Babi Yar in poetry


Poems about Babi Yar commemorate the massacres committed by the Nazi Einsatzgruppe during World War II at Babi Yar, in a ravine located within the present-day Ukrainian capital of Kiev. In just one of these atrocitiestaking place over September 29–30, 194133,771 Jewish men, women and children were killed in a single Einsatzgruppe operation.

Background

On June 22, 1941, Nazi Germany attacked the Soviet Union in Operation Barbarossa. The German army crossed the 1939 former Polish-Soviet border soon thereafter and arrived in Kiev on September 19, 1941. Ten days later, following an explosion at the German army headquarters, Jews were rounded up, marched out of town, made to strip naked and massacred; they were stacked up, layer upon layer, at Babi Yar
For decades after World War II, Soviet authorities were unwilling to acknowledge that the mass murder of Jews at Babi Yar was part of the Holocaust. The victims were generalized as Soviet; mention of their Jewish identity was impermissible, even though their deaths were every bit as much a consequence of the Nazi's genocidal Final Solution as the death camps of occupied Poland. There was, too, a virtual ban on mentioning the participation of the local police, or the role of the auxiliary battalions sent to Kiev by the Organization of Ukrainian Nationalists in rounding up, guarding and murdering their Jewish countrymen. In order to make the connection the Soviets worked so hard to suppress, Holocaust scholars have come to call events such as the massacres at Babi Yar "the Holocaust by bullet."
By November 1941, the number of Jews shot dead at Babi Yar exceeded 75,000, according to an official report written by SS commander Paul Blobel. But Babi Yar remained the site of mass executions for two more years after the murder of most of Kiev's Jewish community in the fall of 1941. Later victims included prisoners of war, Soviet partisans, Ukrainian nationalists and Gypsies. Over 100,000 more people died there. The deaths of these non-Jewish victims facilitated the Soviet Union's postwar efforts to suppress recognition of Babi Yar's place in the history of the Holocaust, especially in the aftermath of the 1952 executions of prominent Jewish intellectuals dubbed the "Night of the Murdered Poets."

Authors

The atrocity was first remembered by the Jews of Kiev through a manuscript poem by Ilya Selvinsky, called I Saw It!. Even though it wasn't written specifically about Babi Yar, it was broadly received as such. Poems by Holovanivskyi, Ozerov, Ilya Ehrenburg and Pavel Antokolsky soon followed, but the Jewish identity of the victims was revealed only through "coded" references.
;Lyudmila Titova
Possibly the first known poem on the subject was written in Russian the same year the massacres took place, by Liudmila Titova, a young Jewish-Ukrainian poet from Kiev and an eyewitness to the events. Her poem, Babi Yar, was discovered only in the 1990s.
;Mykola Bazhan
Mykola Bazhan wrote a poem called Babi Yar in 1943, explicitly depicting the massacres in the ravine. Bazhan was nominated for the 1970 Nobel Prize in Literature. The Party forced him to decline the nomination.
;Yevgeny Yevtushenko
In 1961, Yevgeny Yevtushenko published his poem Babiy Yar in a leading Russian periodical, in part to protest the Soviet Union's refusal to recognize Babi Yar as a Holocaust site.
The poem's first line is "Nad Babim Yarom pamyatnikov nyet" The anniversary of the massacre was still observed in the context of the "Great Patriotic War" throughout the 1950s and 60s; the code of silence about what it meant for the Jews was broken only in 1961, with the publication of Yevtushenko's Babiyy Yar, in Literaturnaya Gazeta The poet denounced both Soviet historical revisionism and still-common anti-Semitism in the Soviet Union of 1961. "t spoke not only of the Nazi atrocities, but also of the Soviet government's own persecution of Jewish people." Babiyy Yar first circulated as samizdat After its publication in Literaturnaya Gazeta, Dmitri Shostakovich set it to music, as the first movement of his Thirteenth Symphony, subtitled Babi Yar.
;Moysey Fishbeyn
Another important Babi Yar poem was written by Moysey Fishbein in Ukrainian. It was translated into English by Roman Turovsky.
;Ilya Ehrenburg
was 50 at the time of the massacre, living in Moscow
Ehrenburg penned six poems about the Holocaust that first appeared without titles in 1945-46. They were published in three magazines based in Moscow: Novy Mir, Znamya and Oktyabr' . In one, he wrote of the "grandmother's ravine" through the repetitive use of words: Now, every ravine is my utterance, And every ravine is my home. The actual title of the poem, Babi Yar, was restored only in a 1959 collection of his work.

Other authors

In 1943, Sava Holovanivskyi wrote Avraam about Babi Yar, and Kievan poet Olga Anstei wrote Kirillovskie iary She and her husband, poet Ivan Elagin, defected from the Soviet Union to the West that year.
Undated poems about Babi Yar were written by Leonid Pervomayskiy, In Babi Yar, and Leonid Vysheslavsky, Cross of Olena Teliha. In 1944, Ilya Ehrenburg wrote his Babi Yar, reprinted in 1959, and in 1946 Lev Ozerov wrote and published his long poem Babi Yar.
Lev Ozerov's long poem titled Babi Yar first appeared in Oktyabr' magazine's March–April 1946 issue. Again, many references were "coded": The Fascists and the policemen Stand at each house, at every fence. Forget about turning back. Their identities are abstracted even at the pits: A Fascist struck mulishly with the shovel The soil turned wet... The shovel-wielding assailants are not identified.
Any further publications about the subject were prohibited, along with the Black Book project of 1947 by Ehrenburg and Vasily Grossman, as part of the official Soviet rootless cosmopolitan campaign.
A song, "Babi Yar" was created by Natella Boltyanskaya