Batman Black and White

Publication history

Contents and synopses

Volume 1

Issue #1 - June 1996

• "Perpetual Mourning" - by Ted McKeever
• * Batman conducts an autopsy on a murder victim to help find her killer.
• "Two of a Kind" - by Bruce Timm
• * A Gotham news anchor comments on the biggest story of the year: a brilliant reconstructive surgeon, Marilyn Crane, has been able to repair the damage done to Two-Face, which cures him of his insanity and restores his Harvey Dent identity. Dent plans to marry Marilyn, but becomes nervous when he discovers that she has a twin sister named Madeline who is mentally unbalanced herself. Madeline and Harvey begin an affair, but when Dent decides to end the relationship and return to his wife-to-be, she is driven insane with rage and murders Marilyn. Harvey's therapy and surgery prevent him from tapping into his darker side, so he deliberately scars his face with hot coals, travels to Gotham's docks, and kills Madeline. He then waits for Batman to come and take him back to Arkham "with the rest of the crazy people", bitterly resigning himself to a life of madness as Two-Face.
• "The Hunt" - by Joe Kubert
• * A surreal take on Batman.
• "Petty Crimes" - by Howard Chaykin
• * Batman investigates a series of murders that are apparently motivated by rudeness and lack of respect for rules; among the victims are a supermarket cashier who let someone with more than ten items into the express lane and an elderly janitor who locked a bank door at 4:55 as opposed to 5:00 PM. The Caped Crusader eventually tracks down the culprit—a nondescript Gothamite who believes that he is doing the world a service by forcing people to pay closer attention to their behavior. After Batman apprehends the criminal, he assures the Dark Knight that the two of them are actually performing the same work to save the city, and even offers to be a "sidekick" to the hero when he gets out of jail.
• "The Devil's Trumpet" - written by Archie Goodwin, art by José Antonio Muñoz
• * A jazz musician's search for a legendary trumpet leads him into the path of Batman.

  Issue #2 - July 1996

• "Legend" - by Walter Simonson
• * A mother tucking her son into bed tells the child an exciting story about a time long ago, when a masked man dressed as a bat fought criminals, villains, and all forms of evil to defend Gotham City. As her boy drifts off to sleep, the woman murmurs that the mysterious Batman swore to always be Gotham's protector, and hopes that he might resurface soon. It is then revealed that the story takes place in an Orwellian dystopia, with Gotham transformed into a police state—but the final panel depicts a familiar, bat-shaped shadow descending on an officer, suggesting that Batman has not abandoned his quest to save Gotham.
• "Monster Maker" - written by Jan Strnad, art by Richard Corben
• * Batman has a violent run-in with several 11-year-old black children, who he deems "monsters", before launching into an extended criticism of urban society.
• "Dead Boys Eyes" - by Kent Williams
• * Batman reaches out to the soul of Gotham during a near-death experience.
• "The Devil's Children" - written by Chuck Dixon, art by Jorge Zaffino
• * Batman investigates a series of mysterious gangland murders.
• "A Black & White World" - written by Neil Gaiman, art by Simon Bisley
• * Batman arrives at a strange office building, where a secretary tells him that they are "running behind" on scenes. It is revealed that all of Batman's comic book adventures are a staged affair much like a film, and that the characters are simply actors. The Caped Crusader enters the green room to prepare for his own work that day, where he chats with the Joker about the low quality of the writing. After finishing shooting for the day, Batman and the Joker head off to get lunch together, proving that their endless rivalry is simply an act for the audience.

  Issue #3 - August 1996

• "Good Evening, Midnight" - by Klaus Janson
• * Alfred reads a note Thomas Wayne had written long ago for his son.
• "In Dreams" - written by Andrew Helfer, art by Tanino Liberatore
• * A woman seeks help for her recurring nightmares involving Batman.
• "Heist" - by Matt Wagner
• * A gang of thieves are hunted by Batman during a botched home robbery.
• "Bent Twigs" - by Bill Sienkiewicz
• * Batman tries to mend the relationship between a single dad and his son.
• "A Slaying Song Tonight" - written by Dennis O'Neil, art by Teddy Kristiansen
• * Batman must protect a family from an unknown assassin during the holidays.

