Daniel Therriault is an American playwright, screenwriter and actor. He wrote the stage playBattery and the HBO films First Time Felon and Witness Protection.
As an actor in Chicago's off-Loop theatre movement in the 1970s, Therriault was nominated for a 1977 Jeff Award for Best Actor in a Principal Role for Who's Happy Now? at the Body Politic Theatre. He portrayed Mercutio in the Oak Park Festival Theatre's open-air production of Romeo and Juliet in 1977, and did seasons at the Alley Theatre in Houston, Texas, in 1976–77, and at the Milwaukee Repertory Theater in 1977–78. After relocating to New York City, he performed in The Mad Dog Blues at Shep in Rep Rock N' Roll Theatre in 1979. Around 1980, Therriault started writing. His first effort was the three-character stage play Battery, a black comedy set in Chicago that would go on to win six Drama-Logue Awards. The play depicts domineering electrician Rip, who manipulates the lives of his girlfriend Brandy and manic-depressive apprentice Stan. Its off-Broadway run at St. Clements in Manhattan in 1981 was the professional stage debut of actress Holly Hunter, who would go on to win the Academy Award for Best Actress for The Piano. The play was also produced by The Actors' Gang at Second Stage in Los Angeles in 1986 and 1989, directed by Richard Olivier and produced by Tim Robbins and Meg Ryan. Other productions include the Cast Theatre in Los Angeles starring LeVar Burton in 1983, Minnesota in 1986, Staatstheater Braunschweig in Germany in 1988–89, the Edinburgh Festival in Scotland in 1989, and Red BonesTheatre in Chicago in 1991. It was developed for the screen by Tony Richardson and Richard Olivier, but was never produced as a film. A 1986 Los Angeles Times review called Therriault's dialogue "a ripe blend of primitive slang and advanced metaphor." His second full-length play, The White Death, premiered at Kawaiahao Hall Theatre in Hawaii in 1986, and opened at the Cast Theatre in Los Angeles in 1987. Based in Hawaii, The White Death is a murder mystery in which a priest is sent to Hawaii to investigate a murder connected with his church. The Honolulu Advertiser deemed it "a controversial play dealing with sex, violence and God." Therriault's one-act Floor Above the Roof was completed in 1981 and premiered in Chicago in 1987 as part of the Great Chicago Playwrights Exposition at the Body Politic Theatre. It was performed in 1989 as one of four one-act plays in the Working Theatre's Working One-Acts '89 at the Henry Street Settlement Arts for Living Center in New York City. Revolving around four laborers in a Manhattan warehouse, the play is concerned with "how men deal with their hunger for women." Therriault is an alumnus of New Dramatists, and received a 1991 McKnight Foundation Artist Fellowship and residency at the Playwrights' Center in Minneapolis.
Radio
Therriault's 1992 radio play The Hitch, "a darkly comic road adventure," was chosen to initiate Marjorie Van Halteren's new Radio Stage series on WNYC. It is a re-telling of an autobiographical event where Therriault was hitchhiking with a female friend, and a driver tried to kill him and rape her. In 2002, it was translated and broadcast on the German public-broadcasting radio station Westdeutscher Rundfunk. His radio play Romance Concerto, about a concert violinist haunted by the memory of lost love, was performed on WNYC in April 1995.
Therriault is married to Alison Mackenzie, a former stage director. They met in the late 1970s when she cast him as the writer Euripides in the play October 12, 410 B.C., which she was directing at SoHo Rep in New York City. From 2013 to 2017, he was an adjunct professor in film and television at the New York University Tisch School of the Arts.
