Bombay (film)


Bombay is a 1995 Indian Tamil-language romantic drama film written and directed by Mani Ratnam, starring Arvind Swami and Manisha Koirala in the lead. The film tells the story of an inter-religious family in Bombay before and during the Bombay riots, which took place between December 1992 and January 1993 after the demolition of the Babri Masjid led to religious tensions between Hindu and Muslim communities. It is the second in Ratnam's trilogy of films that depict human relationships against a background of Indian politics, including Roja and Dil Se... The film was dubbed in Hindi, Telugu and Malayalam with the same title.
Eventually becoming one of the highest-grossing films of Tamil cinema, the film was well-received both critically and commercially, and it was screened at many international film festivals including the Philadelphia Film Festival in 1996 where it was an audience favourite. The film's soundtrack earned composer A. R. Rahman his fourth consecutive Filmfare Best Music Director Award, and is considered one of the greatest Indian soundtracks of all time. However, the film caused considerable controversy upon release in India and abroad for its depiction of inter-religious relations and religious riots. The film was banned in Singapore and Malaysia upon release.
In July 2005, a book on the film by Lalitha Gopalan was published by BFI Modern Classics, looking at the film's production, the several issues it covered, and its impact upon release in India and abroad. The film was ranked among the top 20 Indian films in the British Film Institute's rankings.

Plot

Shekhar is the son of an orthodox Hindu Narayana Pillai living in a coastal village in Tamil Nadu. A journalism student studying in Bombay, Shekhar visits home to be with his family. On one of his return trips, he notices Shaila Banu, a Muslim schoolgirl in the village and falls in love with her. Initially shy, Shaila seeks to distance herself from Shekhar, but after frequent run-ins, and days of pursuit, Shaila begins to like Shekhar. Eventually, they both fall in love.
Shekhar meets Shaila's father Basheer and reveals he wants to marry her. Basheer throws him out, citing difference in religions. Shekhar reveals his interest to his father Pillai, who becomes angry, meets Basheer and gets into an abusive argument with him. Upset with rejection from both families, Shekhar leaves the village and returns to Bombay. Through Shaila's friend, he sends her a letter and a ticket for her to travel to Bombay. However, she is undecided; Basheer comes to know of her regular letters from Shekhar and plans to get her married immediately to stop this relation growing further. Left with no choice, Shaila leaves the village with the ticket sent by Shekhar and reaches Bombay.
Shekhar and Shaila marry and lead a happy life. Shaila conceives and delivers twins who are named Kabir Narayan and Kamal Basheer. The twins are raised in both religions. Shekhar continues to work as a journalist, while Shaila takes care of home and children. After six years, Shekhar and Shaila settle down in their life and begin the process of re-establishing a relationship with their respective families.
When the Babri Masjid is demolished by Hindu extremists on 6 December 1992, riots break out in Bombay. Kabir and Kamal, who had gone to buy groceries, get caught in the riots; eventually, Shekhar and Shaila save them and reach home safely. Narayana Pillai, who receives the news of the riots, rushes to Bombay to meet his son and his family. Everyone is happy with his arrival, and he stays with them. Soon, Basheer also comes with his wife and all of them live together happily for a few days. Both Pillai and Basheer are happy with their grandchildren and wish to be with them.
On 8 January 1993, when two murders are propagated as communal killings, another riot breaks out in Bombay, raising tensions between religious communities. Hindus and Muslims clash in the streets, resulting in hundreds of deaths on both sides. During the conflict, arsonists set fire to the apartment where Shekhar lives with his family. Shekhar tries to evacuate everyone, but Narayana Pillai, Basheer and his wife fail to escape in time and are killed when the building explodes. In the confusion of the panicking crowds, Kamal and Kabir are separated from their parents.
Kamal is saved by a transgender woman who cares for him and protects him, while Kabir searches aimlessly for his brother. Shekhar and Shaila begin to search for them and they go through several tense moments, as they check the morgues and hospitals for their kids. Shekhar grows emotional and participates in the movement to stop the riots with other moderate religious leaders, ultimately succeeding. When the riots end, Shaila and Shekhar are reunited with their children tearfully as the people on the streets join hands, regardless of age or religion.

