Zero-X
Zero-X is a fictional Earth spacecraft that appeared in two of Gerry and Sylvia Anderson's Supermarionation productions, the 1966 film Thunderbirds Are Go and the 1967 television series Captain Scarlet and the Mysterons. Although publicity material for the various Supermarionation series, and the TV Century 21 comic, made references to connections between the Thunderbirds and Captain Scarlet canons, Zero-X is the only official link between the two series.
Construction
The first manned craft to land on Mars, the metallic-blue Zero-X comprises a number of detachable sections. The main body houses the chemical engines which provide the craft with the thrust required for lift-off and the subsequent journey to Mars. The Martian Exploration Vehicle is attached to the front of the main body where it serves as the spaceship's main control centre during spaceflight. During atmospheric ingress or egress, two remotely controlled "lifting bodies" are attached to the main body at the front and rear of the craft. Finally, a heatproof nose cone with an aluminium exoskeleton protects the MEV during take-off and provides further aerodynamic flow to the vehicle in atmospheric ascent; it is jettisoned just before leaving the Earth's atmosphere, and is the only non-reusable part of the spacecraft.The lifting bodies act as wings to allow the craft to operate from a runway like a conventional aeroplane, and carry multiple jet engines to reduce the amount of fuel needed for the main body's chemical engines. They separate from the main body when the craft is at a sufficiently high altitude and fly back to base; on re-entry, they rendezvous with the spacecraft and dock with it to again act as wings and provide propulsion in the atmosphere. On reaching Mars, the MEV detaches from the main body, which is left in orbit piloted by a single astronaut, and descends towards the planet's surface. At the surface the MEV extends caterpillar tracks to negotiate the rocky terrain.
The concept of a reusable first-stage lifting body boosting a smaller spacecraft to high altitude for more efficient use of its propulsion was in direct competition with the vertical-ascent rocket doctrine of the 1960s as a means of achieving spaceflight, and for some time lost out to it, as even the Space Shuttlewhich landed as a conventional aircraftmakes a vertical rocket-powered ascent in the "classical" manner. In more recent years Virgin Galactic have re-established the concept, providing the first private commercial suborbital spaceflights in a similarly launched vehicle. The Zero-X contrasts in this way with Thunderbird 3, which, though nominally more advanced, is still a vertical-ascent rocket.
Zero-X has a total delta velocity of 40 miles per second, a standard acceleration of 1 g, a maximum acceleration of 10 g, and an emergency acceleration of 15 g. It is built by New World Aircraft Corporation, the same company that made Skyship One.
Appearances
''Thunderbirds Are Go''
The first manned mission to Mars ended in failure after the Zero-X spacecraft was accidentally sabotaged by the Hood, who had stowed aboard the craft to photograph its wing mechanisms. The crew managed to escape and two years later a second Zero-X craft successfully reached Mars in September 2067. However, soon after touching down on the surface, the MEV fired upon a Martian "rock snake" in the belief that it was a lifeless rock formation, provoking retaliation by fire-shooting rock snakes, resulting in the first open combat between humans and extraterrestrials. While the astronauts managed to escape, the lifting body control systems on board the MEV sustained damage during the confrontation, causing the Zero-X to crash upon its return to Earth, landing in Craigsville, United States. The crew survived, having been saved at the last minute by International Rescue.In both missions, the Zero-X was manned by three crew and two scientists:
- Paul "Skipper" Travers - Travers, was modelled on Sean Connery, who was starring as James Bond at the time that Thunderbirds Are Go was made.
- Greg Martin
- Brad Newman
- Dr Tony Grant
- Dr Ray Pierce
''Captain Scarlet and the Mysterons''
Although the Zero-X does not appear in Gerry Anderson's New Captain Scarlet, a reference is made to it through the depiction of lifting bodies being used to assist spaceships in entering Earth orbit.
''Thunderbirds Are Go, TV Series''
The Zero-X appears in the reboot series episode "Signals, Part 1". During its launch, the Zero-X is stolen by the Hood for its light-speed engines however shortly after the engines go critical and threaten to create an Extinction-Level Event, Jeff Tracy boards the Zero-X and attempts to take control whilst the Hood ejects in an escape pod, Jeff Tracy attempts to take the Zero-X into space, shortly after there is a massive explosion and the ship is presumed destroyed along with Jeff Tracy. 8 years later an SOS is picked up from the Oort Cloud apparently from Jeff Tracy and International Rescue attempts to recover the Zero-X escape pod believing it to be the key to understanding how he survived and his current situation. After analysing the escape pod footage they determine that the witnessed explosion was actually an aftershock of the Zero-X's main engine firing at full power and that the Zero-X itself launched into space at near light speed.Tie-in media
A series featuring the adventures of the crew of the Zero-X appeared in the comic TV Century 21 and its successors, including Countdown. A model of the Zero-X was included in the Project SWORD line of toys marketed by Century 21 Productions.Production
commissioned Slough-based company Master Models to make two scale filming models of Zero-X. The larger of the pair, which was built at a cost of £2,500, was long and weighed. The puppet set design of the cockpit was inspired by the interiors of the Aérospatiale/BAe Concorde, a prototype of which the crew viewed at Filton Airfield.In 2012, the original MEV filming model, minus the cockpit canopy, was acquired by the prop restoration company The Prop Gallery, which commissioned the still-trading Master Models to refurbish the miniature that it had built 46 years prior.
Reception
According to spaceflight historian Jack Hagerty, the way in which the MEV is deployed from the mothership was inspired by both the titular spacecraft of the Andersons' earlier puppet series Fireball XL5 and the modular construction of the real-life Apollo spacecraft. He also states that the name "MEV" is based on "LEM", the original designation for the Apollo Lunar Module. Among other observations, Hagerty questions the names given for some of Zero-Xs components in Thunderbirds Are Go, stating that the craft's so-called nose cone "looks nothing like a cone" and that its lifting bodies do not meet the technical definition a lifting body. He also regards the brevity of the Martian landing as a flaw in the film's plot: "After spending, presumably, many years and billions of dollars mounting this expedition to Mars, all they get for their effort is a couple of hours driving around on the surface." However, he calls the destruction of the Zero-X Mark II "one of the most spectacular crash sequences ever filmed".Stephen La Rivière, in his book Filmed in Supermarionation: A History of the Future, calls Zero-X "the star of Thunderbirds Are Go", praising Derek Meddings' design and acknowledging its commercial nature: "... cynics would suggest that the various detachable segments had less to do with the storyline and more to do with potential toy manufacturing!" Glenn Erickson of the website DVD Talk considers Zero-X "unwieldy" and aesthetically inferior to Skyship One from the sequel Thunderbird 6.
Alasdair Wilkins of io9 questions the design of Zero-X in that it is "not especially aerodynamic-looking". He also notes the craft's protracted introduction in Thunderbirds Are Go, judging the film's 10-minute opening launch sequence excessively long: "It's pretty much the Alpha and Omega of launch sequences ... a sequence that threatens to make look like non-stop, thrill-a-minute action." He believes that with the attention to detail given to the various stages of the craft's assembly and take-off, these scenes constitute "launch sequence porn", elaborating: "It's a bunch of people effectively saying, 'Action? Characters? Humour? Nah, forget all that. We know what the people really want to see, and it's clearly the model-work.'" Hagerty states that notwithstanding the quality of Meddings' effects in this sequence, "there are limits to audience patience!" Mark Bould considers the sequence an example of the Anderson productions' "technophilic model-work".