  Issue #4 - September 1996

• "An Innocent Guy" - by Brian Bolland
• * A young man in Gotham records a video describing his seemingly mundane life. However, he explains that in order to know he is truly a good person, he needs to perform a single horrific act and thus prove that he does not want to pursue a life of evil. The young man has decided that the only appropriate crime is murdering Batman, and outlines his plot to do so, explaining that, rather than Batman's many themed villains and rogues, he will simply shoot Batman in the head and vanish. After asserting his status as an "innocent guy", the young man swears that the Caped Crusader's murder will be his only villainous deed, and imagines his life going to back to its regular banality.
• "Monsters in the Closet" - written by Jan Strnad, art by Kevin Nowlan
• * Batman uncovers a mad scientist in Gotham and his abominable creations.
• "Heroes" - written by Archie Goodwin, art by Gary Gianni
• * A boy in World War II-era Gotham has a run-in with Batman and learns something about his own father in the process.
• "Leavetaking" - written by Dennis O'Neil, art by Brian Stelfreeze
• * During a near-death experience, Batman relives the night his family was murdered.
• "The Third Mask" - by Katsuhiro Otomo
• * Batman hunts a killer with multiple personalities and finds himself questioning his own identity.

  Pin-ups

• Michael Allred
• Moebius
• Michael Wm. Kaluta
• Tony Salmons
• P. Craig Russell
• Marc Silvestri and Batt
• Alex Ross
• Neal Adams

