Anne of Green Gables (1985 film)


Anne of Green Gables is a 1985 Canadian made-for-television drama film based on the 1908 novel of the same name by Canadian author Lucy Maud Montgomery, and is the first in a series of four films. The film starred Megan Follows in the title role of Anne Shirley and was produced and directed by Kevin Sullivan for the Canadian Broadcasting Corporation. It was released theatrically in Iran, Israel, Europe, and Japan.
The film aired on CBC Television as a two-part mini-series on December 1 and December 2, 1985. Both parts of the film were among the highest-rated programs of any genre ever to air on a Canadian television network. On February 17, 1986, the film aired on PBS in the United States on the series WonderWorks.

Plot

12-year-old orphan Anne Shirley is living in servitude with the cruel Hammond family in Nova Scotia. However, when Mr. Hammond dies, Anne is sent to an orphanage where she eventually receives the news that she has been adopted by a family in Prince Edward Island. Upon arriving in the small town of Avonlea, Anne is met at the train station by the elderly Matthew Cuthbert who is surprised to find her there instead of the boy he was expecting. Matthew and his sister Marilla had requested a boy to help them on their farm, Green Gables.
When Anne Shirley arrives at Green Gables, she is a precocious, romantic child desperate to be loved and highly sensitive about her red hair and homely looks. In her own unique headstrong manner, Anne manages to insult Marilla's friend and the Avonlea town gossip Rachel Lynde, in a dispute over her looks; smash her slate over Gilbert Blythe's head when he calls her "Carrots" on her first day of school; and accidentally dyes her hair green trying salvage her wounded pride. Marilla is shocked and beside herself to know how she will ever cope with this sensitive, headstrong child so desperate to fit in but shy, gentle Matthew is always there to defend Anne and hold her up on a pedestal.
Anne becomes "bosom" friends with Diana Barry from across the pond, but accidentally gets Diana drunk by serving currant wine instead of raspberry cordial at a tea party. Mrs. Barry forbids Anne and Diana from seeing each other again, but relents when Anne saves the life of Diana's sister Minnie May. Anne moves from one mishap to the next as her wild imagination and far-fetched antics combine to constantly land her in trouble.
Anne finds her element in the academic world, ultimately competing neck and neck with Gilbert Blythe who becomes her arch opponent. Anne and Gilbert go on to win the highest academic accolades, constantly vying for honors at every level. Eventually their fierce rivalry turns to a secret affection, which blossoms into love.
Marilla tries to prevent Anne from seeing Gilbert because Anne is still quite young and Marilla wants Anne to continue her education. In the end, however, when Matthew dies and forces Marilla into considering selling Green Gables, Gilbert gives Anne his teaching post in nearby Avonlea so she can stay at Green Gables and continue to support Marilla.

Cast

Kevin Sullivan adapted the novel into his own screenplay, collaborating with industry veteran Joe Wiesenfeld. Sullivan developed a co-production between the CBC and PBS in order to film Anne of Green Gables. Sullivan amalgamated many of Montgomery's episodes into the film's plot. While the film diverged from Montgomery's original, he relied on strong characterizations and visuals in order to render the story for a contemporary audience. The script also borrows ideas from the 1934 film version.
Primary locations for filming the movie included Prince Edward Island; Stouffville, Ontario; Jacksons Point, Ontario; and Westfield Heritage Village near the Flamborough village of Rockton. Filming was done over a consecutive ten-week shoot. Sullivan used several locations as Green Gables farm and combined them to appear as one property.
The original film and sequels have been seen in almost every country around the world. The films have now been translated and seen in more places than even the original novels.
During filming of the original movies an open casting call was held throughout Canada in order to find a young actress to play Anne Shirley. Katharine Hepburn recommended that her great niece, Schuyler Grant, play the role of Anne Shirley. Director Kevin Sullivan liked Grant's performance and wanted to give her the role. However, broadcast executives were resistant to cast an American as a Canadian icon. Schuyler Grant ended up playing Anne's best friend, Diana, and Anne Shirley was ultimately played by Megan Follows.
In her first audition, Megan Follows came highly recommended. But, she was quickly dismissed by Kevin Sullivan. For her second audition, after a turbulent morning leading up to her audition, a frantic Megan made a much better impression and was given the role.

Sequels and spin-off TV series

Film series

In 1987, ' was released. The sequel is a conglomeration of Anne of Avonlea, Anne of the Island, and Anne of Windy Poplars. The third movie, ', was aired on March 5, 2000 in Canada and on July 23, 2000 in the United States. Due to the spin-off television series Road to Avonlea creating a different timeline from the books, The Continuing Story passed over Anne's House of Dreams – the corresponding Anne novel – in favor of an original story not featured in Montgomery's series. In 2008, the fourth in the series, was completed. Both a sequel and a prequel, the film starred Barbara Hershey, Shirley MacLaine, and Rachel Blanchard, and introduced Hannah Endicott-Douglas as young Anne Shirley.

