Zimbabwean Hip Hop emerged in the early 1980s and is still present in Zimbabwe in 2017 artists of hip-hop are emerging creating a great impact on youths and also overtaking the zimdancehall.Most artists in Zimbabwe have been motivated by the American hip hop genre called "TRAP"due to the epidemic of codeine syrup that is mostly consumed in Chitungwiza,Harare and Bulawayo.The Trap music in Zimbabwe is mostly said to be listened by the 20th century and more artist in the country are increasing day by day due to African American influence through Trap music and mumble rap..
History
1990–present
During this golden era, hip hop emerged as a global voice, spreading like wildfire. It was only a matter of time until it spread to Zimbabwe, where the youth embraced it with open arms. The earliest recordings of hip hop were mostly on vinyl and tape, and were not converted to cd, mp3 or modern media and hence they have become very rare. The most mainstream acts of the time were Piece of Ebony, Fortune Muparutsa, ,and Midnight Magic .Since most vinyl records and cassette tapes are no-longer accessible or in playable condition,Zimbabwe lost a huge chunk of its earlier catalogue, from which, the next generation of artists could draw inspiration from. This also rendered sampling from predecessors virtually non existent. During second half of this 10-year period, beginning on their own and later with the influence of Innocent Tshuma.In 2016 artists like Takura took over the stage and having a number of people following his music but he wasn't the only who was singing hip hop but he was the first to be recognized as he was in a stiff competition with Zimdancehall
2001–present
Since 2001 a number of artists and businessmen have branched out to form their own brands, record labels and radio stations. This has resulted in most monopolies losing their grip on the industry and diluting their power in distribution,influence,airplay and the ability to predict the next big artist. Artists began selling their own cds in the streets with varying success. Shows such as Mashoko and The Circle done at The Mannernburg in Harare are also measures that have been taken to popularize hip-hop in Zimbabwe. Poets and emcees include Osama, Outspoken, Synik, Upmost, Godobori, Aura, Blackbird among others. Some of these poets incite politics in their music and have started a movement known as House Of Hunger. Mashoko later developed from a once a month festival known as Shoko Fest, which included international acts like Hired Gun and Akala, among others. Many Zimbabwean emcees performed at the show, ongoing since 2010. The same year, Zim Hip Hop Awards began; although controversial, they have survived to the present day. Artists have recently begun to bypass physical means of distributing their music and have joined digital distribution channels, linked to social media and clout. Music videos and promotional music are now being used to gather followers. Prolific artists are now hiring or being approached by industry managers, to handle their affairs in a more professional manner. In 2018 there was an introduction of female artists in the industry like Tashamiswa, who is one of the most important female pioneers of the game
Style and influences
Influences
Hip hop has grown more and more influential since its inception. Its use of high tech equipment has also ensured that it remains fresh and relevant, being re-birthed with each technological advancement. America has remained at the forefront of the movement with the rest of the world catching up. Zimbabwe, as with most countries, usually mirrors the trending sound in America, and uses it as a benchmark for quality and being up to date. This has seen many acts using the same flow and drum kits used by their favorite rapper and producer.
Zimbabwean identity
There are a few pioneering acts that are now trying to move away from the influence of American hip hop and reinvent themselves by building and branding themselves as kings, nobles and sons of renown. Some have resorted to make remakes and remixes of old records they consider hits, where as some have resorted to sampling traditional or folk songs and making collaborations with bigger and more established names from competing and more successful genres. Acts are also making more use of their traditional languages, and in-cooperating local instruments such as Mbira, Marimba, Ngoma or Hosho. Colonial-era acts like August Musarurwa and Simon Mashoko have proved that influencing, inspiring or impressing American musicians, is possible as they were sampled or covered for their work by greats like Louis Armstrong and 213,supporting the argument to incorporate or establish local,unique,distinguishable identities.
Media
Radio
Radio has helped the genre a lot, with some hits only existing online, within podcasts such as Radio Kunakirwa, which are now the only proof of their existence. This means that radio catalogues and podcasts are now a vital source of history and library for the genre.Apart from airplay, some radio stations have devoted segments dedicated to the one genre.
School of Hip Hop
Zim Hip Hop Explosion
Television
There are a few shows dedicated to Hip-Hop on Zimbabwe's local broadcaster.
