In 1977, Zapf created about 1000 sketches of signs and symbols. ITC chose from those a subset of 360 symbols, ornaments and typographic elements based on the original designs, which became known as ITC Zapf Dingbats. The font first gained wide distribution when ITC Zapf Dingbats, which consists of the subset chosen by ITC, became one of 35 PostScript fonts built into Apple's LaserWriter Plus. When ITC Zapf Dingbats was first announced in U&lcmagazine, volume 5-2, the family was divided into the 100 series, 200 series, 300 series. Each series contains 120 symbols. Zapf Dingbats series 100 became widely implemented on PostScript printers, and gained currency as a pi font encoding in the 1980s and early 1990s. It incorporates several rightward-facing arrows without counterparts for the other three cardinal directions, on the assumption that it would be used in contexts allowing rotation of text characters.
Availability
The ITC glyph set is included in Unicode and it is one of the "Basic 14" typefaces guaranteed to be available for PDF files. ZapfDingbats, the PostScript version of ITC Zapf Dingbats, is distributed with Acrobat Reader 5 and 5.1. URW++ donated a version of ZaphDingbats to GhostScript under the non-commercial Aladdin Free Public License. The font can be found in GhostPCL source code, as D050000L.ttf. ITC Zapf Dingbats Std is an OpenType version of the font family, based on the PostScript variant of the font. The glyphs are mapped to the corresponding Unicode code points. The family consists of 1 font with 204 glyphs.
Zapf Essentials
Zapf Essentials is an update to the Zapf Dingbats family which consists of 6 symbol-encoded fonts categorized in Arrows One, Arrows Two, Communication, Markers, Office, Ornaments, for a total of 372 glyphs. However, not all ITC Zapf Dingbats glyphs are included in the Zapf Essentials collections.
Codepage layout
Usages
, radical editor of experimental music magazine Ray Gun, lent the font a degree of notoriety in 1994 when he printed an interview with Bryan Ferry in the magazine entirely in the symbols-only font – the double-page spread was of course, quite illegible and would have to be interpreted like a cryptogram for those unfamiliar with the font. He said he did it because the interview was "incredibly boring" and that upon searching his typeface collection for a suitable font and ending at Zapf Dingbats, decided to use it with hopes of making the articleinteresting again.