Spin-off series

The first two Anne films generated the spin-off television series Road to Avonlea, starring Sarah Polley. The show explored the lives of residents in the town of Avonlea, drawing inspiration from Montgomery's work beyond the Anne books. The main characters and early episodes were inspired by The Story Girl and The Golden Road, with many other episodes based on short stories from Chronicles of Avonlea and Further Chronicles of Avonlea. Anne Shirley did not appear, but other characters, including Gilbert, Marilla, Rachel Lynde, and Miss Stacy, played supporting parts with the same actors reprising their roles. Jackie Burroughs, Cedric Smith, and Mag Ruffman returned as main cast members, but in different roles than the original films.
In 1998, the reunion television special An Avonlea Christmas aired, set in Avonlea during World War I.

Other productions

In 2000 – 2001, Sullivan Animation produced consisting of 26 half-hour episodes. The series was developed for PBS and each episode contained an educational and/or moral component. In 2002, Sullivan Animation also produced the feature-length animated film Anne: Journey to Green Gables which is an imaginative, whimsical prequel to Sullivan's live action Anne of Green Gables film.
A year after the mini-series originally aired, Canadian comedy duo Wayne and Shuster created and starred in a parody entitled Sam of Green Gables, in which a curmudgeonly old man named Sam is sent to Green Gables instead of Anne.

Awards and nominations

The film swept the 1986 Gemini Awards, winning the following:
The film was also nominated for Best Direction in a Dramatic Program or Mini-Series and ''Best Picture Editing in a Dramatic Program or Series.
The series also won an Emmy Award in 1986, for Outstanding Children's Program.
Other Awards
The Anne of Green Gables series was released on DVD in a collector's edition set on February 5, 2008 in the U.S., April 29, 2008 in Canada and Japan and on September 22, 2010 in Hungary. The set is the most comprehensive edition of all three movies ever released. In addition to the series, it also includes several DVD extras such as feature length commentary from director Kevin Sullivan and Stefan Scaini, 2 New Documentaries: L.M. Montgomery's Island and Kevin Sullivan's Classic featuring new cast and crew interviews, missing scenes, lost footage and a condensed, 10-minute version of the missing "Road to Avonlea" episode "Marilla Cuthbert's Death".
In 2016, Sullivan Entertainment announced it would launch their own streaming service called Gazebo TV that would feature the Anne of Green Gables series among other titles produced by the company. The service launched in early 2017.

