Chopsticks (music)


"Chopsticks" is a simple, widely known waltz for the piano. Written in 1877, it is the only published piece by the British composer Euphemia Allen. Allen—whose brother, Mozart Allen, was a music publisher—was sixteen when she composed the piece, with arrangements for solo and duet. The title "Chop Waltz" comes from Allen's specification that the melody be played in two-part harmony with both hands held in a vertical orientation, little fingers down and palms facing each other, striking the keys with a chopping motion. The similar "The Coteletten Polka" also was first heard in 1877, with the piano collection Paraphrases elaborating on the theme by 1879. "Chopsticks" continues to be popular in various forms of media.

''Paraphrases''

In 1877, Alexander Borodin's daughter played "The Coteletten Polka", with four bars of music similar to the beginning of de Lulli's work, though there is no hard evidence of a common source between the two pieces. A group of Russian composers—Alexander Borodin, César Cui, Nikolai Rimsky-Korsakov and Anatoly Lyadov—collaboratively composed three-hand piano variations on this theme for Borodin's daughter Gania. The original edition of this collection dates from 1879. The second edition was published the following year, under the title Paraphrases: 24 Variations et 15 petits pièces sur le thème favori et obligé. Franz Liszt was thrilled with this volume and composed a short tribute for piano solo to be inserted before Borodin's Polka. Later editions of the work saw it grow from 15 to 17 other pieces, including a contribution from Nikolai Shcherbachov when it was reissued in 1893.

In cinema, music and television

An equivalent of this rudimentary two-finger piano exercise was known in Russia in duple meter as "tati-tati" or the "Cutlet Polka". This version alternates the notes between the hands, rather than playing them at the same time in harmony.