61st Academy Awards


The 61st Academy Awards ceremony, organized by the Academy of Motion Picture Arts and Sciences, honored the best films of 1988, and took place on Wednesday, March 29, 1989, at the Shrine Auditorium in Los Angeles, beginning at 6:00 p.m. PST / 9:00 p.m. EST. During the ceremony, AMPAS presented Academy Awards in 23 categories. The ceremony, televised in the United States by ABC, was produced by Allan Carr and directed by Jeff Margolis. Ten days earlier, in a ceremony held at the Beverly Hills Hotel in Beverly Hills, California, the Academy Awards for Technical Achievement were presented by host Angie Dickinson.
Rain Man won four awards, including the Best Picture. Other winners included Who Framed Roger Rabbit, also four wins ; Dangerous Liaisons, with three awards; and The Accused, The Accidental Tourist, A Fish Called Wanda, The Appointments of Dennis Jennings, Beetlejuice, Bird, , The Milagro Beanfield War, Mississippi Burning, Pelle the Conqueror, Tin Toy, Working Girl, and You Don't Have to Die with one each. The telecast garnered almost 43 million viewers in the United States, the highest since the 56th ceremony in 1984.

Winners and nominees

The nominees for the 61st Academy Awards were announced on February 15, 1989, at the Samuel Goldwyn Theater in Beverly Hills, California, by Richard Kahn, president of the Academy, and actress Anne Archer. Rain Man led all nominees, with eight nominations; Dangerous Liaisons and Mississippi Burning tied for second with seven each.
The winners were announced at the award ceremony on March 29, 1989. Best Actress winner Jodie Foster became the eighth person in history to win the aforementioned category for a film with a single nomination. The last person to achieve this feat was Sophia Loren when she won for Two Women in 1961. Best Actor winner Dustin Hoffman was the fifth person to win the aforementioned category twice. Sigourney Weaver became the fifth performer to receive two acting nominations in the same year but did not win in either category. John Lasseter and William Reeves won Best Animated Short Film for Tin Toy, which was Pixar's first Oscar ever and was the first CGI film to win an Oscar.

Awards

Winners are listed first, highlighted in boldface and indicated with double dagger.

