love triangles and "doing your own thing". It opens when a raging storm wrecks the ship on which a rock duet is traveling. They are "identical" twenty-year-old twins, Viola and Sebastian. Even in this life-threatening situation, they are bickering as usual. In the confusion of the ship sinking, the twins are parted. Viola lands in Illyria where, being told Sebastian drowned, she expresses her loneliness in the strange city. A mysterious stranger gives her a business-card with a job offer. The all-male rock quartet "The Apocalypse" is short one member since Disease was drafted to fight in Vietnam. Famine, War and Death all hate the idea of being forced into such a role. Disguised as a guy, Charlie, Viola auditions to become "The Apocalypse’s” fourth member. She is successful and joins the group, thanks to winning over their 30-year-old manager, Orson. Meanwhile, recovering in hospital from his shipwreck ordeal, Sebastian grieves his sister's death in the shipwreck. Realising he'll have to move forward on his own, he goes in search of a job and a mysterious stranger gives him a business-card with a job offer. He meets up with Orson, who mistakes Sebastian for his twin, Viola/Charlie and confirms his appointment as the new member of "The Apocalypse". Sebastian is too thrilled at getting a job to worry his new manager can't get his name right. Orson is in love with Olivia, the 30-year-old owner of the nightclub where “The Apocalypse” is the star act. She doesn't want to see him so he asks "Charlie" to deliver a love letter to Olivia. Viola realises that she also is falling in love with Orson. Inspired by her own situation, Viola advises Orson on how he should win Olivia. Unfortunately, Olivia falls for Orson's messenger, not realising the second “Charlie”, who likes her, isn't the first, who didn't. While the mixed-up couples continue their ever-changing yet confusing relationships, "The Apocalypse" set about rehearsals with their newest member, Viola's confusion continues and friendships grow. As the confusion builds, the younger Sebastian acknowledges his growing love for the more mature Olivia. Separately, Olivia also realises that she is falling in love with the younger messenger. Meanwhile, Orson realises that he has identified unexplainable feelings for "Charlie". The confusion builds resulting in an argument between Sebastian and Olivia, which they eventually settle. Finally, the mix-ups are resolved. The twins are reunited. Viola gets Orson and Sebastian gets Olivia.
Productions
Off-Broadway
The original production opened on January 13, 1968, at the Off-Broadway Orpheum Theater. It closed on April 5, 1970, after 933 performances before touring across the US and Canada. The original cast included Leland Palmer, Marian Mercer, Tom Ligon, and Danny Apolinar . Marcia Rodd replaced Marian Mercer as Olivia a week after opening night and appears on the Original Cast Recording. During its run other replacement cast members included Sandy Duncan, Raúl Juliá and Bonnie Franklin. The musical was directed by Donald Driver, with costumes by Albert Wolsky.
London
The London production opened on February 6, 1969, at the Comedy Theatre. It ran for 42 performances. The cast included Leland Palmer, Danny Apolinar and John Kuhner from the original cast and Marcia Rodd, all who appear on the original cast recording.
noted that "The score's strength are its soft-rock ballads.... Some of the uptempo numbers are pretty good, too....one of Your Own Thing's great charms was its use of then-brand-new slide projections, coupled with voice-overs." The New York Times noted in its obituary for Hester: "A New York Times review by Clive Barnes called the musical 'cheerful, joyful and blissfully irreverent to Shakespeare and everything else....The humor of the show is light-fingered and lighthearted, and its vitality and charm are terrific. The music is always engaging.' " Thomas S. Hischak wrote that "As cockeyed as the adaption was, with Shakespeare's Illyria now a gleaming steel Manhattan, the unpretentious show was a delight from start to finish."