  Volume 2

• "Case Study" - written by Paul Dini, art by Alex Ross
• * When the Joker is once again captured and sent to Arkham Asylum, a doctor laments that all of his work has not pierced the Clown Prince of Crime's insanity. Another doctor offers up a report written years ago, which suggests that the Joker cannot be cured because he is not insane. The report outlines the Joker's history before his accident, and suggests that his "revenge" against Gotham for ruining him is to commit perfectly sane crimes under the guise of madness. The doctors are convinced, but Harleen Quinzel is then escorted past, commenting that she was the one who wrote the report prior to her personal sessions with the Joker. The doctors wearily put the document away, realizing that though it is plausible, its origin renders it worthless - it is just another one of the Joker's sadistic pranks, left where it would someday be found, examined, and ultimately dismissed; a spot of hope that is crushed just as it shines brightest.
• "Batsman: Swarming Scourge of the Underworld" - written by Marie Severin, art by Ty Templeton
• * A parody.
• "A Matter of Trust" - written by Chris Claremont, art by Steve Rude and Mark Buckingham
• *
• "Night After Night" - written by Kelley Puckett, art by Tim Sale
• * Bruce recalls the murder of his parents every night, and uses it as his drive for Batman to stop the Joker.
• "Fortunes" - written by Steven T. Seagle, art by Daniel Torres
• *
• "To Become the Bat" - written by Warren Ellis, art by Jim Lee
• * A great many experiences prepared Batman for his role as Gotham's protector: he has learned what sort of wounds different bullets make, he knows the distinctive aroma of every brand of aftershave, and he has discovered how every gadget he came in contact with in his youth works. All of it is essential to some cases, such as tracking down a pregnant prostitute's murderer - a political candidate.
• Untitled - by John Byrne
• * Batman and Robin capture Thick and Thin Lyman and their gang, but neither they nor the police can get them to reveal any further information about a major shipment of drugs due in the city. The Lymans suddenly get bailed surprisingly easily, but find their every move dogged by either Batman or Robin, night and day. When they finally find themselves alone, Thick and Thin get to a meeting place as quickly as possible. However, once there, Thick reveals himself as Batman, but refuses to tell Thin when the switch took place.
• "Broken Nose" - by Paul Pope
• * Alfred treats Bruce Wayne for the first broken nose he has sustained in his career as a crimefighter. It was given him by Mabuse, a criminal who designed a metallic suit of armor for himself. After Alfred reassures him that a broken nose is something of a rite of passage for people who fight, Batman tracks Mabuse down to the scene of his next crime, fights him, and emerges victorious. Though Mabuse surrenders, Batman makes sure to provide a final bit of revenge against the villain by breaking his nose.
• "Greetings from Gotham City" - written by John Arcudi, art by Tony Salmons
• * Ivan writes a postcard to his mother from Gotham City, detailing the amazing exploits of Batman in breaking up a gang of bank robbers. What he does not tell her is that he is one of the robbers and is writing from behind bars.
• "Hide and Seek" - written by Paul Levitz, art by Paul Rivoche
• * At the scene of a train wreck which may well be the result of malice rather than an accident, Batman seizes on the smallest of clues to follow someone's trail through the train system and up into the light. Here he finds a small boy and reassures him that he is now safe, telling him that he knows what it is like to be young and lost.
• "The Riddle" - written by Walter Simonson, art by John Paul Leon
• * A wealthy Gothamite with a huge collection of Lewis Carroll memorabilia has died. It is rumoured that in his possession he has Carroll's answer to the riddle "Why is a raven like a writing desk?"; This proves an irresistible target for the Riddler. He breaks into the house and negotiates his way through a maze of Alice's Adventures in Wonderland and Through the Looking-Glass-related animatronics, until he finds himself at the Mad Hatter's Tea Party, where the answer is tucked into the Hatter's hatband. The Riddler declares his triumph, but Batman then appears; to add insult to injury, he tells the Riddler that the "solution" he found is one that the Caped Crusader himself made up after discovering the real answer and taking it.
• "A Game of Bat and Rat" - written by John Arcudi, art by John Buscema
• * A bunch of low-lifes think they witness the death of Batman, but a derelict claims that he saw Batman climb out of Gotham River and make his way to a warehouse, badly injured. They decide to make his death a reality, and find themselves under attack from an uninjured Batman. When their leader confronts the derelict, claiming that he deliberately set them up, the derelict admits that this is true - he is Batman in disguise, after all.