Lawsuits

In 1908, Lucy Maude Montgomery signed a contract with the L.C. Page & Company publishing house in Boston that permitted them to publish all of her books for 5 years on the same terms: the main terms were a 10% royalty and world rights to all of the author's books; part it also included the right to publish all of her future works. The relationship with Pageant actually spanned nearly ten years and resulted in the publication of nine novels and collections of short stories. However, when Montgomery contracted with a Canadian publisher, L.C. Page claimed that they had the exclusive rights to her new books and threatened to sue her. Montgomery instead took L.C. Page to court to recover withheld royalties.
The lawsuit resulted in a settlement in 1919 whereby L.C. Page bought out all of Montgomery's rights to all of her novels published by them. The settlement excluded any reversionary rights that might become due for the benefit of either her or her heirs if such rights were to become enacted. The settlement paid Montgomery a flat sum of $18,000; at the time an amount she would have expected to see earned from her works during her lifetime.
Sullivan purchased dramatic rights from Montgomery's heirs in 1984, believing that they owned reversionary rights that had come into place as a result of changes to the copyright act subsequent to Montgomery's death.
After Sullivan's films were successful around the world and brought legions of tourists to Prince Edward Island, the Montgomery heirs established an Anne of Green Gables Licensing Authority with the Province of Prince Edward Island to control trademarks to preserve Montgomery's works, through the mechanism of official trademarks. The heirs and the AGGLA became successful at asserting control over the booming Anne-themed tourist industry that the province enjoyed, because of the lack of clarity about the different protections afforded by copyright, trademark and official marks in Canada.
AGGLA and the heirs tried to assert control over trademarks Sullivan had established to their various Anne movies and Road to Avonlea properties both in Canada, the US and Japan.
A Japanese court then determined that the heirs were not entitled to the reversionary rights that they claimed they had sold to Sullivan and that the AGGLA was set up for pursuing private interests and not for serving public interests such as maintaining or managing the value, fame or reputation of the literary work, the author or even the main character of Anne. The Court determined that the AGGLA was the heirs' private profit-seeking enterprise as far as its activities were concerned.
Sullivan and the heirs came into further conflict during the 1990s. Sullivan was sued by the heirs. Their contractual agreement with Sullivan said that he would pay them a flat $425,000 fee for the right to adapt the first book, plus 10% of the profits of Anne 1 and 5% of the profits of Anne 2. The contract also gave them the right to examine Sullivan Entertainment's financial records. However, when Sullivan claimed that neither of the movies had earned a net profit and refused to allow them to audit his books, they served a claim against him. Sullivan argued that the heirs and the AGGLA had enjoined the films by usurping the Sullivan trademarks and drastically reduced the profitability of the ventures.
The heirs staged a press conference in 1998 at exactly the time when Sullivan was about to close a public offering to take his company public, to force Sullivan to pay them further receipts. The offering however was pulled by the underwriters and Sullivan counter-sued for libel, insisting that the heirs should pay damages of $55 million to all parties involved.
A Superior Court of Ontario judge dismissed his suit on January 19, 2004.
The Montgomery heirs subsequently dropped their claim for Sullivan to pay them any royalties. However, a settlement between Sullivan, the Montgomery heirs and the AGGLA was reached in 2006 to deal with all of their outstanding disagreements.
Although Kevin Sullivan's works were initially based upon the works of Montgomery, Sullivan developed most of his successful Anne-related film properties based on original material, not directly adapted from Montgomery's books. Many questions have been raised in court as to the author's heirs' rights in her copyright. The heirs have tried to extend the copyright in Montgomery's unpublished works until 2017 but lost that opportunity in 2004 when the Canadian Parliament rejected the provision they had pursued so ardently for the unpublished works of dead authors.
In a Japanese court decision which addressed the heirs' challenge to the validity of Sullivan's ownership of Japanese trademark's in the movie property, the Japanese High Court commented on the heirs' entitlement to reversionary copyright which formed the basis of the rights that the family claimed to have sold to Sullivan. The Court stated that the heirs' reversionary copyright was non-existent and that there was no need for Sullivan or any other entity to account to the heirs for the use of the trademark in Japan.
The Court stated: "It is not clear from a legal point of view why permission from the heirs of the author or its related entity the Anne of Green Gables Licensing authority was necessary."
The Japanese Court also extensively scrutinized whether the copyright in the book Anne of Green Gables had ever devolved to the heirs and called for extensive filing of evidence on this point. Sullivan filed an original 1919 agreement between Montgomery and L.C. Page & Co. which specifically excluded the heirs' reversionary claims. Montgomery sold all of her publishing and copyright to her series of novels, in perpetuity, to her original American publisher in 1919, to the exclusion of her heirs.
The Court further questioned whether the heirs' licensing authority was engaged in activities of sufficient public interest as to qualify as a controlling body of Montgomery's works. The Court stated: "...the possibility cannot be denied that the Anne of Green Gables Licensing Authority is the heirs' private profit-seeking enterprise as far as the activities with which the heirs of the subject case are involved are concerned. It is not proved from the evidence submitted in the subject case that the Anne of Green Gables Licensing Authority is involved in activities of public interest that are sufficient for the Anne of Green Gables Licensing Authority to be qualified as the owner of the registration of the subject mark as a controlling body of the subject literary work."

Trademark and copyright

After recent speculation as to who owned the copyrights and trademarks concerning Anne of Green Gables today, there are principally two entities that control rights relating to Anne of Green Gables. The Anne of Green Gables Licensing Authority and Sullivan Entertainment.
The Anne of Green Gables Licensing Authority controls certain exclusive trademarks relating to Anne of Green Gables commercial merchandise and service related to Montgomery's literary works and any copyright in the Montgomery books which have not reverted to the public domain.
Sullivan Entertainment Inc, under agreement with the Anne of Green Gables Licensing Authority, retains all of the dramatic copyright and motion picture copyright in over 125 hours of their original movies, mini-series and television series based on both the Anne and Avonlea series of novels and certain trade-marks relating to Sullivan sourced Anne of Green Gables merchandise and services. Sullivan's use of the Anne of Green Gables trademarks extends from motion picture products and books, DVDs, CDs etc. to all commercial merchandise related to Sullivan's films and television series based on their visual images, costume and production designs, settings, themes and original characters. Sullivan Entertainment also solely controls the commercial trademarks to Anne of Avonlea, Anne of the Island, and Road to Avonlea.