  • Barry Levinson – Rain Man
  • * Charles Crichton – A Fish Called Wanda
  • * Martin Scorsese – The Last Temptation of Christ
  • * Alan Parker – Mississippi Burning
  • * Mike Nichols – Working Girl
  • Dustin Hoffman – Rain Man as Raymond Babbit
  • * Gene Hackman – Mississippi Burning as Agent Rupert Anderson
  • * Tom Hanks – Big as Josh Baskin
  • * Edward James Olmos – Stand and Deliver as Jaime Escalante
  • * Max von Sydow – Pelle the Conqueror as Lassefar
  • Jodie Foster – The Accused as Sarah Tobias
  • * Glenn Close – Dangerous Liaisons as Marquise Isabelle de Merteuil
  • * Melanie Griffith – Working Girl as Tess McGill
  • * Meryl Streep – A Cry in the Dark as Lindy Chamberlain
  • * Sigourney Weaver – Gorillas in the Mist as Dian Fossey
  • Kevin Kline – A Fish Called Wanda as Otto West
  • * Alec Guinness – Little Dorrit as William Dorrit
  • * Martin Landau – ' as Abe Karatz
  • * River Phoenix – Running on Empty as Danny Pope
  • * Dean Stockwell – Married to the Mob as Tony "The Tiger" Russo
  • Geena Davis – The Accidental Tourist as Muriel Pritchett
  • * Joan Cusack – Working Girl as Cyn
  • * Frances McDormand – Mississippi Burning as Mrs. Pell
  • * Michelle Pfeiffer – Dangerous Liaisons as Madame Marie de Tourvel
  • * Sigourney Weaver – Working Girl as Katharine Parker
  • Rain Man – Screenplay by Ronald Bass and Barry Morrow; Story by Barry Morrow
  • * Big – Gary Ross and Anne Spielberg
  • * Bull Durham – Ron Shelton
  • * A Fish Called Wanda – Screenplay by John Cleese; Story by John Cleese and Charles Crichton
  • * Running on Empty – Naomi Foner
  • Dangerous Liaisons – Christopher Hampton based on the play Les Liaisons Dangereuses by Christopher Hampton and the novel by Pierre Choderlos de Laclos
  • * The Accidental Tourist – Frank Galati and Lawrence Kasdan based on the novel by Anne Tyler
  • * Gorillas in the Mist – Screenplay by Anna Hamilton Phelan; Story by Anna Hamilton Phelan and Tab Murphy based on articles by Harold T.P. Hayes and Alex Shoumatoff
  • * Little Dorrit – Christine Edzard based on the novel by Charles Dickens
  • * The Unbearable Lightness of Being – Jean-Claude Carrière and Philip Kaufman based on the novel by Milan Kundera
  • Pelle the Conqueror in Danish – Bille August
  • * Hanussen in Hungarian – István Szabó
  • * The Music Teacher in French – Gérard Corbiau
  • * Salaam Bombay! Hindi – Mira Nair
  • * Women on the Verge of a Nervous Breakdown in Spanish – Pedro Almodóvar
  • – Marcel Ophuls
  • * The Cry of Reason: Beyers Naude - An Afrikaner Speaks Out – Robert Bilheimer and Ronald Mix
  • * Let's Get Lost – Bruce Weber and Nan Bush
  • * Promises to Keep – Ginny Durrin
  • * Who Killed Vincent Chin? – Renee Tajima and Christine Choy
  • You Don't Have to Die – William Guttentag and Malcolm Clarke
  • * The Children's Storefront – Karen Goodman
  • * Family Gathering – Lise Yasui and Ann Tegnell
  • * Gang Cops – Thomas B. Fleming and Daniel J. Marks
  • * Portrait of Imogen – Nancy Hale and Meg Partridge
  • The Appointments of Dennis Jennings – Dean Parisot and Steven Wright
  • * Cadillac Dreams – Matia Karrell and Abbee Goldstein
  • * Gullah Tales – George deGolian and Gary Moss
  • Tin Toy – John Lasseter and William Reeves
  • * The Cat Came Back – Cordell Barker
  • * Technological Threat – Bill Kroyer and Brian Jennings
  • The Milagro Beanfield War – Dave Grusin
  • * The Accidental Tourist – John Williams
  • * Dangerous Liaisons – George Fenton
  • * Gorillas in the Mist – Maurice Jarre
  • * Rain Man – Hans Zimmer
  • "Let the River Run" from Working Girl – Music and Lyrics by Carly Simon
  • * "Calling You" from Bagdad Cafe – Music and Lyrics by Bob Telson
  • * "Two Hearts" from Buster – Music by Lamont Dozier; Lyrics by Phil Collins
  • Bird – Les Fresholtz, Dick Alexander, Vern Poore, and Willie D. Burton
  • * Die Hard – Don Bassman, Kevin F. Cleary, Richard Overton, and Al Overton Jr.
  • * Gorillas in the Mist – Andy Nelson, Brian Saunders, and Peter Handford
  • * Mississippi Burning – Robert J. Litt, Elliot Tyson, Rick Kline, and Danny Michael
  • * Who Framed Roger Rabbit – Robert Knudson, John Boyd, Don Digirolamo, and Tony Dawe
  • Who Framed Roger Rabbit – Charles L. Campbell and Louis Edemann
  • * Die Hard – Stephen Hunter Flick and Richard Shorr
  • * Willow – Ben Burtt and Richard Hymns
  • Dangerous Liaisons – Art Direction: Stuart Craig; Set Decoration: Gérard James
  • * Beaches – Art Direction: Albert Brenner; Set Decoration: Garrett Lewis
  • * Rain Man – Art Direction: Ida Random; Set Decoration: Linda DeScenna
  • * ' – Art Direction: Dean Tavoularis; Set Decoration: Armin Ganz
  • * Who Framed Roger Rabbit – Art Direction: Elliot Scott; Set Decoration: Peter Howitt
  • Beetlejuice – Ve Neill, Steve La Porte, and Robert Short
  • * Coming to America – Rick Baker
  • * Scrooged – Tom Burman and Bari Dreiband-Burman
  • Dangerous Liaisons – James Acheson
  • * Coming to America – Deborah Nadoolman Landis
  • * A Handful of Dust – Jane Robinson
  • * Sunset – Patricia Norris
  • * ' – Milena Canonero
  • Mississippi Burning – Peter Biziou
  • * Rain Man – John Seale
  • * Tequila Sunrise – Conrad Hall
  • * The Unbearable Lightness of Being – Sven Nykvist
  • * Who Framed Roger Rabbit – Dean Cundey
  • Who Framed Roger Rabbit – Arthur Schmidt
  • * Die Hard – Frank J. Urioste and John F. Link
  • * Gorillas in the Mist – Stuart Baird
  • * Mississippi Burning – Gerry Hambling
  • * Rain Man – Stu Linder
  • Who Framed Roger Rabbit – Ken Ralston, Richard Williams, Ed Jones, and George Gibbs'
  • * Die Hard – Richard Edlund, Al DiSarro, Brent Boates, and Thaine Morris
  • * Willow'' – Dennis Muren, Michael J. McAlister, Phil Tippett, and Chris Evans
    		• -