• Untitled - written by Brian Azzarello, art by Eduardo Risso
• * Batman confronts the serial killer Mr. Zsasz at the scene of his latest massacre, and the two exchange their views on power before Batman trusses Zsasz up and leaves him for the police.
• "Blackout" - written by Howard Chaykin, art by Jordi Bernet '
• * Batman encounters Catwoman stealing from Albion Price, who, she claims, is a Nazi spy. Incredulous, Batman stakes Price out and discovers that she was telling the truth. They take him down together, but Batman still does not allow her to get away with the Nazi's stash of diamonds.
• "Guardian" - written by Alan Brennert, art by José Luis García-López
• * While pursuing some arsonists, Batman encounters Green Lantern, who protected Gotham City during the 1940s and 1950s. He expresses concern at Batman's violent methods, warning him that he could go the way of the Reaper, but recognises the good he is doing. Batman is angry with Green Lantern for having turned his back on Gotham, but Green Lantern explains it is because he is afraid of the seemingly limitless potential of his power ring. The two of them come to a semi-understanding, and Green Lantern leaves Gotham in Batman's care.
• "Snow Job" - written by Bob Kanigher, art by Kyle Baker
• * Batman dreams of going skiing with his son and rescuing a rich girl from her evil twin sister and assorted hired assassins.
• "The Black and White Bandit" - by Dave Gibbons
• * A painter who has lost his sense of colour due to toxic paint fumes exacts his revenge in a series of black-and-white themed crimes. However, he is soon fooled by Batman and the police who set up the possibility of stealing the Milan Shroud. Despite disguising himself as a nun, he is apprehended and taken away in a panda car, a concept which reduces him to helpless laughter.
• "Funny Money" - written by Harlan Ellison, art by Gene Ha
• * Commissioner Gordon asks Batman to have a few words in his office. Here he meets U.S. Treasury agents who inform him that not only has a consignment of "the paper from Dalton" been stolen, but a master engraver from Switzerland has just been arrested at Gotham Airport. Batman pays the engraver, Kaes Poppinger, a visit in his cell, and persuades him to assist the police. Some time later, Batman, disguised as engraver's assistant Dirks Baekert, accompanies Poppinger and the plates necessary to create money to the arranged meeting point, and from here watches the progress of the plates until they have been used to print the money. He, the police and the treasury crash the scene, but the counterfeiters are confident that as the money they have printed is indistinguishable from the real thing, there is no actual evidence that a crime has been committed. Batman then places one of the bills under a microscope, revealing that Poppinger secretly engraved an error in the plates, a miniature Batman and the words, "YOU*ARE*SO*BUSTED*".
• "The Bet" - written by Paul Dini, art by Ronnie Del Carmen
• * Poison Ivy and Harley Quinn, incarcerated in adjoining cells in Arkham Asylum, challenge each other to a friendly $1.00 wager: which of them can get a kiss from every man in the building first? The competition starts with each kissing a passing guard, who Ivy infects with her pheromones; as the guard wanders the building, every man who smells the chemicals is entranced, and lines up outside of Ivy's cell for a kiss. Things look grim for Harley, and she becomes hysterical when the Joker enters, seemingly under Ivy's spell; however, as the Clown Prince of Crime kisses Ivy, he murmurs under his breath about how much he loves Harley. Ivy decides that Harley has won the bet, and pays her $1.00 - which Harley quickly gives, along with her own cash, to the Ventriloquist, the real power behind the Joker's sweet nothings.
• "Stormy Nether" - written by Tom Peyer, art by Gene Colan and Tom Palmer
• * Batman and Prave battle atop the Gotham rooftops. After falling, Prave finds himself relentlessly pursued by supernaturally invulnerable Batmen everywhere he goes. Elsewhere, Batman and a policeman contemplate Prave's dead body and wonder whether he got what he deserved.
• "The Bat no More...?" - written by Alan Grant, art by Enrique Breccia
• * A derelict tells a tale of Batman in a Gotham City bar. He saw the vigilante confront the Scarecrow and then become increasingly paranoid at the sight of any of his equipment, somehow having developed a fear of bats. The Scarecrow then talks to this man, wanting to know all the details, but is himself sprayed with a gas that gives him a fear of his own books - it is Batman. The two of them then face each other, to see who will give in first in revealing their own anti-toxin - will Batman cave in to a fear of the dark, or the Scarecrow to a fear of words?