Cast

Credits adapted from Conversations with Mani Ratnam:
Additionally, Sonali Bendre and Nagendra Prasad appear in the item number "Humma Humma".

Production

During the recording of the background score of Mani Ratnam's Thiruda Thiruda, the Bombay riots broke out. Mani Ratnam planned on making a film in Malayalam about a boy who gets lost in the riots, and requested M. T. Vasudevan Nair to write the script. This was supposed to be Mani Ratnam's second Malayalam film after Unaru. But since the idea did not materialise, he decided to make it in Tamil as the film that would later be titled Bombay.
Mani Ratnam held a photo shoot for the film with Vikram and Manisha Koirala, but eventually did not choose Vikram as he was unwilling to remove his beard and moustache that he had grown for the production of another film during the period, Vikraman's Pudhiya Mannargal. According to Ratnam, Bombay was not originally planned as a political film: "It was a phase India was going through and these things affected me and found their way into my work." Koirala's voice was dubbed by Rohini. Nassar, a Muslim in real life, was cast as the father of Arvind Swamy's character while Kitty, a Hindu in real life, was cast as the father of Koirala's character. Ratnam deliberately cast them in those roles as a statement.
When Ratnam approached cinematographer Rajiv Menon to shoot Bombay, he described it as a film about the riots and said that he needed to " the riots as beautiful as possible". So, Menon suggested shooting in the rains to achieve the effect. They shot the interiors of homes in Pollachi in Tamil Nadu and the exteriors were shot in Kasaragod, and Kannur village in Kerala. The song "Kannalane" was shot at Thirumalai Nayakkar Mahal, and "Uyire" was shot at Bekal Fort. The demolition of the Babri Masjid was shown onscreen through newspaper headlines and photographs, as the Censor Board did not want the makers to show the actual destruction.

Themes and influences

Mani Ratnam described Bombay as "a positive film about communal harmony". He said the Bombay riots were not the main focus of the film, but "a helpless, innocent man caught up in violence not of his own making."

Soundtrack

The soundtrack album for Bombay was composed by A. R. Rahman, in his third collaboration with Mani Ratnam after Roja and Thiruda Thiruda. The lyrics for the Tamil version were written by Vairamuthu, except for the song "Antha Arabi Kadaloram", which was written by Vaali. The soundtrack of the film became one of the best-selling Indian music albums of all time, with sales of 15million units. The soundtrack was included in The Guardian's "1000 Albums to Hear Before You Die" list, and the song "Kannalanae" sung by K. S. Chithra was included in their "1000 Songs Everyone Must Hear" list. "Bombay Theme" has appeared in various international films and music compilations, while the songs "Kannalanae" and "Bombay Theme" have been sampled by various international artists.

Release

Bombay was released on 10 March 1995. The Telugu-dubbed version, Bombayi, was released on the same day.

Reception

Box office

The Hindi version of the film grossed, as reported by Box Office India, making it one of the year's top ten highest-grossing Hindi films.

Critical reception

Ananda Vikatan, in a review dated 19 March 1995, rated the film 53 out of 100. Anand Kannan, writing for Planet Bollywood, said, "I wouldn't call this the best of Mani Ratnam But good acting, a socially conscious theme and a quick pace make the movie well worth watching." In 1996, American critic James Berardinelli rated the film 3.5 out of 4 and said, "Largely because of their limited North American appeal and dubious quality, Indian movies are routinely ignored by distributors Occasionally, however, a worthwhile picture causes enough people to take notice that it becomes a favorite on the international film festival circuit. One such movie is Bombay, the fourteenth feature from celebrated director Mani Rathnam." He concluded, "Director Rathnam has shown great courage in making this picture, which speaks with a voice that many will not wish to hear. Bombay recalls how forceful a motion picture can be."
Bangalore Mirror noted that the film had similarities with the 1990 film Come See the Paradise.

Awards

The film has won the following awards since its release:

National

;1995 National Film Awards
;1996 Filmfare Awards
;1996 Filmfare Awards South
;1996 Matri Shree Media Award
;1995 Tamil Nadu State Film Awards
;1996 CineGoer's Award
;1996 Film Fans' Award
;1996 Kalasaagar Award
;1995 Edinburgh International Film Festival
;1996 Political Film Society Awards
;2003 Jerusalem Film Festival