    Box office performance of nominees

    At the time of the nominations announcement on February 15, the combined gross of the five Best Picture nominees at the US box office was $188 million, with an average of $37.7 million per film. Rain Man was the highest earner among the Best Picture nominees, with $97 million in domestic box office receipts. The film was followed by Working Girl, The Accidental Tourist, Mississippi Burning, and finally Dangerous Liaisons.
    Of the top 50 grossing movies of the year, 52 nominations went to 13 films. Only Big, Rain Man, Working Girl, The Accused, The Accidental Tourist, Gorillas in the Mist, Mississippi Burning, and Tucker: The Man and His Dream were nominated for Best Picture, directing, acting, or screenwriting. The other top 50 box office hits that earned nominations were Who Framed Roger Rabbit, Coming to America, Die Hard, Beetlejuice, and Willow.

    Academy Honorary Awards

    The following 17 films received multiple nominations:
    NominationsFilm
    8Rain Man
    7Dangerous Liaisons
    7Mississippi Burning
    6Who Framed Roger Rabbit
    6Working Girl
    5Gorillas in the Mist
    4The Accidental Tourist
    4Die Hard
    3A Fish Called Wanda
    3'
    2Big
    2Coming to America
    2Little Dorrit
    2Pelle the Conqueror
    2Running on Empty
    2The Unbearable Lightness of Being
    2Willow

    The following three films received multiple awards:
    AwardsFilm
    4Rain Man
    3Dangerous Liaisons
    3Who Framed Roger Rabbit

    Note:' Who Framed Roger Rabbit'' received 3 competitive Academy Awards of Merit. In addition, the film received a Special Achievement Award.

    Presenters and performers

    The following individuals, listed in order of appearance, presented awards or performed musical numbers:

    Presenters

    Performers

    The ceremony

    In an attempt to attract viewers to the telecast and increase interest in the festivities, the Academy hired film producer and veteran Oscar ceremony executive talent coordinator Allan Carr to produce the 1989 ceremony. In interviews with various media outlets, he expressed that it was a dream come true to produce the Oscars.
    Notable changes were introduced in the production of the telecast. For the first time, presenters announced each winner with the phrase "And the Oscar goes to..." rather than "And the winner is...". The green room where Oscar presenters, performers, and winners gathered backstage was transformed into a luxurious suite complete with furniture, pictures, refreshments, and other amenities called "Club Oscar". Instead of hiring a host for the proceedings, Carr heavily relied on presenters often grouped in pairs that had some connection, either through family or the film industry ; not until 2019 would another ceremony lack a host.
    Several other people were involved in the production of the ceremony. Jeff Margolis served as director of the telecast. Lyricist and composer Marvin Hamlisch was hired as musical supervisor of the festivities. Comedian and writer Bruce Vilanch was hired as a writer for the broadcast, a role he has had ever since. Carr had also rounded up eighteen young stars, including Patrick Dempsey, Corey Feldman, Ricki Lake, and Blair Underwood, to perform in a musical number entitled "I Wanna Be an Oscar Winner". Unlike in most Oscar ceremonies, however, Carr announced that none of the three songs nominated for Best Original Song would be performed live.
    The telecast was also remembered for being the final public appearance of actress and comedian Lucille Ball, where she and co-presenter Bob Hope were given a standing ovation. On April 26, almost a month after the ceremony, she died from a dissecting aortic aneurysm at age 77.