  Volume 3

• "A Moment in the Light" - written by Joe Kelly, art by Aaron Wiesenfeld
• * Batman encounters Mr. Zsasz in a junkyard, where the serial killer has imprisoned several kidnapped children. As the two battle, the scene begins to fade, revealing it to be a memory that Bruce Wayne is using during a meditation session. Though he claims that these sessions are simply to help him relax, he uses the techniques he learns as Batman to help increase his focus, and puts his skills to the test by analyzing evidence while listening to the laughter of children, driving himself to stop Zsasz and all other criminals.
• "Fat City" - plot and script by Mick McMahon and Dave Gibbons, art by Mick McMahon
• * A monster made of grease is brought to life in a freak accident in Gotham's sewers, and begins to kill people by sucking all of the fat from their bodies. Gotham's citizens begin a fitness craze in an attempt to protect themselves, but the beast is not thwarted, and even the mayor is murdered. Eventually, Batman calls upon an odd ally to help him defeat the monster—Chloe Willow, "Gotham's fattest woman", whose noble self-sacrifice proves that heroes come in all shapes and sizes.
• "The Call" - written by Mark Schultz, art by Claudio Castellini
• * Batman meticulously prepares for a raid on a party being held by a group of Mafia criminals, analyzing every detail and possibility in advance. However, his careful planning is all for naught when a small-time crook reveals a hidden gun, which he blindly fires; the bullet strikes an innocent young woman in the throat, and Batman must halt his crime-stopping to save her. With no time to bring the woman to a hospital, the Caped Crusader uses a special signal to summon Superman. As the Man of Steel uses his incredible powers to save the girl's life, he and Bruce have a discussion about their respective methods of heroism. They eventually realize that while incredibly different, they are both dedicated to helping as many people as possible, and that the world desperately needs each of them.
• "The Lesson" - plot and script by Julius Schwartz and Dan Raspler, art by Christian Alamy
• * Cleverly juxtaposing the stories of Dick Grayson and young Bruce Wayne, the youthful central figure is reassured by the theory of Batman and led to conquer his fears, mask his pain and project a face for the rest of the world to see for the first - but never the last - time.
• "Day & Night in Black & White" - written by Mike Carlin, art by Dan DeCarlo and Terry Austin
• * Day contrasts starkly with night in Gotham City as Barbara Gordon and Pamela Isley's daytime routine is mirrored in twisted fashion by their respective nighttime pursuits as Batgirl defeating Poison Ivy. Note: Listed on the contents page of Black and White Volume 2 as "Day & Nite' in Black & White".
• The Bottom Line" - written by Michael Golden, art by Jason Pearson
• * In this almost wordless comic, a group of thugs employed by the Joker has been tasked with stealing a small suitcase. Batman pursues them and snatches the bag for himself, leading to an intense game of cat-and-mouse. The struggle ends with Batman throwing the suitcase into the air—where it explodes, revealing that the apparent loot was actually a bomb which the Joker planned to use to kill both his henchmen and the Caped Crusader.
• "Here Be Monsters" - written by Paul Grist, art by Darwyn Cooke
• * A mysterious villain named Madame X attempts to poison Gotham City's water supply with a powerful hallucinogen. When Batman arrives to stop her, she douses him with the toxin, which leads him to have horrific visions and doubt that he is not just as monstrous as the villains he pursues. But his powerful will manages to shake off the accusation that he himself created the evil he fights, and the Caped Crusader apprehends Madame X while asserting his heroic nature.
• "Urban Legend" - written by Todd Dezago, art by Mike Wieringo
• * A reporter attempts to purchase definite photographic proof of the rumoured vigilante and shed some light on the creature of the night. Batman explains that the mystery is far more powerful than the truth, and convinces the reporter that he is merely an urban legend - and functions better for being in that mysterious grey area. For the opposite suggestion on Batman's status as an urban legend, see Brian Azzarello's "Cornered". For a less scrupulous journalist's attempts to photograph Batman, see John Ostrander's "Snap".
• "Last Call at McSurley's" - written by Mike W. Barr, art by Alan Davis and Mark Farmer
• * Matches Malone's local bar McSurley's is threatened with closure due to unpaid debts. This is bad news for Bruce Wayne, who uses various disguises to eavesdrop on the criminals who frequent the bar and thus solve a crime a night. He eventually devises a solution, which he puts into action when Matches passes a hat to collect cash to save McSurley's; to the bartender's surprise, someone places $10,000 into the collection, ensuring the bar's continued existence. Back in the Batcave, Alfred asks about a large sum of money—specifically, $10,000—that seems to have mysteriously gone missing.
• "Bruce Wayne is Batman!" - written by Cyrus Voris, art by Chris Bachalo
• * An Arkham Asylum inmate conjures a demon and discovers that Batman is Bruce Wayne. Two cleaners discuss her story, and conclude that this "fact" is not worthy of further thought, coming from such a deranged and damaged mind. The more compassionate of the cleaners does a disappearing act, secure in the knowledge that his secret remains safe.
• "Never Say Die" - written by Dwayne McDuffie, art by Denys Cowan
