Amandine Gay is born of a Moroccan mother and an unknown father on October 16, 1984 in France. Her mother and her adoptive father, both white, are respectively a school teacher and a roadmender living in a village near Lyon. She plays basketball at a good level. She graduated from the Institut d'études politiques de Lyon in Communications, and then from the Conservatoire d'Art dramatique of the 16e arrondissement de Paris, that she joins in 2008:
Toute ma scolarité, je l'ai faite dans des milieux blancs, avec des gens racistes. J'ai essayé de faire des efforts mais je n'étais toujours qu'une noire pour eux. Je suis donc remontée, depuis toute jeune. Après, je dirais que le militantisme est venu avec une certaine prise de conscience politique. Lorsqu'en 2005, les députés UMP ont essayé de faire passer la loi sur le rôle positif de la colonisation, j'étais tellement outrée que j'ai choisi « les enjeux et le traitement de la question coloniale » comme sujet d'étude pour mon mémoire de fin d'année à Sciences Po Lyon5.
During all my school years, I was in a white environment, with racist people. I tried to make efforts, but I was only a black person for them. I am therefore angry since a young age. Then I would say activism came along with a certain degree of political consciousness. When in 2005 the UMP MPs tried to have the bill on the positive role of colonisation, I was so upset that I chose the subjectStakes and treatment of the colonial issue for my memoir at Science Po in Lyon.
After her studies she starts working as an actress, but after a few months of activity, she realizes that she is always interpreting the same stereotypical roles. Her agent tells her that although he is sending her profile for roles corresponding to her age, she receives answers only when the scenario is specifying that the role is for a Black character.
In five years of work, I obtained only two "normal" roles, a lawyer on a TF1 series and a theater role, in which I played several different characters. After 5 years, I had enough: I ceased my career to become a film maker."
From this experience stems her will to become a filmmaker to promote another vision of Black women and also to be able to play the roles that she appreciates. She starts to write short programs for television, though she finds it difficult to find funding. Amandine Gay explains that film producers are usually white men in their fifties. They don't recognize their societal experiences in the programs that she develops. She co-writes a fiction, a satire of feminine magazines called Medias Tartes. One of the characters is a Black lesbian wine steward meets the misunderstanding of potential investors, who tell her that such a person does not exist in France, then this character is inspired from her own life. For these reasons, Amandine Gay starts working on her own documentary filmOuvrir la Voix, thanks to a crowfunding campaign, without the support of the Centre national du cinéma et de l'image animée. In this film which was issued in 2016, Amandine Gay réunites 24 women of African origins, citizens, activists, engineers, researchers or bloggers to talk about their identity of Black women in France. The film received the Out d'or for artistic creation in 2017. Since 2014, as she did not see herself founding a family "nothing that could make a black child proud", she lives in Montreal to continue her research and produce films concerning issues of minorities, specifically linked to racism, echoing her own experiences "adoption by white families of racialised children" She was for a time an activist within Osez le féminisme !, then declaring: And again: She defines herself as of African descent, Black, born, afro-feminist, pansexual, antiracist, anti heteronormativity, afro-punk, pro-choice, body-positive. She is an associated expert of the Berlin-based NGO Center for Intersectional Justice.
