Darrell Fitton


Darrell Earnest Fitton is an English electronic musician from Rochdale, England. Most of his work is recorded under the monikers Bola and Jello, released primarily on Skam Records. Fitton has also contributed to electronic acts D-Breeze, Brahma and Ooblo, and Autechre's Gescom project. Fitton was rumoured to have left the music industry in November 2007, but in 2017 he released the album D.E.G.

Biography

Fitton loaned equipment to Autechre in their early days and his first noteworthy involvement with electronic music was as assistant on their debut album Incunabula. His own first electronic music release came in 1994, on Warp's Artificial Intelligence II compilation. In 1995 he returned with the now more familiar Bola moniker, releasing the 1 12" on Skam Records. In 1996, he recorded the album Plink with Dennis Bourne and Wayne Edwards as Brahma. However, Fitton left the band to pursue his career as Bola. He and Dennis would later collaborate again on the tracks "Mauver" and "Pae Paoe". The debut album as Bola, Soup, came in 1998 and was described as "an impressive synthesis of the machine-beat ambiance of post-techno with warm, wistful analog soul". A rare set of 3 EPs called Shapes was released in 2000, pressed at only 300 copies; in September 2006, it was remastered and reissued in greater numbers by Skam, adding three bonus tracks.
On 2 January 2013, Fitton addressed the rumours of his retirement, stating "I figure 5 years of relative inactivity is an adequate musical absence. New music will be produced and released this year."
The latest Bola album, D.E.G. - short for Darrell Earnest is Gone - was issued in 2017. There have been occasional live performances, the most recent of which was in December 2012 at Adapter's Vertigo IV in Eindhoven.
Albums released as Bola are generally titled in a way that forms a play on words with Bola, e.g. Soup, Mauver, Fyuti, Gnayse, Kroungrine, D.E.G..

Style

Fitton's blend of electronica, jazz-influenced keyboard parts and ambient soundscapes has been described as "equally informed by the expansive emotions of electronica together with sensible melodies and cinematic atmospheres." "Bola travels in decidedly cinematic realms, crafting music that begs for emotional, tactile responses, ranging from sadness to fear to suspense," opined Tim DiGravina in a review of Fyuti for AllMusic. "All of this emotional manipulation is done through extended synth notes, pristine keyboards, and shimmering, otherworldly electronic elements."
While frequently described as "cinematic", Fitton's music has been noted as employing harsher, less accessible elements such as "austere synth textures and almost industrial-grade distortion". "Bola's work needs time to work its magic," states the Electronic Music Guide. "A patient listener will be hugely rewarded".

Discography

Albums