• * A small-time crook nicknamed "Do-Boy", who is in the employ of the Penguin, is determined to prove his worth by standing up to the Batman or die trying. While "just a man", Batman proves he can thwart all manner of plans - even last-ditch, desperate attempts at criminal glory.
• "Thin Edge of a Dime" - written by Don McGregor, art by Dick Giordano
• * The Batman's work is never done, and trying to talk a non-descript Gothamite out of his suicidal tendencies is every bit as important as his regular duties.
• "No Escape" - written by Paul Kupperberg, art by John Watkiss
• * Batman is captured by the Riddler and placed in an amazingly well-constructed death trap. As he struggles to escape the trap, he reflects on his training in the art of escapology, which he received from Max Dodge, a master escape artist. It is then revealed that Dodge himself, now in desperate need of money, designed the mechanism which now holds Batman. As he watches the Caped Crusader try to free himself, Dodge realizes the identity of the man behind the mask, and decides to fight back against the Riddler to help his former student. Though this heroism leads to a fatal heart attack, he is able to die knowing that he refused to give into villainy—a fact which Batman acknowledges as he talks to his old friend in his final moments.
• "Punchline" - written by Doug Alexander, art by Rob Haynes
• * This dialogue-free story opens with a criminal running along the rooftops, carrying bags of cash from a bank heist. He eventually stumbles across some directional signs and the Bat-Signal, and drops the loot in terror to save himself. Harley Quinn then emerges from the shadows, giggling and clutching a flashlight with a miniature Bat-Signal, which she has used to frighten off her accomplice and take all of his ill-gotten gains for herself. However, the flashlight appears to be malfunctioning, as it continues to show a signal on the wall even after Harley turns it off. When she investigates, she discovers that the "signal" is actually the insignia on Batman's costume—he has been watching from the shadows as well, and spoils Harley's joke.
• "Hands" - written by Scott Peterson, art by Danijel Zezelj
• * This story highlights two underexplored sides of Batman, those of forensic investigator and granter of absolution. Batman discovers an old death, and has to decide the path of least heartache when conveying the results of his investigation into the death of a young child to her surviving family.
• "Toyride" - written by Mark Askwith, art by Michael William Kaluta
• * Three little girls write a letter to Bruce Wayne in which they tell a story about their strange classmate, who has a genius-level intellect and a knack for invention. Recently, the boy tried to destroy Batman by planting computer technology in a gigantic dinosaur statue; the boy used a remote control to steer the beast as the Caped Crusader struggled to contain it. The three girls saved the day by attacking their classmate and stealing his remote, defeating him. The letter ends with a "thank you", as Wayne has had the dinosaur filled with concrete and turned into the centerpiece for a playground for Gotham's children, including three small but brave heroes.
• "The Monument" - written by Darwyn Cooke, art by Bill Wray
• * A wealthy philanthropist erects a tribute statue of Gotham's Guardian in Robinson Park. Mixed reactions see the silent statue act as a shrine, a deterrent, a homeless shelter and a graffiti-covered wall. Acting as a focal point for the pro-/anti-Batman camps, Professor Hugo Strange decides to destroy it in a symbolic gesture that emphasises his belief that Batman represents the worst of humanity. While Batman must apprehend Strange, he has more mixed feelings about saving the statue, declaring his aversion to a fan-club.
• "The Delusions of Alfred Pennyworth" - written by Danielle Dwyer, art by Scott Morse
• * Alfred becomes convinced that the benevolent ghost of an old friend is haunting Wayne Manor, but decides not to tell Bruce Wayne, thinking that his master has enough delusions of his own. But Batman knows all.
• "Cornered" - Written by Brian Azzarello, art by Jim Mahfood
• * A world-weary Gothamite living in a crime-riddled area of the city witnesses Batman's just-too-late attempts to stop street hoods engaging in a gunfight, and questions Batman's methods. Would not a real threat be more likely to inspire the younger generation to be law-abiding than an urban legend? For the opposite suggestion, read Todd Dezago's "Urban Legend".
• "Fear is the Key" - written by Mike Carey, art by Steve Mannion and Hilary Barta
• * A medieval sorcerer conjures a Bat-demon, but is revealed to be the Scarecrow, who has inadvertently absorbed a high dosage of an experimental hallucinogen and his own fear toxin. Triumphing over impossible odds, Batman returns the Scarecrow to Arkham Asylum, where he ponders the incredible resilience of Batman, who must similarly have been hallucinating wildly, and yet managed to maintain a grip on reality.
• 'Untitled' - written by Ann Nocenti, art by John Bolton
• * The seedy underbelly of the Gotham underworld includes a large number of criminals who need the vicarious thrill of seeing Batman - and Catwoman - trussed, tortured and killed. One man runs a small 'business' to provide just such a thrill.
• "Sunrise" - written by Alex Garland, art by Sean Phillips
