Benvenuto Rambaldi da Imola, or simply and perhaps more accurately Benvenuto da Imola , was an Italian scholar and historian, a lecturer at Bologna. He is now best known for his commentary on Dante'sDivine Comedy.
Life
He was born in Imola, into a family of legal officers. In 1361–2 he was working for Gómez Albornoz, governor of Bologna and nephew of Cardinal Egidio Albornoz. In 1365 he went on a diplomatic mission on behalf of the city, to Avignon and Pope Urban V. At the time members of the Alidosi family dominated Imola, and other citizens looked to the papacy for a change. The petition brought by Benvenuto and others failed; the local political situation at home caused him to move on without returning, going to Bologna, where he made a living as a teacher. He was made the subject of accusations there of indecency, which may have been connected to lectures on the Inferno; on the other hand Benvenuto himself had made accusations to the papal legate in Bologna of improper teacher-student relationships of others. While previously in Bologna he may have lectured officially, and did teach some classical authors, his later lectures were in a private house, that of the grammarian Giovanni de Soncino. In 1373 he visited Florence and there heard Boccaccio lecture on Dante. From 1375 he was based in Ferrara. There he had the protection of Niccolò II d'Este, Marquis of Ferrara, whom he had met in Avignon.
Works
An early humanist, he still wrote in medieval Latin. His commentary on Dante was known as the Comentum super Dantis Aligherii comoediam. Charles Eliot Norton considered that Benvenuto's commentary on Dante had "a value beyond that of any of the other fourteenth-century commentators". It exists in three versions: one published in 1875, one from his time in Ferrara, and a third published in 1887. The second version is a source for his theory that the Divine Comedy combines the three genres of comedy, tragedy and satire. It influenced Juan de Mena, in particular, via Giovanni da Serravalle who had heard Benvenuto teach. Benvenuto acknowledged influence himself from the tradition of Averroes and Hermannus Alemannus, as well as Boccacio. Other works were:
A commentary on Virgil's Eclogues and Georgics. Benvenuto was critical of the Aeneid commentary of Ciones de Magnali. He also disapproved of the classical commentary of Servius.
