Zuzana Licko


Zuzana Licko is a Slovak-born American type designer known for co-founding the graphic design company Emigre and for creating numerous digital typefaces, including Mrs Eaves.

Early life

Licko who was born in Bratislava, Czechoslovakia. Licko came to the United States when she was a child, along with her family. She studied architecture, photography and computer programming before earning a degree in graphic communications at the University of California at Berkeley.
Licko's father was a biomathematician at the University of California, San Francisco. Through his job, Licko became involved with computers during the summer months, helping him with data processing work. The first font she created on a computer was a Greek alphabet for her father.
When she started her university education, her goal was to earn a degree in architecture, but she changed to a visual studies major because she felt architecture was too much like business school. While at Berkeley, Licko took a calligraphy class, but struggled with it because she was forced to write with her right hand even though she was left handed. This experience influenced her in rejecting many of the traditions of type design when she started to explore the macintosh computer.
In an interview featured in Eye, Licko described her creative relationship with her husband Rudy VanderLans:

Emigre

In the mid-1980s, Licko and VanderLans founded Emigre, also known as Emigre Graphics. The magazine, Emigre, was created in 1984. This magazine designed and distributed original fonts under the direction of VanderLans, its editor. Licko was responsible for many successful Emigre fonts.
Licko was initially exposed to Macintosh computers with the first release in 1984.
Apart from adding new typefaces as a form of content, Émigré was also created as a way to share the typefaces with other designers that liked and wanted to use Licko's creations. As technology advanced, Licko moved from bitmap fonts to high resolution designs and based the newer designs on the ones initially created for dot matrix printers.
In the mid-1990s, Licko worked on two notable revivals: Mrs Eaves, based on Baskerville, and Filosofia, based on Bodoni. Both are Licko's personal interpretations of their historical models and each features extensive ligatures.
Mrs Eaves was named after John Baskerville's lover; it is a somewhat stylized revival of the Baskerville typeface. Along with ligatures, Licko stylized Baskerville through the use of small caps or "petite caps".

Filosofia

Because of her admiration for the Didone serif typeface Bodoni, she designed and came up with several variations of Bodoni, in the form of digital font for computer type and some forms were also used for text.
Before working with computers, Licko's favorite typeface was Bodoni with its "clean lines and geometric shapes and the variety of headline style choices." Licko avoided using Bodoni for long texts, "as the extreme contrast made it difficult to read at small sizes.’"
Bodoni influenced Licko’s work on Filosofia, one of her typefaces. Like other revivals of typefaces, Licko’s revival of Bodoni focused on geometry and symmetry. She also incorporated details like slightly rounded serif endings.
Licko’s Filosofia was designed to be modified for use either in print or on a computer. There is a "Regular" version of the Filosofia family which is designed to be used in print.
The Filosofia Grand is designed for display applications and is described as more refined and delicate. To create Filosofia, Licko studied different styles of Bodoni, including the original print work and recent revivals, such as ITC Bodoni.
Although the samples of Bodoni did have an influence on her work, Licko instead recreated Bodoni with her mind, judging by eye to keep the original measurements.

Mrs. Eaves

In Texts on Type, Licko writes about her take on Baskerville and what Mrs. Eaves meant to her: "In my rendition of this classic typeface, I have addressed the highly criticized feature of sharp contrast. To a great degree, the critics were wrong; it did not prevent Baskerville from becoming assimilated as a highly legible text face, and in fact, the high contrast between stems and hairlines became quite desirable, as is apparent in typefaces such as Baskerville, which followed in the lineage.

Awards

Licko and her husband Rudy VanderLans won the Chrysler Design Award in 1994. Apart from winning this award, their work on Émigré also won the Publish magazine Impact Award in 1996. A year later, they got an American Institute for Graphic Arts Gold Medal Award. Soon after, in 1998 they were awarded the Charles Nyples Award in Innovation in Typography.
The Society of Typographic Aficionados awarded Licko the 2013 SOTA Typography Award, citing her "intellectual, highly-structured approach to type design" and her contributions to the digital typography industry.

Fonts designed by Licko