• * An elderly Gothamite awakens early to capture the sunrise on film, only to tire herself out while climbing the stairs to her tenement's roof and decide that she is too old to spend her time trying to capture life. While musing about her age, she is surprised to discover Batman recovering from his nightly patrol; when he brusquely refuses to answer her questions about what happened, the woman scolds him, and he admits that he injured his shoulder during a raid on a building. The tables turn when Batman asks the woman about her camera, and she also stubbornly refuses to talk about what changed her mind. The Dark Knight smiles as he realizes the two are not so different and makes his exit—but not before taking a picture with his new friend, proving that it is never too late to create lasting memories.
• "Neighbourhood" - written by Robert Rodi, art by Jon Proctor
• * Petty criminal Rico Tagliani lives in perpetual fear of Batman for decades, getting increasingly more paranoid as time passes. Ultimately his paranoiaic delusions lead him to larger crimes, even as it is revealed that there is always truth behind the fears of the Dark Knight Detective. See also Ed Brubaker's "I'll Be Watching", for a similar story with different actions and results.
• "I'll Be Watching" - written by Ed Brubaker, art by Ryan Sook
• * The janitor at Sprang Hall, Gotham's juvenile correctional facility, recalls the event that set him on his path to redemption and sees the guiding presence of Batman as a perpetual and comforting reminder of his new life. Meanwhile, Batman's inspirational second-chance offer is shown to be neither unique nor forgotten.
• "Gargoyles of Gotham" - by Dean Motter
• * An art exhibition featuring photographs of some of Gotham's gargoyles allows art patron Bruce Wayne to recall his own memories of such omnipresent parts of the city's landscape, including their structural integrity and the secrets some of them hide, including one nicknamed "Clark", who secretly guards the garb of one Bruce Wayne when his alter-ego is on patrol.
• "Snap" - written by John Ostrander, art by Philip Bond
• * A down-on-his-luck photojournalist attempts to get photographic proof of Batman's existence. Attempts to bribe Commissioner Gordon fail, and a staged crime scene makes the photographer into a criminal himself. Both Gordon - and Batman himself - reiterate the importance of the unreality of the urban legend. For a more understanding photographer's take on the rights and wrongs of photographing Batman, see Todd Dezago's "Urban Legend". For the opposite suggestion on Batman's status as an urban legend, see Brian Azzarello's "Cornered".
• "The Best of Gotham" - by Jill Thompson
• * A newspaper-style text and 'photos' guide to some of Gotham's "must-see" highlights, including mentions of the philanthropy of Gotham's most famous son, as well as the inspirational activities of the city's protector, which can be seen in the theaters, stand-up clubs, clothes shops, night clubs and a tailored museum: "Hideout" showcasing some of the items confiscated from Batman's rogues gallery, and funded by the Martha Wayne Outreach program.
• "Sidekick" - written by Kimo Temperance, art by Nathan Fox
• * Batman has to carry out his patrol while babysitting a child who has been abandoned on the Batmobile by someone eager for fame.
• "Urban Renewal" - written by Will Pfeifer, art by Brent Anderson
• * Writer/photographer Daniel McKinley notes the changing face of Gotham - and the world - from the kitsch architecture of "buildings shaped like cash registers" to the faceless conformity of the modern era. Turned down by publisher after publisher, he has almost resigned himself to writing a book about "gargoyle-covered skyscrapers", when his proposal is accepted by Signal Publishing, a division of Wayne Enterprises. Bruce Wayne, like McKinley, has a keen sense of nostalgia. See also Dean Motter's "Gargoyles of Gotham" for more on these iconic structures.
• "Riddle Me This" - written by Judd Winick, art by Whilce Portacio
• * The Riddler, in a series of highlights from across his career, runs through a series of riddles before settling on one which describes his nemesis, as well as indulging in a spot of soul-searching, concluding that he wants to be caught.
• "The Mob is Dead, Long Live the Mob" - by Eric Cherry
• * A former snitch tries to set himself up as a new mob boss, using Batman as a cover by feeding him information about minor drug deals while the major ones are carried out with impunity. The new "boss" is ultimately brought low by another snitch who fears that Batman is now in the employ of the gangs.
• "Fear is the Key" - written by Geoff Johns, art by Tommy Castillo and Rodney Ramos
• * The Scarecrow runs through a litany of phobias, and regrets that his own addiction to fear has been compromised by an increasing immunity to his toxins. There is always something to fear, however, and for the Scarecrow, Batman is both the ultimate fear and the ultimate thrill.
• "The Gasworks" - written by Mike Mignola, art by Troy Nixey
• * Two villains attempt to use a powerful hallucinogenic compound to incapacitate Batman and kill him. In an ironic twist of events, they manage to disable him enough that he cannot subsequently come to their rescue.Note: "The Gasworks" is the only Black and White story to include color - red permeates the story, the color of both the hallucinogen and the blood. This is likely the reason this story was moved to the end of the volume.
• DC Direct Gallery - showcasing the first dozen DC Direct-produced statues in the Batman: Black and White series.
• * Eduardo Risso's statue./Simon Bisley's statue.
• * Sketches by Alex Ross.
• * Sketches by Paul Pope.
• * Brian Bolland's statue.
• * Small rough sketches and statue by Tim Sale.
• * Steve Rude's statue.
• * Sketches by Steve Rude.
• * Rough sketches by Jim Lee.
• * Sketch and statue by Jim Lee.
• * Individual cowl and close-up sketches by Kelley Jones.
• * Kelley Jones' statue.
• * Matt Wagner's statue and sketches.

