The story of the crucified soldier emerged in 1915, when it was claimed that a Canadian officer was crucified by German soldiers. The authenticity of the event was never established, though several soldiers claimed to have seen the body of the victim on display. Two sworn statements were presented, and one from a Victoria Cross holder attached a name to the victim: "Sergeant Brant". The sworn testimony from the two English soldiers, who claimed to have seen "the corpse of a Canadian soldier fastened with bayonets to a barn door", was subsequently debunked when it was discovered that the part of the front involved had never been occupied by Germans. In 2002 British documentary maker Iain Overton alleged that the crucified soldier did exist, and named him as Sergeant Harry Band.
Controversy
The sculpture was included in the exhibition of the Canadian War Memorial Fund collection in London, and was widely publicized before the exhibition opened. It was reproduced in more than one British newspaper, notably the Daily Mail. The exhibition, at Burlington House, London, was due to open in January 1919, just before the signing of the Treaty of Versailles and Canadian Prime MinisterSir Robert Borden requested further investigation into the veracity of the story. At this time the German government formally requested that the Canadian government publicly acknowledge that the story of the crucified soldier was untrue, or else provide evidence. The official Canadian response to the Germans was that they had sufficient evidence to believe that the account was true, but when the Germans demanded a part in the investigation, the sculpture was withdrawn from the exhibition. It was not shown again until the 1990s. A de facto government ban on exhibiting or even photographing the sculpture was in effect as late as 1989, when a request by Maria Tippett to include a photograph of it in an exhibition was denied. The statue was finally displayed again in 1992 in a Canadian War Museum exhibition, "Peace Is the Dream". The sculpture was also displayed in 2000 at an exhibition entitled "Under the Sign of the Cross: Creative Expressions of Christianity in Canada" at the Canadian Museum of Civilization in 2000, when the controversy was again commented upon.