    Opening number

    In an effort to showcase more glamour and showmanship in the ceremony, producer Carr hired playwright Steve Silver to co-produce an opening number inspired by Silver's long-running musical revue Beach Blanket Babylon. The segment consisted of an elaborate stage show centered on actress Eileen Bowman dressed as Snow White from Disney's Snow White and the Seven Dwarfs, who comes to Hollywood and is entranced by its glamour. Like Beach Blanket Babylon, the opening act also featured dancers wearing giant, elaborate hats. In a setting designed to resemble the Cocoanut Grove nightclub, Hollywood dignitaries such as actresses Alice Faye, Dorothy Lamour, Cyd Charisse, her husband Tony Martin, as well as Buddy Rogers and Vincent Price were prominently featured, while singer and television producer Merv Griffin sang a rendition of the song "I've Got a Lovely Bunch of Coconuts". Bowman and actor Rob Lowe then sang a reworked version of Creedence Clearwater Revival's "Proud Mary", with lyrics rewritten to refer to the film industry; it is this song for which the act is infamously remembered.

    Critical reviews and public reaction

    The show was panned by most of the media publications. Los Angeles Times television critic Howard Rosenberg lamented, "the Academy Awards telecast on ABC was surprisingly devoid of magic. It was on the musty side, and compared with last month's Grammycast, absolutely moribund." Film critic Janet Maslin chastised the opening number, saying it "deserves a permanent place in the annals of Oscar embarrassments". She also bemoaned that the "I Wanna Be an Oscar Winner" number "was confusingly shot and inspired no confidence in Hollywood's future". Television editor Tony Scott of Variety complained, "The 61st Annual Academy Awards extravaganza—seen in 91 different countries including, for the first time, the Soviet Union—turned out to be a TV " He also observed that the "Break-Out Superstars number" looked like they were "cavorting around a giant Oscar as if it were the golden calf".
    The telecast also received a mixed reception from professionals within the show business industry. Talent agent Michael Ovitz praised Carr saying that he had "brought show business back to the movie business". Actress Jennifer Jones thanked Carr in a written letter to the producer, which read "You delivered." On the other hand, seventeen people, including actors Paul Newman, Gregory Peck, and Julie Andrews, and directors Billy Wilder and Joseph L. Mankiewicz, signed an open letter deriding the telecast as "an embarrassment to both the Academy and the entire motion picture industry".
    There has been speculation that some of the blowback against the ceremony, which was the first produced by an openly gay person and which prominently featured a musical number based on a gay nightclub show, was homophobic in nature, although others, such as Bruce Vilanch and David Geffen, have challenged that assessment.
    In addition, The Walt Disney Company filed suit against AMPAS for use of the likeness of Snow White. The lawsuit demanded unspecified damages for "copyright infringement, unfair competition, and dilution of business reputation". Academy President Richard Kahn immediately issued an apology to the studio, and the lawsuit was subsequently dropped.
    Bowman has claimed that she was made to sign a gag order the next day prohibiting her from speaking to the press about her performance for the next 13 years. She finally spoke about it publicly in a 2013 interview, in which she described the performance as looking "like a gay bar mitzvah".

    Ratings and aftermath

    Despite the criticism regarding the production of the ceremony, the American telecast on ABC drew in an average of 42.68 million people over its length, which was a 1% increase from the previous year's ceremony. The show also drew higher Nielsen ratings compared to the previous ceremony, with 29.81% of households watching over a 50.41 share. It was the highest-rated Oscar broadcast since the 56th ceremony, held in 1984.
    Nevertheless, AMPAS created an Awards Presentation Review Committee to evaluate and determine why the telecast earned such a negative reaction from the media and the entertainment industry. The committee later determined that Carr's biggest mistake was allowing the questionable opening number to run for 12 minutes. Producer and former Directors Guild of America president Gilbert Cates, who headed the committee, said that Carr would have not received such harsh criticism if the number had been much shorter. Cates was subsequently hired as producer of the succeeding year's telecast.
    According to various showbiz insiders and reporters, the criticism and backlash from the ceremony resulted in Carr never again producing a film or theatrical show. He died from complications resulting from liver cancer on June 29, 1999, at the age of 62.

    Official websites