  Volume 4

Issue #1 - November 2013

• "Don't Know Where, Don't Know When" - written by Chip Kidd, art by Michael Cho
• "Batman Zombie" - by Neal Adams
• "Justice Is Served" - written by Maris Wicks, art by Joe Quinones
• "Driven" - written by John Arcudi, art by Sean Murphy
• "Head Games" - written by Howard Mackie, art by Chris Samnee

  Issue #2 - December 2013

• "Manbat Out Of Hell" - written by Dan Didio, art by J. G. Jones
• "Into The Circle" - by Rafael Grampá
• "A Place In Between" - by Rafael Albuquerque
• "Winter's End" - written by Jeff Lemire, art by Alex Nino
• "Silent Knight…Unholy Knight!" - written by Michael Uslan, art by Dave Bullock

  Issue #3 - January 2014

• "Rule Number One" - by Lee Bermejo
• "Hall Of Mirrors" - by Damion Scott
• "An Innocent Man" - written by Marv Wolfman, art by Riccardo Burchielli
• "Namtab: Babel Comes To Gotham" - by Rian Hughes
• "Role Models" - written by Paul Dini, art by Stéphane Roux

  Issue #4 - February 2014

• "Ghost Of Gotham" - written by Nathan Edmondson, art by Kenneth Rocafort
• "Tea-Minus Party" - written by Michael Allred and Lee Allred, art by Michael Allred
• "Long Day" - by Dustin Nguyen
• "Even In The Darknest Moments" - written by David Macho, art by Rubén Pellejero
• "Missing In Action" - by Sean Galloway

  Issue #5 - March 2014

• "Hell Night" - written by Ivan Brandon, art by Paolo Rivera
• "Cat And Mouse" - written by Keith Giffen, art by Javier Pulido
• "I Killed The Bat" - written by Blair Butler, art by Chris Weston
• "Flip Side!" - written by Len Wein, art by Víctor Ibáñez
• "Hope" - written by Jimmy Palmiotti, art by Andrew Robinson

  Issue #6 - April 2014

• "Clay" - by Cliff Chiang
• "Bruce" - written by Olly Moss and Becky Cloonan
• "The Batman: Hiding In Plain Sight" - by Dave Taylor
• "She Lies At Midnite" - by Adam Hughes
• "To Beat The Bat" - by Dave Johnson

  Collected editions

Motion comics

• 1 - Here Be Monsters
• 2 - Broken Nose
• 3 - Two of a Kind
• 4 - Case Study
• 5 - Black and White Bandit
• 6 - Punchline
• 7 - Good Evening Midnight
• 8 - Hide and Seek
• 9 - Night After Night
• 10 - Perpetual Mourning

• 1 - I'll Be Watching
• 2 - The Call
• 3 - Monsters in the Closet
• 4 - A Game of Bat and Rat
• 5 - Hands
• 6 - Sunrise
• 7 - In Dreams
• 8 - Heroes
• 9 - Legend
• 10 - Blackout

  Critical reaction

Merchandise

Statues

Action Figures

Mini PVC Sets

Awards

• 1997:
• * Won "Best Short Story" Eisner Award, for "Heroes"
• * Won "Best Anthology" Eisner Award
• * Nominated for "Best Limited Series" Eisner Award
• * Nominated for "Best Short Story" Eisner Award, for "Perpetual Mourning"
• * Scott Peterson/Mark Chiarello nominated for "Best Editor" Eisner Award
• 2003: Won "Best Graphic Album--Reprint" Eisner Award, for Batman: Black and White Volume 2