Chester Brown's Gospel adaptations


adapted Gospel of Mark and part of the Gospel of Matthew to comics; installments appeared in his comic books Yummy Fur and Underwater. Brown ran the first installment of the Gospel of Mark in Yummy Fur #4 in 1987, and left Matthew unfinished after cancelling Underwater in 1997. Brown had planned to do all four of the canonical gospels, but in 2011 stated that it is unlikely he will finish even Matthew.

Background

Brown's beliefs

Brown was brought up in a strictly Christian Baptist household. Over his career, he has gone back and forth between belief and non-belief in Christianity.
Brown took on his retelling of the Gospels to try to figure out what he really believed.

Gospel of Mark

IssueDatePassages
Yummy Fur # 4April 1987
Yummy Fur # 5June 1987
Yummy Fur # 6August 1987
Yummy Fur # 71987
Yummy Fur # 8November 1987
Yummy Fur # 9March 1988
Yummy Fur #10May 1988
Yummy Fur #11July 1988
Yummy Fur #12September 1988
Yummy Fur #13November 1988
Yummy Fur #14January 1989

Brown began his adaptation of the Gospel of Mark in issue of Yummy Fur in 1987. It ran alongside his surreal, taboo-breaking Ed the Happy Clown serial, which led readers to expect a similar treat of the Gospel; instead, he provided a straight adaptation, running to issue #14 of Yummy Fur.Brown lays out the story at six equal panels per page, each panel illustrating one verse of the Gospel of Mark. On the final page of the final installment, Brown stops illustrating the story after, where the myrrhbearers flee Jesus's empty tomb. The final four panels are of and unnamed old man reciting the final verses against a black background. These four panels are of what scholars believe is an extended ending to Mark's Gospel.
The adaptation became more idiosyncratic as it developed: On pages 55 and 56 Brown wove into the story a passage from the Secret Gospel of Mark, a highly contentious and disputed document said to have been written by Clement of Alexandria that Professor Morton Smith claimed to have discovered in 1958.

Mark sources

Brown stated he had a large number of sources for his adaptation of Mark. The books he referred to most frequently were:
IssueDatePassages
Yummy Fur #15March 1989
Yummy Fur #16June 1989
Yummy Fur #17August 1989
Yummy Fur #19January 1990
Yummy Fur #20April 1990
Yummy Fur #21June 1990
Yummy Fur #22September 1990
Yummy Fur #24April 1990
Yummy Fur #25July 1991
Yummy Fur #26October 1991
Yummy Fur #27January 1992
Yummy Fur #29August 1992
Yummy Fur #31September 1993
Yummy Fur #32
entire issue		January 1994
Underwater # 2December 1994
Underwater # 3May 1995
Underwater # 4September 1995
Underwater # 5February 1996
Underwater # 6May 1996
Underwater # 7August 1996
Underwater # 8December 1996
Underwater # 9April 1997
Underwater #10June 1997
Underwater #11October 1997

The Gospel of Matthew started in issue #15 of Yummy Fur in 1989 and continued through to the premature end of Underwater in 1997. As of 2011, it has yet to be finished.
Brown's gospels gained a reputation for being "ingeniously blasphemous" mainly from his Matthew retellings. In contrast to Mark's Jesus, who is "serene and always in control," in Matthew he is a scowling, balding figure, and "there is a more radicalized disbelief and a greater focus on the fleshy and earthly aspects of the story." Brown's depiction of the Matthew's version of the Saviour is "a Jesus that shouts. He's a Jesus that screams", his face "haggard and worn, his dark hair matted and stringy".
The disciples are depicted as awkward, fearful and full of doubt, who are "barely able to reconcile the greatness of God with the miseries of their existence".
As Brown has pointed out, starting with the full-issue installment of Matthew in Yummy Fur #32, he deliberately changed Jesus's third-person references to himself to first-person references in the dialogue.

Matthew sources

Amongst the books Brown cited for his Matthew adaptation are:
Matthew has been on hiatus since 1997, with the story left with Jesus about to enter Jerusalem. Brown had long said he planned on coming back to the story, but in an interview at The Comics Journal in 2011, he said he would not likely finish it, as his heart was no longer in it. He stated they were "poorly done".

Reception

The Gospel adaptations have generally been well-accepted by fans and critics. John Bell calls them Brown's most important uncollected work.
To Francis Hwang of City Pages, "the paradox of faith is brilliantly, heartbreakingly depicted" in the Gospel of Matthew.

Relation to Brown's other work

and biblical elements have found their way into almost all of Brown's work: