Short redaction in one extant copy from Kirillo-Belozersky Monastery copied by the monk Efrosin. Possibly he himself abridged the tale; The second part of the battle is not described in this version. This is the oldest extant copy. It dates back to the end of the 15th century.
Expanded redaction in three major extant and two incomplete copies. The major copies are: the Synodal copy, Undolsky’s copy and the copy of the State History Museum. Undolsky’s copy and the Museum copy stem from the same prototext. Undolsky’s copy is the most complete, however this one as well as all others have many mistakes, pointing at the insufficient understanding of the text by the copiers.
It is not clear what the original text was. Some scholars assert that the extant copies do not all go back to the same prototext. Many publications of Zadonshchina were composed by adding up excerpts from different copies.
One of the hypotheses is that the author of Zadonshchina was a certain Sofonii from Ryazan’. His name as the author of the text is mentioned in the KB copy and in the Synodal copy. Sofonii was probably one of the courtsmen of Volodimir Ondreevich, a cousin of Dmitry Ivanovich, the protagonist of Zadonshchina. Soviet/Russian textological research has shown that Sofonii is alluded to in all other copies of Zadonshchina as an author of a preceding work about the Battle of Kulikovo and hence is not the author of the text in question, but rather of a prototext on this subject, and that the actual author of Zadonshchina used that text in creating his work.
Composition
The text can poetically and thematically be divided into 3 parts:
introduction
“lament”
“praise”
Contents and message
Zadonshchina presents a detailed description of the Battle of Kulikovo against the Tatars led by Mamai. The leader of the Muscovy hosts was prince Dmitry Ivanovich. The story propagates the importance of the unification of Russian principalities in order to defeat the common enemy – the Golden Horde. This epic also reflects the rise of the Moscow principality and stresses that the Muscovy princes were successors to the Kievan princes.
''Zadonshchina'' and ''The Tale of Igor's Campaign''
A French Slavist André Mazon and later a Soviet/Russian historian A. A. Zimin proposed that, The Tale of Igor's Campaign was written based on poetic images and ideas from Zadonshchina. They proposed that The Tale of Igor's Campaign was not an Old Russian text, but an 18th-century forgery. Indeed, the view of the Igor' Tale as a late forgery certainly implies that it is imitation of Zadonshchina, as the two texts are undoubtedly related. This approach is criticized by linguists, notably Roman Jakobson and Andrey Zaliznyak who show that the language of the Igor's Tale is far more archaic, and that the passages in Zadonshchina allegedly borrowed from the Tale differ from the rest of the work by linguistic criteria.
Translation
The English translation can be found in Medieval Russia's Epics, Chronicles and Tales by S. Zenskovsky.
